Not exact matches
Few contemporary critics of Eliot's ideas have disputed his diagnosis of society's ills,
as eloquently
presented in his
poems and more tendentiously in his essays.
The film
presents poetry in the context of the living presence of Ferlinghetti
as he reads many of his significant
poems, discusses his political and social activism and gives viewers an insight into his public and private life
as it unfolds over nine remarkable decades.
It's a striking combination of analysis and creative innovation that communes with the past and
present, uniting them
as a beautiful, absurdist tone
poem about the struggles facing those dealt less fortunate hands in life.
Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the
Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians
as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual
poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
To be sure, Life
presents itself
as more polished than Rob Epstein and Jeffrey Friedman's Howl (2010), starring James Franco (who has also portrayed Dean)
as Beat poet Allen Ginsberg during his obscenity trial for the titular
poem, if only because Corbijn manages to avoid a certain staginess.
The screenplay honor was
presented to South Korean director Lee Chang - dong for «Poetry,» his gentle portrait of a grandmother (Yun Junghee) struggling to write a
poem as she copes with the onset of Alzheimer's and her troublesome grandson.
Among the findings: (1) art activities can be integrated into classroom content and used to encourage rehearsal - type activities (such
as songs) that incorporate relevant subject matter, (2) incorporating information into story,
poem, song, or art form may place the knowledge in context, which can help students remember it, especially if the students are creating art that relates subject matter to themselves, (3) through artistic activities like writing a story or creating a drawing, students generate information they might otherwise have simply read, which will very likely lead to better long - term retention of that information, (4) physically acting out material, such
as in a play, helps learners recall information, (5) speaking words aloud results in better retention than reading words in silence, (6) increasing the amount of effort involved in learning new information (such
as being asked to discern meaning from an ambiguous sentence or to interpret a work of art) is positively associated with its retention, (7) emotionally charged content is easier to remember than content linked to events that are emotionally neutral, and (8) information
presented as pictures is retained better than the same information
presented as words.
Through the
poems, folk tales, prayers, and essays of writers from the past and
present, they illuminate traits that embody such values
as courage, loyalty, empathy, and generosity.
A suitable
poem for primary literacy
presented as a cloze - style (missing word) activity.
A collection of
poems by Robert Frost for the new CCEA
AS Level Specification: The Study of Poetry 1900 - Present: Robert Frost and Seamus Heaney I'll upload more as I make the
AS Level Specification: The Study of Poetry 1900 -
Present: Robert Frost and Seamus Heaney I'll upload more
as I make the
as I make them.
Following a stirring, personal introduction about the interplay of art and poetry, Greenberg
presents works by such writers
as Nancy Willard, X. J. Kennedy, Lee Upton, and Angela Johnson, all of whom wrote
poems inspired by artworks created through the century.
Going far beyond Longfellow's
poem, this
presents Paul Revere
as artist, statesman, revolutionary, entrepreneur, family man, and more, with archival illustrations.
The superb survey show of Vito Acconci's
poems, films, and archives currently at MoMA PS1 in New York makes you feel
as if you've been given a Christmas
present in July.
The
poems will be
presented as wall pieces in dark and white chocolate lettering.
This publication is conceived
as a platform to
present the wider scope of her work and at its core is a compendium of her writings, which oscillate between lyrical
poems and fable - like macabre short stories, including three new texts: The Half - Smile, Problems With The Moon, and An Inquisition To Divine The Necessary Things.
Franklin Parrasch Gallery
presents Round N» Round which includes recent sculpture and video
as well
as drawings,
poems, and letters from the past twenty years by Mark Gonzales until November 28, 2009 at 20 west 57th street, 7th Floor, New York.
She has published ten books, including Silk
Poems —
presented as a long - form
poem and
as an implantable, silk biosensor developed in collaboration with Tufts University's Silk Lab.
Sculpture Now assembles essays, statements, interviews, letters,
poems and other texts by artists from all over the world on sculpture
as it has been developed and practiced from 1990 to the
present.
It has been editioned
as an A1 lithographic print by information
as material to inaugurate a series of four poster
poems that will be
presented in conjunction with our residency at the Whitechapel Gallery, London, from April 2011.
For the group show EARS FOR THE EYES curated by Paul Carey - Kent at Transition Gallery (10 February — 4 March 2017), you are
presenting a painting entitled «Falling on Deaf Ears»
as well
as a
poem entitled «Hearing aids».
In these works, created on successive Sundays spanning six months, O'Grady produced collaged
poems made from public text;
presented as wall - mounted installations, the
poems hover between language and image, personal and political.
In response to his appreciation of and heightened attention to the work of René Daniëls, Metro Pictures
presents the group exhibition «Sputterances», that shares its name with a
poem by Daniëls, whose enigmatic and influential work serves
as the exhibition's point of departure.
Inspired by the
poem «O May I Join the Choir Invisible» by George Eliot, each work within this collection serves
as a metaphor for a song from the choir of experiences now past, but ever -
present.
The artist
presents her latest video series «Lessons» — an ongoing project — which the gallery describes
as a long, incomplete
poem in 180 sections.
Taking its title from a
poem by Walt Whitman, the Contemporary Art Gallery
presents a group exhibition
as the central feature of this year's Capture Photography Festival.
The retrospective includes 45 sculptures; over 160
poems and works on paper
presented in wooden vitrines designed by the artist; a selection of rarely exhibited assemblages known
as Dada Forgeries; and an unprecedented selection of photographs and ephemera.
/ / WRITING / / 2018 The Artist's Book
as Third Mind, The Journal of Artist's Books, JAB43, Spring 2018, Essay by Marianne Dages, originally
presented at the 2018 College Book Art Association Conference 2015 - 2017, Editor for the Napoleon Gallery Essay Series 2017 Reflect / Collect: An essay on the one's we know (w / Napoleon Gallery) 2016 Three
Poems, Bowietry, The Found Poetry Review, Spring On Language and Scale, an essay for the exhibition catalog of Sarah Hulsey's Iterations, Walter Feldman Gallery, Boston, Ma 2015 Marianne Dages: The Form Review, The St. Claire, w / Daniel Oliva
Like Burr's past work, which gave priority to Minimalist forms, characters, and discourses, the five new interrelated installations
presented at SculptureCenter focus on moments in American art history - in this case, those involving the stateside reception of European modernism
as filtered through figures like «Chick» Austin, director of the Wadsworth Atheneum from 1927 to 1944, and members of the New York School, particularly Frank O'Hara, whose
poem «Addict - Love» provides the exhibition title.