Everything is
presented as a silhouette — making the game, essentially, black - and - white.
Not exact matches
As well as presenting a collection of quirky styles and standout silhouettes, the Caten twins prove that they are also expert in fashioning timeless wardrobe staple
As well
as presenting a collection of quirky styles and standout silhouettes, the Caten twins prove that they are also expert in fashioning timeless wardrobe staple
as presenting a collection of quirky styles and standout
silhouettes, the Caten twins prove that they are also expert in fashioning timeless wardrobe staples.
Continuing to offer up fresh
silhouettes instilled with the label's coveted streetwear aesthetic, Adidas Originals
present this rad red and white sweatshirt
as part of their new season collection.
Although the fashion on feminine
silhouettes is back, classic pants were generally
presented in both classic cut
as well
as wide leg masculine design, both with crease and without.
It
presents collections and cuts well before the mainstream are ready for them, so by the time the new
silhouettes do trickle through to the high street boutiques, the designs are familiar and not
as daunting
as they first seemed to be when on the catwalk.
While the best outerwear pieces were the ones that opened the show, which featured oversized gold buttons on slightly oversized
silhouettes with fitted waists, the designer
presented a number of cutting edge
silhouettes including off - the - shoulder belted coats and cinched - at - the - waist outerwear
as dresses.
With painterliness, Mendes and cinematographer Conrad Hall
present this moody tableau in what is a continuation of the picture's running homage to the images, themes, even favourite subjects of American painter Edward Hopper, such
as an all - night diner in the middle of nowhere, an unevenly lit apartment, and
silhouettes imprisoned in blocks of yellow light.
More luxurious than its predecessor, the design accents of the second generation vehicle, such
as the iconic
silhouette and the introduction of rectangular headlamps in place of the circular ones have stood the test of time, making the vehicle instantly recognisable to the
present day.
David Hammons Whitney - Backed Pier Project Revealed: The artist's idea for a
silhouette of the building that formerly stood on the Hudson River outside the
present Whitney has been
presented to the local community board seeking approval: «The artwork, «Day's End,» an expansive frame of brushed stainless posts, would sit along the edge of Pier 52, known
as Gansevoort Peninsula, and extend south into the water.»
Presenting images that seem to have been shaken - spinning smaller frag - ments of seemingly cartoon mouths, teeth, eyes and
silhouettes -, the paintings capture a cartoon whirlwind of parts and portions
as they are about to come into existence.
MACUF - Museo de Arte Contemporáneo Gas Natural Fenosa, La Coruña Under the title «Almost Anything», the exhibition of the american artist Alex Katz at the Contemporary Art Museum Gas Natural Fenosa, MACUF,
presents a selection of 22 paintings of landscapes, scenes and portraits, mostly of them large size, with the plain style of this author of flat compositions,
silhouettes and «cutouts»,
as well
as portraits on cut out wood he has been made since the sixties.
Using imagery of mammies, pickninnies, sambos and other racial stereotypes, these
silhouettes present a powerful metaphor which she describes
as something that «says a lot with very little information».
Alex lsrael's (born 1982) series of Self - Portraits were developed through the evolution of a logo based on the artist's profile — an iconic representation of facial features that calls to mind the famous
silhouette of Alfred Hitchcock — originally created for the video piece
As It Lays, a beguiling and campy work of talk show — style interviews for which Israel cast himself as host, presented at Reena Spaulings» New York gallery in March 201
As It Lays, a beguiling and campy work of talk show — style interviews for which Israel cast himself
as host, presented at Reena Spaulings» New York gallery in March 201
as host,
presented at Reena Spaulings» New York gallery in March 2012.
Kara Walker adopts nineteenth - century
silhouette forms to
present racially exaggerated bodies, and Glenn Ligon, who does the same in his print series, also uses the monochrome canvas in his paintings
as both a metaphor and a foil for depictions of race.
As the Fondation Cartier writes, «The slow and laborious process leads to rich palimpsests of overlaid images, some fully
present, some masked, some only ghostly
silhouettes.»