Sentences with phrase «presented as a work of art»

What happens when an artist's studio is presented as a work of art within an institutional setting?

Drawn from a collection of photojournalism and documentary photography, many of the images have appeared in the press — but here they are presented as works of art in their right.

His specialty was the «ready - made» - a mass - produced article, chosen at random, isolated from its usual context and presented as a work of art.

In modern art, the term «found object» (a translation of the French phrase «objet trouvé») is used to describe an object, found by an artist, which - with minimal modification - is then presented as a work of art.

For example, his installation, Tas de Charbon, (Pile of Coal), 1963, is widely recognised as the first sculpture without structural form and also as the first recorded instance of an unmanipulated natural material presented as a work of art.

Not exact matches

Justice and peace, social service, awareness of and care for the environment, volunteer work; or liberal arts, discriminating inquiry, courses in professional ethics, gender studies: these are presented as the contemporary surrogates for faith.

The Mass Audubon Museum of American Bird Art has presented two exhibitions of his work, in 2000 and 2011, and owns more than 30 Clem artworks, as well as his archive, including correspondence and photographs.

The Bronx Council on the Arts presents Graffiti: Spirit of an Age @ 40 x 10, highlighting works by artists who began their careers as teens creating graffiti art, having now expanded to drawing, painting and sculpture.

The sometimes - campy, somewhat noir-esque tale, told from the perspective of the self - absorbed police inspector who fancied his search for his prey as his own work of art, presents its material with ample laughs, great style and beautiful cinematography.

He saw crossing between the towers as primarily a work of art, and Zemeckis, presenting the action from Petit's point of view, never forgets that.

This weekend the Museum of Contemporary Art, as part of its exhibit «Hall of Mirrors: Art and Film Since 1945,» is presenting not only Chantal Akerman, one of the finest filmmakers working anywhere, but also the two features I would describe as her greatest achievements — the 200 - minute narrative Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) and the 107 - minute documentary From the East (D'est, 1993).

Among the findings: (1) art activities can be integrated into classroom content and used to encourage rehearsal - type activities (such as songs) that incorporate relevant subject matter, (2) incorporating information into story, poem, song, or art form may place the knowledge in context, which can help students remember it, especially if the students are creating art that relates subject matter to themselves, (3) through artistic activities like writing a story or creating a drawing, students generate information they might otherwise have simply read, which will very likely lead to better long - term retention of that information, (4) physically acting out material, such as in a play, helps learners recall information, (5) speaking words aloud results in better retention than reading words in silence, (6) increasing the amount of effort involved in learning new information (such as being asked to discern meaning from an ambiguous sentence or to interpret a work of art) is positively associated with its retention, (7) emotionally charged content is easier to remember than content linked to events that are emotionally neutral, and (8) information presented as pictures is retained better than the same information presented as words.

Following a stirring, personal introduction about the interplay of art and poetry, Greenberg presents works by such writers as Nancy Willard, X. J. Kennedy, Lee Upton, and Angela Johnson, all of whom wrote poems inspired by artworks created through the century.

How do you go from working in a home for handicapped children to having a piece of your original art presented as an award to John Kennedy, Jr.?

As I've written before, digital disruption is usually kinder to entertainment than to art, but blink, blink, blink: this alignment of commercial forces — a sea of self - produced romance - dominated content, publishers on the prowl for just such material, and commoditized concepts of fast - churn output — might actually present a much more toxic landscape to more serious work than we've seen in the past.

In certain faculties (such as fine or performance arts), the thesis may be presented in a form of an artistic performance, a written work (of music, or of fiction, for example), or a painting or other artistic production.

For a group like the Criterion Collection, the prioritization of this concern happens through signaling their ongoing act of «working closely with filmmakers and scholars to ensure that each film is presented as its maker would want it seen and published in an edition that will deepen the viewer's understanding and appreciation of the art of cinema.»

When I first started trying to become an artist, to try to live off my creativity and think of my art as more than just a hobby; my apprehension and my attitude toward my own work showed in the way I presented myself.

As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.

Thus the exhibition, organised in partnership with the Art Gallery of Ontario, Toronto, explores the genre of landscape principally through the works of Paul Gauguin, Maurice Denis, Ferdinand Hodler and Vincent Van Gogh, but also presents North American painters such as Giorgia O'Keeffe and Emily Carr, who are less well known in France.

Presented by Queens Museum and No Longer Empty as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with project curator Jace Clayton (aka DJ / rupture).

The New Art Gallery Walsall has been selected to present the first year - long display of key works by Hirst as part of the ARTIST ROOMS national tour.

P.S. 1 Contemporary Art Center presents the work of eight artists as part of the summer 2007 cycle of the International and National Projects program.

LOS ANGELES — The Craft & Folk Art Museum (CAFAM) presents Paperworks, an exhibition that examines the range of work by fifteen contemporary artists with strong ties to Los Angeles who use paper as their primary medium.

The vitrines display sculptures with titles such as Historical Land Mind and Sandmandia, which are meant to be seen from above or in the round, while the niches present several works, including Elusive Combinations and Glorious Assemblage, whose branch - like forms and scroll - like bases evoke the art of bonsai.

Several renowned museums have presented Mori's solo exhibitions, as well as acquired Mori's works in their collections, including Centre Georges Pompidou, in Paris (France); The Prada Foundation, in Milan (Italy); The Museum of Contemporary Art, in Chicago (USA); The Los Angeles County Museum of Art, in Los Angeles (USA).

In her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls landscape paintings, which don't present landscapes so much as a kind of floating abstract world reminiscent of the work of the Chilean modernist, Roberto Matta, in their atmospheric effect.

Presented No Longer Empty and the Queens Museum as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with project curator Jace Clayton (aka DJ / rupture).

Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of contemporary art, as well as thematic exhibitions organized around questions central to the nature of art and life today.

As three different types of demonstration, these works propose the art exhibition as a format for investigating the intersection of socioeconomic, cultural, and epistemological intangibilities, while positioning the (nonprofit) gallery as uniquely qualified to present these investigationAs three different types of demonstration, these works propose the art exhibition as a format for investigating the intersection of socioeconomic, cultural, and epistemological intangibilities, while positioning the (nonprofit) gallery as uniquely qualified to present these investigationas a format for investigating the intersection of socioeconomic, cultural, and epistemological intangibilities, while positioning the (nonprofit) gallery as uniquely qualified to present these investigationas uniquely qualified to present these investigations.

As an ancillary exhibition to the art fair, Art Karlsruhe, Hilario Galguera and Art Cologne sponsored an exhibition of Hirst works presented in the church of Herz Jesu Kircart fair, Art Karlsruhe, Hilario Galguera and Art Cologne sponsored an exhibition of Hirst works presented in the church of Herz Jesu KircArt Karlsruhe, Hilario Galguera and Art Cologne sponsored an exhibition of Hirst works presented in the church of Herz Jesu KircArt Cologne sponsored an exhibition of Hirst works presented in the church of Herz Jesu Kirche.

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

As a tribute to the artist, P.S. 1 presents works created during the last five years of his life, all of which poetically articulate his knowledge of traditional Chinese culture and Western avant - garde art to engage Eastern and Western audiences.

ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitionof 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitionOF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitionof Donald Trump as well as numerous other critically - acclaimed exhibitions.

John Chamberlain, Robert Rauschenberg, and Cy Twombly go to China Gagosian Gallery Hong Kong is presenting an exhibition of sculpture by game - changers of post-war American art John Chamberlain, Robert Rauschenberg, and Cy Twombly, as well as new work by the irrepressible Austrian sculptor Franz West.

While in residence at the Torpedo Factory for the month of September, glass artist Joseph Cavalieri will present a lecture on the best ways to get the attention of editors and get your work into the press, based on his experiences as Art Director at GQ, People, and Good Housekeeping magazines.

DHC / ART Foundation for Contemporary Art is pleased to present French artist Sophie Calle who will speak about her development as an artist through a stunning visual compendium of her woART Foundation for Contemporary Art is pleased to present French artist Sophie Calle who will speak about her development as an artist through a stunning visual compendium of her woArt is pleased to present French artist Sophie Calle who will speak about her development as an artist through a stunning visual compendium of her work.

«These works present eloquent testimony to his role as a protean figure who not only created and contributed to new art forms and movements, but also forever transformed the very definition of art itself.

P.S. 1 Contemporary Art Center presents the work of eight artists as part of the Fall 2007 cycle of the International and National Projects program.

It begins with her early choreographic works and pioneering video performances, such as the Organic Honey series, and culminates with her most recent piece They Come to Us without a Word, which was presented in 2015 at the Pavilion of the United States for the 56th edition of the Venice Biennale, and will premiere in North America at DHC / ART.

Ranging from portraiture to performance, abstraction and representation, conceptual and craft - based work, the art in the Collection presents personal and political explorations of identity; feminism; materiality; and the body as the site of pleasure, violence, repression and expression.

Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.

Originally commissioned as»11 Rooms» by Manchester International Festival, the International Arts Festival RUHRTRIENNALE 2012 - 2014 and Manchester Art Gallery, this landmark exhibition will now be extended and presented at Pier 2/3 in Sydney's Walsh Bay including new and re-imagined works, specially commissioned for this project, by some of the world's most celebrated contemporary artists spanning six continents.

Gagosian Gallery Hong Kong is presenting an exhibition of sculpture by game - changers of post-war American art John Chamberlain, Robert Rauschenberg, and Cy Twombly, as well as new work by the irrepressible Austrian sculptor Franz West.

Taking an interest in ceramics in contemporary art as a starting point, the group show Slipped presents the work of 11 artists who bring a criticality to the history and materiality of ceramics.

Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in December 2013.

Composed of 25 works, which include paintings, sculpture, prints, works with paper, and installations, the exhibition explores a range of issues that have occupied Grabner since she started her creative career, such as the history of painting in relation to the present, the relationship of centre to periphery, the significance of routine in life and in art, and the integration of work into family life and vice versa.

The field of contemporary art, both in how it's presented and how it's thought about, is now populated by the contributions of older artists made back in the day, as well as the exciting work they are making now.

Over 300 pages illustrated with Zeller's own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the book includes some of the finest figurative art of the past and the present day.

The Mighty Scheme presents Fagen's most ambitious survey exhibition to date, in part comprising a new body of work originally conceived and exhibited as part of the Scotland + Venice, 56th International Art Exhibition of the Venice Biennale (curated by Lucy Byatt, Director of Hospitalfield, Arbroath).