Not exact matches
The connection between freedom and time (and between them and selfhood or personal identity) appears clearly in Sartre's insistence that the good novel
present a self shaping an open future, not a puppet ruled by the past whose end is contained in his beginning: «But in order for the duration of my impatience and ignorance to be caught and then moulded and finally
presented to me
as the flesh of these creatures of
invention, the novelist must know how to draw it into the trap, how to hollow out in his book, by means of signs at his disposal, a time resembling my own, one in which the future does not exist.
ScientificAmerican.com
presents some of this year's most exciting high - tech toys
as well
as gadgets to make the planet greener and
inventions designed to deliver the most basic needs to developing countries
We are at
present, far from seeing a practical mode of replacing that granary of force, the coal - fields; but we may with confidence rely on
invention being in this case,
as in others, born of necessity, when the necessity arises.
«In the book, Morvern has tapes that are made up already; it's not something he leaves her
as a
present that was a new
invention.
``... the differentials used with the
present invention can be configured
as open, locked or limited slip, although preferably an open or limited slip differential is used.»
Illustrated with cartoonlike artwork, the book compares
present - day gadgets and technology, such
as batteries, lightbulbs, and vending machines, with
inventions created in Edison's lab.
As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014
As an independent curator, he has
presented exhibitions in Brazil and abroad, such
as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014
as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The
Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).
As soon as Talbot announced his invention of photography in 1839, he realized that its ability to freeze time enabled him to present the visual spectacle of the world in an entirely new wa
As soon
as Talbot announced his invention of photography in 1839, he realized that its ability to freeze time enabled him to present the visual spectacle of the world in an entirely new wa
as Talbot announced his
invention of photography in 1839, he realized that its ability to freeze time enabled him to
present the visual spectacle of the world in an entirely new way.
Self - identified
as «the painter of space,» Klein sought to achieve immaterial spirituality through pure color (primarily an ultramarine blue of his own
invention — International Klein Blue) and even went so far
as to
present white galleries emptied of all artworks for his renowned 1958 exhibition of «the Void.»
The Phillips
presents a survey of drawings and paintings by George Condo (b. 1957, Concord, New Hampshire), a prolific painter whose career spans three decades and is best known for his rich pictorial
inventions, existential humor, and imaginative portraits that incorporate a hybridization of art - historical influences, such
as Goya, Velázquez, Manet, Picasso, and Guston.
The Federal Circuit stresses that,
as Judge Posner recognized, «the plain meaning of «server,» when viewed from the perspective of a person of ordinary skill in the art, entails a client - server relationship», and points to Fig. 1 of the patent specification, which shows an analyzer server
as a separate module (item 165, «program of the
present invention») from the «application» (item 167).