Sentences with phrase «presented at major institutions»

Recent exhibitions have been presented at major institutions including MoMA, New York (2015); Chinati Foundation, Marfa, TX (2013); Museum Moderner Kunst Stiftung, Vienna (2009); Dia, Beacon (2008); and Museo Nacional Centro de Arte Reina Sofía, Madrid (2008).

His works have been presented at major institutions including The Serpentine (London), Zentrum für Kunst und Medientechnologie (Karlsruhe), Artists Space (New York) and the Institute of Contemporary Art (London).

Not exact matches

Since the major financial institutions which comprise the financial system are still way overleveraged and opaque (in fact with record amounts of debt and derivatives at present), such a break in confidence could happen abruptly and without warning.»

As an alternative, we decided to collaborate with a community - based summer enrichment program to present teacher candidates, defined at this institution as an undergraduate education major participating in field experiences and methods classes prior to student teaching, with an appropriate field experience.

She has presented her work at major institutions in the US and Europe, including the Stedelijk Van Abbemuseum, Eindhoven, 1985; Centre Georges Pompidou, Paris, 1990; Neue National Galerie, Berlin, 1993, and the Museum of Modern Art, Oxford, 1995.

For her Performa Commission and first major solo presentation at an institution in New York, South African artist Tracey Rose will present The Tracey Rose Show in collaboration with Performa17 and AFROGLOSSIA presents: The Good Ship Jesus vs The Black Star Line hitching a ride with Die Alibama [working title], a multi-part durational performance.

Abramović has presented her work with performances, sound, photography, video, sculpture and Transitory Objects for Human and Non Human Use in solo exhibitions at major institutions in the U.S. and Europe.

Slavs and Tatars have presented solo exhibitions at major institutions including MoMA, NY; Secession, Vienna; REDCAT, Los Angeles; Kunsthalle Zurich, and the Dallas Museum of Art.

He has been the subject of major international exhibitions over the last 40 years, most recently at the Palazzo Cini, Venice (2015) and a retrospective simultaneously presented at three Italian institutions: MADRE — Museo d'Arte Contemporanea Donnaregina, Naples, GAM — Galleria Civica d'Arte Moderna e Contemporanea, Turin, and MAXXI — Museo Nazionale delle Arti del XXI Secolo, Rome (all 2014).

Abramović has presented her work with performances, sound, photography, video and sculpture in solo exhibitions at major institutions in the U.S. and Europe.

She has presented major solo exhibitions at numerous institutions, most recently at the Yorkshire Sculpture Park in England.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball event at The Joule Hotel.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball at The Joule Hotel.

Eleven years after Kehinde Wiley's first - ever solo museum exhibition, Passing / Posing, opened here at the Brooklyn Museum in 2004, we are proud to present Kehinde Wiley: A New Republic, a celebration of this major American artist and of our institution's long - term commitment to him.

Major solo exhibitions of her work have been presented by institutions including the Institute of Contemporary Arts, London in 2015; Museum der Moderne Salzburg, Austria in 2014 (traveled to Museum für Moderne Kunst (MMK 1), Frankfurt in 2015); The Museum of Modern Art, New York in 2013 (traveled to the Museum of Contemporary Art Chicago; Dallas Museum of Art, both in 2014); Whitechapel Gallery, London in 2009 (traveled to Museum Ludwig, Cologne); Museum Abteiberg, Mönchengladbach, Germany in 2002 (traveled to Kunsthalle Zürich in 2003); The Renaissance Society at the University of Chicago in 1992 (traveled to Portikus, Frankfurt; Palais des Beaux - Arts, Brussels; Städtisches Galerie im Lenbachhaus, Munich, both in 1993); and Rheinisches Landesmuseum, Bonn, Germany in 1988 (traveled to Kunstmuseum Winterthur, Switzerland; Museum Boijmans Van Beuningen, Rotterdam, both in 1989).

Since then, Johnson's star has been on the rise and he has rocketed to prominence, presenting shows at major institutions and galleries in both the US and abroad, including the 2011 Venice Biennale; a survey show at the Museum of Contemporary Art in Chicago (2012) which traveled to the Miami Art Museum; the High Museum, Atlanta; and the Kemper Art Museum, St. Louis; as well as large - scale solo exhibitions at the South London Gallery (2012); Ballroom Marfa, Texas (2013) which traveled to the MCA Denver in 2014; the George Economou Collection in Athens (2014); and most recently at the Drawing Center in New York (2015).

To capture the present moment, the curators acted quickly, spending less than a year organizing the show, working at a pace more common for a small commercial gallery than a major institution.

Though different in intent, both papers were focused on presenting new ideas for how decentralized blockchain networks could scale at a time when the conversation was dominating industry conversation both among major financial institutions, who are seeking to leverage the technology for existing high - volume transaction systems, and bitcoin developers, who are working on solutions to scale the digital currency's transaction capacity.