Sentences with phrase «presented by the contemporary»
Negative Space (STScI - PRC2012 - 10a), 2013 Photographic mural 126 x 590 inches / 320 x 1498 CM Exterior view, Yaletown - Roundhouse Station, Vancouver, Canada Presented by Contemporary Art Gallery, Vancouver Photo: SITE Photography
http://mungothomson.com/
Presented by the Contemporary Art Society and the artist through Great Works, supported by the Sfumato Foundation, 2016
Presented by the Contemporary Art Society through Valeria Napoleone XX Contemporary Art Society (VN XX CAS), 2016/17
Focusing on implications of conformity and its expectations as presented by contemporary artists, this show looks at images that explore the meaning and attitudes behind the outfit — be it a three piece with tie or a superhero.
62 Artist: John Hoyland 1934 - 2011 Date: 1962 Classification: painting Medium: Oil paint on canvas Dimensions: support: 1727 x 1727 mm Presented by the Contemporary Art Society 1964 © John Hoyland
This exhibition is curated by Claire Tancons and Krista Thompson; organized and presented by the Contemporary Arts Center (CAC), New Orleans; and co-organized as a traveling exhibition by Independent Curators International (ICI), New York.
Presented by The Contemporary Austin.
Great Works Presented by the Contemporary Art Society through Great Works, supported by the Sfumato Foundation, 2017
Presented by the Contemporary Art Society with the support of the Norfolk Contemporary Art Society, 2016
Presented by the Contemporary Art Society, with the support of Amgueddfa Cymru — National Museum Wales, and the Derek Williams Trust, 2015
A series of four prints also presented by the Contemporary Art Society echoes the video's engagement with themes of Scottishness in Maclean's signature maximalist style.
The Short and the Long of It (2010 - 12), currently on view at Towner Eastbourne in the exhibition Land and Sea (13 September 2014 — 18 January 2015) was presented by the Contemporary Art Society to Towner's Collection with the support of the V&A Purchase Grant Fund in 2014.
Presented by the Contemporary Art Society with the support of the Imperial War Museum and Wolverhampton Museum & Art Gallery, 2014 Larissa Sansour (b. 1973, Jerusalem) studied Fine Art in...
Early One Morning Artist: Sir Anthony Caro 1924 - 2013 Date: 1962 Classification: sculpture Medium: Painted steel and aluminium Dimensions: object: 2896 x 6198 x 3353 mm Presented by the Contemporary Art Society 1965 Courtesy of Barford Sculptures Ltd
Looped Network Suspended in Pictorial Space Artist: Gillian Wise born 1936 Date: 1974 Classification: painting Medium: Acrylic paint on plastic Dimensions: support: 1626 x 1219 x 23 mm Presented by the Contemporary Art Society 1975 © Gillian Wise
Kara Walker, Jeff Koons, Jean - Michel Basquiat, Roy Lichtenstein, Keith Haring, El Anatsui, Jasper Johns, Barbara Kruger and Andy Warhol were just a few of the artists whose work was presented by the contemporary art museum founded by philanthropists Eli and Edythe Broad that opened in September 2015.
This unique commissioning award is presented by the Contemporary Art Society to a museum or public gallery in the UK with a nominated artist.
He is well known for his use of rich pigment and imposing, yet popular works, such as the vast, fleshy and trumpet - like Marsyas, which filled the Tate's Turbine Hall as part of the Unilever Series, the giant reflecting, pod like sculpture Cloud Gate in Chicago's Millennium Park and his recent record breaking show at the Royal Academy, the most successful exhibition ever presented by a contemporary artist in London.
Presented by the Contemporary Art Society, 2005, purchased with a grant from The Henry Moore Foundation
5]» Fragment of label inscribed «Victor Pasmore «Nude»» and printed «TO BE RETURNED TO PLATT HALL, RUSHOLME, MANCHESTER» Back of canvas stamped, «No. 3 prepared by C. ROBERSON & Co. 71 PARKWAY, London, NW1» Presented by the Contemporary Art Society 1951 Provenance: Purchased from the artist by the Contemporary Art Society 1942 Exhibited: Redfern Gallery, London, Feb. - March 1943 (4) British Painters 1939 - 1945, Arts Council tour 1946 - 7 (43) Contemporary Art Society Anniversary Exhibition: The First Fifty Years 1910 - 60, Tate Gallery, London, April - May 1960 (54) Victor Pasmore: Retrospective 1925 - 65, Tate Gallery, London, May - June 1965 (28) British Painting 1900 - 1960, Sheffield City Art Gallery, Nov. - Dec.
Associate critic Mark - Brian Sonna chose A TRIP TO BOUNTIFUL, presented by the Contemporary Theatre of Dallas last April / May as «THE BEST production in DFW last year.»
Not exact matches
When this is done, no argument is needed against the real presence of a past figure, for a past figure by definition is not the present subjectivity, is not contemporary, and is precisely one no longer subject to being presented through the senses.7 The presence of a past figure can be made intelligible and justified only by a quite different notion of presence specifically appropriate to the relation of the past to the present.
... the objectifications of the presented duration represent a recovery by its contemporaries of a very real efficacy in the determination of M [an actual occasion].
While monasticism in modern times has been deeply influenced by Dom Paul Delatte's rather rigorous interpretation of the Holy Rule (he was Abbot of Solesmes from 1890 to 1921) we find in Hugh Gilbert's firm but gentle hands a rather more humane understanding of the contemporary mind, particularly in his substantial treatment of the concept of obedience (a minefield for any Christian apologist) which stands at the centre of this present work.
The author, warden of Greyfriars and lecturer in history and doctrine at Oxford, clearly poses the question of his title, examines the answers to the question proposed by Scripture, authoritative tradition, and a wide variety of contemporary thinkers, and then presents his own conviction, persuasively giving the reasons why.
It is only properly applied to the contemporary region illustrated by «grey» on the assumption that this contemporary region is the prolongation, of that historic route, into the presented locus.
A member of African society has a moral responsibility in regards to past generations to venerate the ancestors; a moral responsibility in regards to the present generation to consider the well - being of his / her contemporaries throughout the community; and a moral responsibility in regards to future generations to create conditions which serve the well - being of those who are called «the beautiful ones» by Ayi Kwei Armah in his classical novel — The Beautyful Ones Are Not Yet Born.
Altizer's position represents his attempt to grasp the inner logic of the Incarnation, though he is fully conscious of the fact that the profanity of contemporary culture plays an essential role in his formulation of a radically immanental interpretation of Christ.31 He presents a telling case against attempts in Christian theology to conceive God as an immutable Absolute wholly unaffected by the contingencies of history.
By way of contrast, Volf presents the manufacture and sale of the iPhone as a living example of contemporary globalisation.
[1][2] It is a contemporary adaptation of the traditional teleological argument for the existence of God, presented by its advocates as «an evidence - based scientific theory about life's origins» rather than «a religious - based idea».
Informed by contemporary experience of the apparent eclipse of mystery, by the sorrow and oppression in much social existence, by the horrors of genocide, and by the modern threat of meaninglessness to the individual's existence, we now seem to be noticing more explicitly than ever before the image of God's self - emptying, or kenosis, that has always been present in Christian tradition.
Constructive theology, aware of God's continuing revelation in the present, is a hermeneutical mode of reflection that, by exploring our particular historical, social and cultural situation in the light of the church's tradition, attempts dialectically to make sense of both our contemporary experience - knowledge and our tradition.
Contemporary study of the early Christian movement presents a very different, much more diverse and complicated picture of it than that summarized by Martin in this book.
Thus «faith», the pattern of contemporary religious experience which is to relate us to God through Christ, can not by its very nature be built upon «the present evil aeon», with all that it provides of worldly security under man's control and invariably at his disposal; by definition «faith» is the life given in death, and consequently has its basis beyond our control, is lived out of the future, is «an act of faith».
Indeed, this inherited phrasing of hope is so clearly set forth that it seems impossible to read it away, to ascribe it altogether to the disciples» misunderstanding, to poetize it or otherwise dispose of it except by taking it as a familiar, contemporary way of thinking used by Jesus when he imagined the end of the present evil age and the inauguration of the kingdom of God.
It is directly perceived in presentational immediacy, «while the causal past, the causal future, and the other contemporary events, are only indirectly perceived by means of the extensive relations to the presented locus» (PR 169/257).
This claim is frequently presented, whether implicitly or explicitly, as a correlative to the idea that Christianity often as personified by Jesus or less frequently by Paul - was «goad» for women, paid them particular attention, or at least offered them opportunities not otherwise available, to caricature, the ideal of «the Feminist Jesus».60 In an admirable and scholarly article Leonard Swidler has marshaled historical evidences to show convincingly that Jesus was a Feminist.61 The politics of such a view is self - evident, for much study of the subject has developed within a context where women were struggling to establish a proper role for themselves within the contemporary church; to this end they have sought an egalitarian past to act as model for present polity.62
Even assuming Whitehead did not intend to imply present actualizations are causes in past actualities, 9 still, there is one important exception to the truth that a satisfied actuality is in all superseding actualities: Beings created by contemporaries are not in every successive process.
The prophetic literature deals with guilt arid punishment, reality and unreality, present and future of the Israelite people as chosen by God for a special and unique service, the declaration of the great and moving contemporary events in the world as part of a process which, together with the future issue of that process, is willed by God.2
The entire history of Christian thought may be studied in these terms, and the present book is guided in its presentation of contemporary Protestant theologies by the kinds of problems that have emerged.
Stepparenting the Grieving Child: Cultivating Past and Present Connections with Children Who Have Lost a Parent Written by Diane Ingram Fromme; Edited by Donna Mazzitelli Merry Dissonance Press Gold — Adult Books: Parenting — Contemporary Families
In contemporary British politics, this idealist language is present in various political discourses: the project of a «Big Society» championed by the Conservatives aimed at reinvigorating altruistic values in citizens» behaviours so that they would help themselves and their fellow citizens instead of being «assisted» by the State.
Such a prediction can be tested by calculating the number of generations and individuals it would take to account for the molecular variability present in contemporary maize.
«While previous DNA studies have produced evidence for bay and black horses, our study has demonstrated that the leopard complex spotting phenotype was also already present in ancient horses and was accurately depicted by their human contemporaries nearly 25,000 years ago.»
About Site - Art21 was founded in 1997 with the mission to increase knowledge of contemporary art, ignite discussion, and inspire creative thinking by using diverse media to present contemporary artists at work and in their own words.
As well as presenting a reputable collection of ready - to - wear pieces, See By Chloé flexes its contemporary offering to their footwear range.
The purpose of the present research was to provide an empirical exploration of the validity of the layperson stigma towards users of contemporary MMIs by assessing the extent to which users and nonusers of these various services differ on key individual characteristics relevant to relationship initiation and progression.
The Ninth Annual Film Symposium on New Trends in Modern and Contemporary Italian Cinema featuring the work of filmmaker Vincenzo Marra is presented by Indiana University's Department of French and Italian.
This week, Morning Star Productions presents a contemporary drama by Morningstar Artistic Director Alan Atwood.
Redgrave juxtaposes our horrifying present of inadequate refugee quotas and humanitarian disasters (like last year's clearing of the Calais migrant camp) with the refugee crises of WWII and its aftermath, recalled with archival footage, contemporary news reports and personal testimony — including an interview with the eloquent Labor politician Lord Dubs, who was one of the children rescued by the Kindertransport.