Sentences with phrase «presented in the largest space»

The exhibition — the most expensive and elaborate the institution has ever mounted, presented in the largest space in which the artist has ever worked — considers the collision of race and gun violence.

Not exact matches

This market also presents different opportunities, especially in the large - cap space, says Louis Lau, director of investments for Brandes Investment Partners.

Space is Empty: In ancient times it was variously believed that the earth sat on a large animal or a giant, or even that a mythical Atlas supported the pillars that held heaven and earth apart, and / or carried the earth around on his shoulders (Where he stood while doing so presents an interesting conundrum).

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

If these giant moons around giant planets exist, they might already be present in the available data of NASA's Kepler space telescope, or they could be detectable with the European Space Agency's upcoming PLATO space mission and European Southern Observatory's ground - based European Extremely Large Telesspace telescope, or they could be detectable with the European Space Agency's upcoming PLATO space mission and European Southern Observatory's ground - based European Extremely Large TelesSpace Agency's upcoming PLATO space mission and European Southern Observatory's ground - based European Extremely Large Telesspace mission and European Southern Observatory's ground - based European Extremely Large Telescope.

Then the larger research team used data from the sensor onboard the European Space Agency's Envisat satellite MEdium Resolution Imaging Spectrometer (MERIS) to examine how the color of the lake water changed during those years — an indication of the concentration of the toxic blue - green algae present in HABs.

For example, in April 2010, a large magnetic disturbance resulted in a communications failure, causing a satellite to uncontrollably drift in space and presenting a hazard to nearby satellites.

The outer disk is revealed in reprocessed archival Hubble Space Telescope NICMOS F110W images, as well as new coronagraphic H band images from the Very Large Telescope SPHERE instr... ▽ More We present the first scattered - light images of the debris disk around 49 ceti, a ~ 40 Myr A1 main sequence star at 59 pc, famous for hosting two massive dust belts as well as large quantities of atomic and molecularLarge Telescope SPHERE instr... ▽ More We present the first scattered - light images of the debris disk around 49 ceti, a ~ 40 Myr A1 main sequence star at 59 pc, famous for hosting two massive dust belts as well as large quantities of atomic and molecularlarge quantities of atomic and molecular gas.

Secondly, because of the large space present in them, you can easily bend your legs, without getting irritated or fearing you may actually tear your dress apart.

Generally presented out of a larger context and especially in the space of author services, these moves can seem either exploitative (fiercely hated author services bought by major publishers) or too little too late to a jaded writer corps.

Many of the artists represented in Painting in Space have collaborated with CCS Bard on major projects, including Tunga's first U.S. survey presented at CCS Bard in 1997; Olafur Eliasson's large - scale installation, The parliament of reality, permanently installed on the Bard campus; and Lawrence Weiner's floorscape, Bard Enter, installed on the entrance walkway to the Hessel Museum.

The Birmingham Museum of Art is proud to present Third Space, the first large exhibition of contemporary art from the Museum's own collection.Third Space features over 100 works of art in a variety of mediums, including painting, sculpture, drawing, photography, and...

The International Center for Photography is currently presenting a large exhibition of Latin American photography, the Museum of Modern Art has devoted its main exhibition space to Brazil's Lygia Clark, and the Bronx Museum of the Arts is looking at the legacy of modernist architecture in Latin American cities.

This major solo exhibition will feature several new ballpoint works including two very large - scale works on canvas and will be presented at the gallery's monumental project space in the Railyard District across from SITE Santa Fe.

As part of the transition to our new, expanded facility, we are very excited to unveil the revamped McKernan Gallery in late summer, which will now showcase contemporary art from 2000 to the present and a larger New Media & Digital Media space.

«DTLA,» the inaugural show at UTA Artist Space — presented in association with Luhring Augustine Gallery — recognizes each of these mediums and marks the largest display of Clark's work in Los Angeles to date.

If the latter is intrinsic to the experience of his «Flo» paintings, in the four large diptychs Richter has presented in the main ground floor space, reflection has been employed almost entirely in lieu of mark - making in itself, which opens up fundamentally different readings of the monochrome.

In a beautifully installed show in Stephanie Theodore's new (also larger) upstairs space at 56 Bogart Street, four Brooklyn - based painters, Steven Charles, Michael Callaghan, Brian Dupont, Christopher Moss present a selection of recent, but thematically unrelated, worIn a beautifully installed show in Stephanie Theodore's new (also larger) upstairs space at 56 Bogart Street, four Brooklyn - based painters, Steven Charles, Michael Callaghan, Brian Dupont, Christopher Moss present a selection of recent, but thematically unrelated, worin Stephanie Theodore's new (also larger) upstairs space at 56 Bogart Street, four Brooklyn - based painters, Steven Charles, Michael Callaghan, Brian Dupont, Christopher Moss present a selection of recent, but thematically unrelated, work.

Turner Prize winner, Mark Leckey presents his largest exhibition of work to date at the MoMA's alternative little sister space, PS 1 in Long Island City.

In the East Building, large flexible spaces can be transformed to present exhibitions as elaborate and varied as Treasure Houses of Britain (1985 — 1986) and Art Nouveau (2000 — 2001).

CCNOA presents a large site - specific wall painting by British artist Terry Haggerty in the main space.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

At 20 feet in diameter, and surrounded by wide fields, the steel sphere also resembles various real and imagined structures of the present and extrapolated future, such as radio transmission towers, satellites, and other large - scale devices related to space exploration and scientific inquiry.

Highlights include a performance festival hosted in collaboration with the Louvre (featuring works by Tim Etchells, Alexandre Singh, and Otobong Nkanga); the inauguration of the Salon Jean Perrin, a new exhibition space (here, nine dealers, among them Richard Saltoun and Arnaud Lefebvre, present solo shows of artists from the 1970s); and On Site, a new section at the Petit Palais showcasing large sculptural works and installations.

Presented as a three - channel projection in the gallery's main space, it is an excerpt from a larger series of eight videos the artist produced in kitchens in and around New York City.

His recent series, the «Demo» projects are interventions in the public space that use some of the same characteristics as a theatre set to create playful, surreal, large - scale illusions captured on video and presented as short films.

Tiny Park presents its last exhibition in the Navasota Street space and will include two large - scale works that are a continuation of Aragon's series of hand - drilled portraits.

Matthys Gerber's paintings have been presented in a capacious exhibition space — and the «tracking shot» concept makes a welcome return — with the viewer's eyes acting as a steadicam, panning across large abstract paintings.

Intended to act in the space between knowledge and emotion, his dream - like oil paintings consider the present moment as part of a larger, intuited (perhaps mythic) history.

In this space, SiTE: LAB focuses on presenting large - scale, site - specific work by both local and international artists.

In the project space, Yvonne Estrada will present a large selection of recent drawings and paintings in a free form installation that highlights their similarities and differenceIn the project space, Yvonne Estrada will present a large selection of recent drawings and paintings in a free form installation that highlights their similarities and differencein a free form installation that highlights their similarities and differences.

The G2 continues to present artworks from the Hildebrand Collection in its more than 1,000 squaremeters large exhibition space.

El color en el espacio y en el tiempo (Color in Space and Time) at the Museo Universitario Arte Contemporáneo — MUAC in Mexico City present a large retrospective of the Venezuelan artist Carlos Cruz - Diez.

PERMANENT COLLECTION The G2 continues to present artworks from the Hildebrand Collection in its more than 1,000 squaremeters large exhibition space.

Ron Porter will present large works from his ongoing truck series in which he expands his precision of roads, reflections and sky into playful arrangements of space and time.

Both presenting new canvases and working on a large scale — the smallest painting in the exhibition is 6 feet tall — the two artists» paintings are hung alternating around the gallery space.

The Whitney presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), a large - scale installation by Robert Irwin that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

CCNOA presents the new large site - specific installation entitled Abstract Thought Is A Warm Puppy by Italian artist Esther Stocker in their main space, a retrospective of collaborative works by Alexandra Dementieva (RU / B) & Aernoudt Jacobs (B) in their multimedia space as well as new works by Sacha Goerg (CH / B), Clemens Hollerer (A), Michal Skoda (CZ), and Justin Andrews (AUS) in their project space.

In the first, Xi Zhang presents a selection of his most recent large - scale paintings in the solo exhibition IMAGINE, a collaboration with ATC DEN, Denver's newest and most elegant exhibition space run by Plus Gallery artist Laura KrudeneIn the first, Xi Zhang presents a selection of his most recent large - scale paintings in the solo exhibition IMAGINE, a collaboration with ATC DEN, Denver's newest and most elegant exhibition space run by Plus Gallery artist Laura Krudenein the solo exhibition IMAGINE, a collaboration with ATC DEN, Denver's newest and most elegant exhibition space run by Plus Gallery artist Laura Krudener.

As the Chrysler will present this exhibition in a larger space than the original show, we'll feature additional selected Lalique works from both gracious private collectors and the Chrysler's permanent collection.

The process of moving through varying antibiotic concentrations over a large space presents more of a challenge than in the tiny plates filled with uniform doses in a traditional lab experiment.

Also present is Jennifer Rubell, who installed a large brown leather sofa in the middle of the small, white - box space.

A satellite project space in New York presents ancillary exhibitions related to the larger shows in Germany.

Set in a stadium - sized space, artists were invited to present existing or commissioned large - scale sculptures, paintings, installations, projections, and live performances, free of the confines of the traditional walls of art fair booths.

The Birmingham Museum of Art is proud to present Third Space, the first large exhibition of contemporary art from the Museum's own collection.Third Space features over 100 works of art in a variety of mediums, including painting, sculpture, drawing, photography, and video, by artists such as Kerry James Marshall, Ebony G. Patterson, Mark Bradford, José Bedia, Thornton Dial, and William Christenberry.

The spaces are presented devoid of people and out of context; the empty set of television's The Price is Right, NASA's Control Room, and CERN's Large Hadron Collider are captured in rare moments of inactivity.

Working in a stunning variety of materials — including wood, stone, metal, plaster, resin, acacia thorns — the artist makes palpable and present the analogous processes of nature and art: carving large trees along their growth patterns to reveal the sapling contained within; elaborating the interior space of his closed hand into a large - scale sculpture that both contains his hand and enlarges the space it contains; rendering the swirling mists of his breath in the cold in tactile clay forms that contain the impression of his body.

These multidisciplinary arts will be presented in a large open space in the Museum's fourth floor galleries.

These works present an investigation of methods of social action, from rehearsals and re-enactments in urban environments that address the politics of public space to large - scale communal participation where the culmination of many small acts achieves mythic proportions.

Some others, such as the Macba in Barcelona, the Denver museum by Libeskind, the Hanoi museum and the Hellenic museum in Athens, present large iconic ramps, albeit they are rarely used as actual exhibition spaces.