Sentences with phrase «presenting archival materials»

In order to investigate the contemporary relevance of Black Mountain's pedagogical approach, students from various colleges are presenting archival materials in the form of readings, concerts and performances within the exhibition itself over the entire duration of the show.

It presents some archival materials and shots from the film along with a series of new interviews.

This exhibition presents archival materials from the newly acquired Larry Rivers Papers, including correspondence, source material, and photographs.

Not exact matches

In doing so, he makes use of archival materials of several of the most important participants and a long interview with Charles Curran as well as a briefer one with me, bearing on an informal meeting, at which I was present, the evening before the September 5, 1968 meeting of the Trustees.

While our production values are archival, the material we present is fresh and exciting.

Using both digital and analogue techniques to create an immersive cinematic experience, he now presents the work alongside large scale, silver gelatine photographic pieces, as well as archival material.

For the first time in Europe, the Steven Kasher Gallery artist Stephen Shames is presenting an exhibition of original prints and archival materials that retrace his investigation into 1960s - 70s America.

The exhibition presents a unique selection of Bucher's most significant works, along with screenings of audiovisual documentation and never before seen archival materials.

They will present a «living history» of Riot Grrrl, with new work by a half - dozen contemporary artists significantly influenced by the movement's ethos, alongside a host of rare archival materials from its heyday — zines, flyers, videos, records, cassettes, and other ephemera.

This first retrospective devoted to Control presents artworks, film and archival materials by major artists featured in the magazine.

The gallery will present a solo exhibition in New York in March 2018, featuring works from the artist's «Wooster» series, including paintings, works on paper, archival material and photographs of the Wooster Designator street works.

This new solo exhibition uniquely presents a selected survey of rarely seen experimental short films and video installations by Weerasethakul, alongside his photography, sketches and archival materials that explore threads of socio - political commentary.

Galleries on the fourth floor present Abstract Expressionist paintings, sculptures, prints, drawings, photographs, films, and archival materials in a display subtitled The Big Picture, marking the first time in the history of the new Museum building that a full floor has been devoted to a single theme.

Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist's career in 20 years, an important contribution to American cultural and intellectual history across disciplines and a necessary volume for anyone interested in art of the present day.

But intimate drawings of young men, archival material from a world tour through Europe and southeast Asia, and drawings produced with his mother, present the complexities of Warhol's personal journey for success at the start of his career.

They present a «living history» of Riot Grrrl, with new work by a half - dozen contemporary artists significantly influenced by the movement's ethos, alongside a host of rare archival materials from its heyday — zines, flyers, videos, records, cassettes, and other ephemera.

Presented in a custom frame with all archival materials and museum glass, outer dimensions measure 27 3/4 x 21 1/4 inches.

At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of photographic and archival material from the artist's studio, presented thanks to a collaboration with the Dublin City Gallery The Hugh Lane.

First, film artist Duncan Campbell (born 1972) has been selected for his piece It for Others in Scotland + Venice which was presented at the 55th Venice Biennale, and is a response to 1953 French essay film Statues Also Die which includes archival footage and new material, such as a new dance piece by choreographer Michael Clark.

Simultaneously with the work of artists will be on display and a small part of archival and documentary material with photos of the marine life of Patmos, from major monuments and ceremonies of island associated with water as well as images and texts associated with the collection, the management and the consumption of water in Patmos in the past and the present.

Strange Currencies revisits the development of experimental artistic practices in the city, recontextualizing the period by expanding the representation of artists and practices and by presenting artworks in conjunction with archival materials including photographs, video footage, printed materials, and a listening booth featuring artist - curated music from the»90s.

This exhibition of research by Annette Warner, School of Ecosystems & Forest Sciences, University of Melbourne presents diverse archival material relating to the influential practice of mid ‐ to late 20th Century landscape designer Gordon Ford.

He is renowned for the way he interweaves the past with the present in his films, layering archival film footage with original material, questioning old narratives and constructing new ones.

Masters presents works that reflect Arcangel's prolific career from roughly 2002 to the present, including five time - based videos, one modified video game, one modified flatscreen television, a wallpaper installation, and archival materials that touch upon an artistic practice that exists as much on the web and in popular culture as it does in the museum or gallery.

Programmed in parallel with Art Turning Left, Tate Liverpool also presents a display of archival material from Palle Nielsen's social experiment The Model - A Model for a Qualitative Society 1968.

It presents a constellation of key performative works, photographs, video documentation and archival materials from the last three decades.

The exhibition presents a new series of large - scale, silver gelatine photographic pieces which have sprung from this work, as well as archival material, and explores «artistic expression, the nature of desire and the reciprocity of the gaze.»

Excursus I: Reference Library Up On My Back, And I Will Take You Thither Excursus is a new series at ICA that invites the public to come together, converse, and peruse archival material in the context of the present.

Curated by Gridthiya Gaweewong, this new solo exhibition uniquely presents a collection of rarely - seen experimental short films and video installations by Weerasethakul, alongside his photography, paintings, sketches, and archival material that explore threads of socio - political commentary.

Reproducing more than 100 works by Tseng from the late 1970s to the late 1980s, and including archival materials from his commissions for the Soho Weekly News, the book presents Tseng's best - known self - portrait series, East Meets West, as well as lesser — known works, plus portraits of his friends Keith Haring, Jean - Michel Basquiat and Kenny Scharf, among others.

«Behjat Sadr: Trace through the Black» explores the artistic and intellectual heritage of the Iranian artist Behjat Sadr, with archival material, and presenting a rare selection of works: from her early debate with «abstraction informelle» in the 50s to her experimentations around organic forms, trace making, and hallucinatory networks of lines throughout the «60s and «70s up until her «collage» years throughout the (inner) exile and the irrepressible return to her world of futuristic nostalgia.

Presenting artifacts from Minoan Crete and archival materials from the Sir Arthur Evans Archive together wit h Elizabeth Price's installation, this exhibition explores the relationship between restoration and art.

Jeremy Deller will explore the question of life and working conditions in factories, based on archival materials from the nineteenth century through the present.

This exhibition celebrates multi-sensory encounters with sculpture, presenting over 120 works by Neagu including sculptures, drawings, films, texts and archival material, much of which has never previously been exhibited.

Major works by each will be presented alongside their writings, studio and archival material, as well as documentary video and photography.

Archival Resistance will feature artists from the exhibition alongside other artist - activists who use historically resonant materials to rethink identity configurations, community - building and narratives past, present and future, while creating structures for the preservation and dissemination of alternate forms of knowledge.

Using Archival Alchemy as a platform to creatively respond to this fraught political landscape, Archival Resistance will feature artists from the exhibition alongside other artist - activists who use historically resonant materials to rethink identity configurations, community - building and narratives past, present and future, while creating structures for the preservation and dissemination of alternate forms of knowledge.

13 August - 8 November 2015 Galleries 1, 2 and 3 and the Upper Sculpture Study Gallery This exhibition celebrates multi-sensory encounters with sculpture, presenting over 120 works by Neagu including sculptures, drawings, films, texts and archival material, much of which has never previously been exhibited.

More recently, Verge presented a collaborative exhibition with the Australian Centre for Photography featuring Michael Riley photographs from the University of Sydney Union art collection and archival material from the University of Sydney Archives, The Settlement Community Centre and the State Library of NSW.

Breathing new life into Emily Carr's legendary fascination with the Pacific Northwest through the display of archival materials, paintings and artifacts, the AGO presents From the Forest to the Sea: Emily Carr in British Columbia in spring 2015.

Presenting photographs, posters, postcards and archival material relating to «Nice Style», a collaborative performance group set up in Maidstone in 1970 by British artists Bruce McLean, Paul Richards, Gary Chitty, Robin Fletcher and Ron Carr.

«I dream a world» Looking for Langston, an exhibition of newly - conceived, large - scale and silver gelatin photographic works and archival material, at Victoria Miro, Wharf Road and a special presentation at Somerset House for Photo London (18 — 21 May) features photographs presented as both large - scale works and silver gelatin prints, accompanied by an installation of the award - winning film.

Manual presents all of his new work and archival material from the last five years, providing a unique overview of his artistic development and creating the densest and most intensive presentation of Tillmans» oeuvre ever published.

Aside from putting an accent on the works of art available for purchase, Social Surfaces also plans to present important archival and historical materials that document the organization's rich history.

Using black and white to symbolize this juncture in reality, Solomon presents his observations through symbolism and use of archival material, which provides personal and political narratives beyond his locale.

Besides archival material of Artists Museum from Documenta 5, in the last stage exhibition will present unrealized project Kunst in der Torte by Daniel Spoerri that originally suppose to be the part of documenta 1972.

The 4D film - based experience explores the conflicting and overlapping belief systems implicit within his grandfather's engagement with the debunking of paranormal activity, The broader reach of the archival material is presented in a 600 - page, fully illustrated publication that makes the archive available to the public for the first time.

The experimental rock band The Red Krayola, founded in Texas in 1966, will present a concert and premiere an opera written in collaboration with the British conceptual art group Art & Language at this years Whitney Biennial; they will also have an ongoing installation that includes a virtual portal offering archival audio and video material as well as two - way direct communication with the band.

They have presented a «living history» of Riot Grrrl, with new work by a half - dozen contemporary artists significantly influenced by the movement's ethos, alongside a host of rare archival materials from its heyday — zines, flyers, videos, records, cassettes, and other ephemera.

Pace Gallery and Pace / MacGill Gallery proudly present their representation of The Richard Avedon Foundation with an exhibition of Richard Avedon's photographs and extensive archival materials taken from Nothing Personal, Avedon's 1964 collaboration with James Baldwin.