Sentences with phrase «presenting conceptual ideas»
«It's about presenting conceptual ideas at a digestible level,» says Ross, who has been inspired by the work of British artists Rachel Whiteread and Anthony Caro, who has often used scaffolding in his sculptures.
https://www.businessoffashion.com/ Not exact matches
They will be there not only to contribute conceptual ideas but also to help you present users with an experience that is efficient and pleasant from a user flow, navigation, and technical perspective.
The intent of this paper is to present a conceptual model of a physical and biological universe in a state of constant change and evolution, based on three principal ideas: (a) neo-Aristotelian notions of reciprocal causality, (b) chaotic dynamics and contingencies of self - organizing systems, and (c) emergence of consciousness and sense of moral purpose in...
The intent of this paper is to present a conceptual model of a physical and biological universe in a state of constant change and evolution, based on three principal ideas: (a) neo-Aristotelian notions of reciprocal causality, (b) chaotic dynamics and contingencies of self - organizing systems, and (c) emergence of consciousness and sense of moral purpose in humans.
The two - volume Atlas presents a collection of nearly 100 conceptual strand maps that show how students» understanding of the ideas and skills that lead to literacy in science, mathematics, and technology might develop from kindergarten through 12th grade.
But making sure to distinguish the value of the present moment, whatever it may be, from your conceptual idea of «the ideal experience» may help you to roll with the punches.
The teacher presents a problem that becomes the motivation and context for learning, and whose solution requires students to synthesize ideas and develop conceptual and technical skills.
THE WORLD AS IT IS AND THE WORLD AS IT COULD BE From the 1960's until today, London - based conceptual artist Stephen Willats has concentrated on ideas that today are ever - present...
THE WORLD AS IT IS AND THE WORLD AS IT COULD BE From the 1960's until today, London - based conceptual artist Stephen Willats has concentrated on ideas that today are ever - present in contemporary art: communication, social engagement, active spectatorship, and self - organization...
In Border Crossing, conceptual artist Jami Porter Lara explores connections between ideas that are typically set at odds: nature and artifice, art and trash, and past and present.
It also focuses on the evolution of conceptual art in subsequent decades as a tool to deconstruct existing precepts regarding gender and race, and as a strategy in presenting ideas regarding the complexities of contemporary society and how artists skillfully negotiate these complexities as it relates to themselves and the community at large.
Mark Amerika's artworks move beyond the idea of conceptual collages to present a vision of the world that is made of undecipherable constructions, contradictions, multiplicities and vagueness: a world of tenuous connections that, by impeding a clear vision, leads the viewers into abuse and exploitation.
In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.
The idea of challenging the art market was already present in the Conceptual Art, the Performance Art, the Minimal Art and many others (but at the end they always found way of selling something).
NSU Art Museum presents the first solo, U.S. museum exhibition of London - based, Malawian artist Samson Kambalu featuring 12 of the artist's recent films, A conceptual artist, ethnomusicologist and author, Kambalu humorously challenges canonical ideas about the history of ideas, art and religion while exploring issues of identity and freedom of expression.
Later, the gallery presented the first New York exhibitions of Mike Kelley, Jim Shaw, Gary Simmons, John Miller, and Tony Oursler, all of whom elaborated ideas proposed by the California conceptual artists with whom they had studied at CalArts.
But whereas other conceptual artists making text - based work (such as Lawrence Weiner) privilege the idea over its actual realisation, for Long it is essential that the idea presented in the text has been executed.
The hARTs Window Project aims at presenting innovative conceptual ideas, questioning and evoking creative interventions that engage with the local community.
For his fifth solo show at Casey Kaplan, Berlin - based, British artist, Jonathan Monk, will present a new body of work that takes shape from key principles of Conceptual art — the favoring of ideas over object - making, serialism, the dematerialization of the art object — interpreting them with a playful sensibility and through a variety of media: 16 mm film, painting, sculpture, drawing, photography, and a laser - light installation.
The exhibition will present, through the work of 48 nationally - known artists, various conceptual and formal approaches related to the idea of the «book.»
Art and Black Los Angeles 1960 - 1980 UCLA Hammer Museum, Los Angeles State of Mind: New California Art Circa 1970 Orange County Museum of Art, Newport Beach (traveled to UC Berkeley Art Museum and Pacific Film Archive, Berkeley; Morris and Helen Belkin Art Gallery, Vancouver; SITE Santa Fe; The Bronx Museum, New York) 2010 Summer Group Show Susanne Vielmetter Los Angeles Projects, Los Angeles The Artist's Museum: Los Angeles Artists 1980 - 2010 The Museum of Contemporary Art, Los Angeles The Seventh House Project Row Houses, Houston Noir Complex Magazin 4, Bregenzer Kunstverein (traveled to Brandenburgischer Kunstverein, Potsdam) Project Row Houses, Houston Man Son, Vom Schrecken der Situation Galerien der Stadt Esslingen, Esslingen Am Necker 2009 Collection: MOCA's First Thirty Years, 1980 — Now The Geffen Contemporary at MOCA, Los Angeles Oz: New Offerings from Angel City Regional Museum of Guadalajara, Guadalajara Attempt to Raise Hell San Diego Museum of Contemporary Art Downtown, San Diego Invitational Exhibition of Visual Arts American Academy of Arts and Letters, New York 2008 Index: Conceptualism in California from the Permanent Collection The Geffen Contemporary at the Museum of Contemporary Art (MOCA), Los Angeles Weighing and Wanting Museum of Contemporary Art San Diego, La Jolla Entre Chien et Loup Kent Gallery, New York Wild Signals — Artistic Postions between Symptom and Analysis Württembergischer Kunstverein Stuttgart, Stuttgart Idea, Text and Image, Schneider Museum of Art, Southern Oregon University, Ashland 2007 Im Wort Kunsthalle Göppingen, Göppingen Read Me: Text in Art Armory Center for the Arts, Pasadena From Close to Home: Recent Acquisitions of Los Angeles Art Museum of Contemporary Art, Los Angeles 2005 Double Consciousness: Black Conceptual Art Since 1970 Contemporary Arts Museum, Houston Hommage to Friedrich Schiller Brigitte March Gallery, Stuttgart Kamm Gallery Anniversary Exhibition Galerie Kamm, Berlin 2004 Fade (1990 - Present): African American Artists in Los Angeles, a Survey Exhibition Luckman Gallery and the University Fine Arts Gallery, Los Angeles Craft and Folk Art Museum, Los Angeles Recherche - entdeckt!
Drawing upon the tradition of 18th - century travel books, Smithson here presented «anti-monuments,» tributes to suburban sprawl and urban growth that exemplified the decay and deterioration of all things: «One's mind and the earth are in a constant state of erosion, mental rivers wear away abstract banks, brain waves undermine cliffs of thought, ideas decompose into stones of unknowing, and conceptual crystallizations break apart into deposits of gritty reason.»
«The idea that the present is trapped in a tension between a lost past and an anticipated future,» writes Rawan Sharaf, «forms the conceptual frame for the group exhibition Chapter 31: An Odd Piece of Research on the Many Virtues of Oriental Imagination,» at P21 Gallery, London, which was curated by Sarha collective, an interdisciplinary platform by Nadia Jaglom, a visual anthropologist, and philosopher Mai Kanaaneh.
The works in this show were selected because they share a conceptual, iconographic and symbolic relationship with the present - day and the idea of time.
The artworks from «El ojo en el tiempo» were selected because they share a conceptual, iconographic and symbolic relationship with the present - day and the idea of time.
Although the conceptual model presented here was similar to the ideas discussed by Hulburt in 1931, he did not emphasise the vertical energy flow, the hydrological cycle, and changes in the greenhouse gas concentrations.