Sentences with phrase «presents flat world»

David Kordansky Gallery presents Flat World, an exhibition organized by Karma, New York.

Not exact matches

While Peter's eponymous principle presents a fascinating theory of why all hierarchies are destined for disaster, it also applies in the entrepreneurial world, where organizations are quite a bit flatter.

The coffee world presents a tyranny of choices: latte or flat white?

Unlike the world exploration, which is bolstered by some of the delaying aspects present, the battle system just falls very flat and will bore you more times than not.

Building a book - length argument around his contention that «the seventeenth century is the moment when one world - view was displaced by another because the scientific displaced that of faith,» Grayling paints a picture of astronomers, mathematicians, medical doctors, and even alchemists often reaching conclusions that even they dearly hoped weren't true — because the answers meant opposing Christian doctrine, unwise if you wanted to keep your job, freedom or head... To my ear, though, the tone of the Grayling's prose is rather flat — think «textbook» and you've pretty much got it — so many of these unexpected sidelights are not presented as compellingly or dramatically as one might hope.

Flatcolor Gallery will be presenting a group exhibition entitled The World is Flat that will focus on how contemporary photographers are documenting their lives, travels and adventures; while sharing the discovery of their world through the camera's World is Flat that will focus on how contemporary photographers are documenting their lives, travels and adventures; while sharing the discovery of their world through the camera's world through the camera's lens.

In 2013 the Hessel Museum of Art presented once again the world is flat., an expansive exhibition of works by Haim Steinbach curated by Tom Eccles and Johanna Burton.

Flatcolor Gallery will be presenting a group exhibition entitled The World is Flat that will focus on how contemporary photographers are documenting their lives, travels and adventures; while sharin

January 24: Charles Atlas's Torse presented by Sam Frank and David Velasco January 31: Yvonne Rainer's Kristina Talking Pictures February 7: Jennifer Reeves's Chronic + Sadie Benning's Flat Is Beautiful February 8: Trinh T. Minh - ha's Naked Spaces — Living Is Round February 21: D.A. Pennebaker's Elizabeth and Mary presented with MoMA's Documentary Fortnight February 26: Shinsuke Ogawa's Narita: The Peasants of the Second Fortress March 10: Three Tapes by Carole Roussopoulos presented by Ridykeulous and Stuart Comer March 13: Tony Buba's Lightning Over Braddock introduced by LaToya Ruby Frazier April 11: Sara Gómez's De cierta manera April 21: Jean - Luc Godard and Anne - Marie Miéville's France / Tour / Detour / Two / Children April 28: Thom Andersen and Noël Burch's Red Hollywood introduced by Lucy Raven May 8: Scott Bartlett's OffOn + Kinji Fukasaku's The Green Slime May 14: Andy Warhol's Paul Swan introduced by Douglas Crimp June 9: Alberto Grifi and Massimo Sarchielli's Anna introduced by Dennis Lim June 12: Michael Thomas's Meat Rack June 23: Ed Pincus's Diaries (1971 - 76) introduced by Nicolas Rapold June 26: An Evening with Cinenova July 3: René Clair's The Crazy Ray + Robert Frank's C'est vrai July 17: Shirley Clarke's The Cool World introduced by Amy Taubin July 24: Nathaniel Dorsky + Susan Howe August 26: For Chris Marker September 9: Michael Snow's La Région centrale introduced by Chantal Akerman September 18: Todd Haynes's Assassins: A Film Concerning Rimbaud + Todd Phillips's Hated: G.G. Allin and The Murder Junkies September 25: Michael Almereyda's Another Girl Another Planet October 8: Esfir Shub + Hito Steyerl October 12: Darmstadt / ISSUE Project Room at Light Industry: David Grubbs + Anthony McCall October 16: James Benning's 11 x 14 introduced by Julie Ault October 17 - 20: Light Industry Benefit Auction at Miguel Abreu Gallery October 23: The Interface Effect a lecture by Alexander R. Galloway presented with Triple Canopy November 13: Alexander Kluge's Artists Under the Big Top: Perplexed introduced by Gary Indiana November 19: Tony Bicât's Skinflicker + Arthur Johns's Solarflares Burn for You presented by William Fowler November 27: David Hall + Marlon Riggs

Center for Curatorial Studies and Hessel Museum of Art, Bard College presents two major summer exhibitions: Haim Steinbach: once again the world is flat., curated by Tom Eccles, CCS Bard Executive Director, and Johanna Burton, and Helen Marten: No borders in a wok that can't be crossed, curated by Beatrix Ruf.

Presented in the Hessel Museum of Art, once again the world is flat.

Haim Steinbach: Once again the world is flat is a new exhibition presented at the at the Serpentine Gallery this spring.

In 2013, the Hessel Museum of Art at Bard College in New York presented a solo exhibition of the artist's work since the early 1970's, entitled once again the world is flat, which traveled to Kunsthalle Zurich and Serpentine Gallery, London.

The model outputs are generally presented as an average of an ensemble of individual runs (and even ensembles of individual runs from multiple models), in order to remove this variability from the overall picture, because among grownups it is understood that 1) the long term trends are what we're interested and 2) the coarseness of our measurements of initial conditions combined with a finite modeled grid size means that models can not predict precisely when and how temps will vary around a trend in the real world (they can, however, by being run many times, give us a good idea of the * magnitude * of that variance, including how many years of flat or declining temperatures we might expect to see pop up from time to time).