Sentences with phrase «presents archive material»
Not exact matches
[18] Also within the museum is the Labour History Archive and Study Centre, which holds the collection of the Labour Party, with material ranging from 1900 to the present day.
https://en.wikipedia.org/
Hunter, now 84, comes over as charming and likeable and the abundance of archive material is excellently presented.
As our relationship to history and the present change in an expanding field of information, Everything is Index, Nothing is History presents works that point to physical realities and trace purported histories through archives, found objects, photographs, material states, and physical actions.»
The material ephemera and the oral histories that construct her narrative will be presented in an immersive installation, as a reconstruction of a space resembling the municipal archives of Bordeaux.
Rigorously researched, drawing on rarely accessed archive material, «Black Artists in British Art» presents insightful theories, developments and scholarship that avoids treating and discussing black artists as isolated practitioners, wholly separate and disconnected from their counterparts.»
A copy of any published work that includes materials used in the DMA Archives must be presented to the DMA Archives at no cost.
In Sounds Like Her, Boyce is presenting a new development of her ongoing Devotional series with the names of 200 black British female performers inscribed on a wallpaper, overlaid with placards especially created for the exhibition, featuring images of these women, plucked from Boyce's own archive of concert announcements, fashion magazines and other materials documenting popular culture.
As mentioned in a past post, we are currently preparing to present online materials from LACMA's archive for its landmark 1976 exhibition, Two Centuries of Black American Art.
This fall, the University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA) presents the first comprehensive retrospective of work by Harvey Quaytman, an under - recognized figure in twentieth - century American painting noted for his monumental shaped canvasses, material investigations, and interest in color as a pure medium.
Overview: In conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971, the National Gallery of Art Library will present documentary material drawn from the library collection as well as the Dwan Gallery Archives and Virginia Dwan Archives.
This two - part exhibition presents the photographs of artist Gunnie Moberg alongside archive material and films by the influential filmmaker and writer Margaret Tait.
Finally, the material value of printed ephemera will be presented as part of a continuous effort to document, collect and archive actions and accomplishments of the women's movement.
The exhibition also presents materials from the archives of the Pasadena Art Museum (which later became the Norton Simon Museum) that pertain to two seminal exhibitions there — New Painting of Common Objects from 1962 andMarcel Duchamp Retrospective from 1963.
In the video All by myself (2016) displayed at Confort Zone, Soda presents 18 hours of footage consisting of materials drawn from her laptop's camera archive, images taken from the intimacy of her bedroom and not intended to be shown publicly.
On view in the East Building Study Center from September 30, 2016, through January 29, 2017, the National Gallery of Art Library presents an exhibition of ephemera and documentary material from the Dwan Archive.
Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger's 1926 animation The Adventures of Prince Achmed introduced by John Canemaker; two film treatments by screenwriter Hampton Fancher (Blade Runner), based on Esopus subscribers» submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA's archives on events and installations in the Museum's garden over the past 60 years; a piece on the creative process behind the survivalist game The Long Dark; a new installment of a regular series, «Guarded Opinions,» for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by «close calls» experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.
Dedicated programme of exhibitions curated from the archive is presented twice a year at the Whitechapel Gallery in London, using new research platforms to bring this archive material to life.
The first major investigation into his iconic and groundbreaking early work in more than 20 years, this exhibition surveys the renowned American designer's wood and fiberglass objects, and presents related materials from his archives.
«Talking Back: The Audience in Dialogue» presents a selection of materials culled from the New Museum's archives that explores various ways in which artworks and projects have engaged the voice of the Museum's audiences.
Pendleton has extensively investigated the dialogue between the past and the present throughout a dynamic career, and this show continues to develop recognisable motifs as a call to action: archive material has once again been collected, curated and collaged into abstract black and white representations (or re-presentations).
With support from a Andrew W. Mellon Foundation grant, the museum has launched a digital archive, making available videos of artist talks and panel discussions, artist biographies, images of artworks presented, installation views of the exhibition at the three venues where it appeared, and all eight essays published in the now - out - of - print exhibition catalog (at right), among other material.
Also being presented are rarely seen photographs and documents from Hodgkin's personal archive including material relating to his 1992 British Council commission in New Delhi with the architect Charles Correa, as well as journals kept by the artist documenting his journeys in India, to be displayed publicly for the first time.
Law Yuk - mui, Qu Chang, and researcher Leung Ho Yin will discuss the stories, the method of narration, and the ambiguous definitions of the archives and materials present in the exhibition.
Art Resource, the worlds largest photo archive of fine art, offers a range of material from prehistoric times to the present.
Working with both the content of these archives and how they are disseminated, Hayes has restaged and re — presented material that ranges from the seemingly mundane or administrative, to more affective forms.
The Helen Chadwick Archive forms a part of the Henry Moore Institute Archive of Sculptors» Papers, which comprises over 260 collections containing a diverse range of material relating to British sculptural practice from the eighteenth century to the present day.
Rigorously researched, drawing on rarely accessed archive material, the title presents insightful theories, developments and scholarship that «avoids treating and discussing black artists as isolated practitioners, wholly separate and disconnected from their counterparts.»
Known for the strength of its images and for the extreme variety of its output, the work of Superstudio has always evaded clear, identifiable labels; this exhibition brings together and presents over 200 pieces, ranging from installations to objects, from graphic works to photographs, and through to publications covering the entire career and development of the group, materials largely drawn from its own archives, some never previously displayed and many of which will progressively enter MAXXI's architecture collection.
Presenting artifacts from Minoan Crete and archival materials from the Sir Arthur Evans Archive together wit h Elizabeth Price's installation, this exhibition explores the relationship between restoration and art.
Alongside this, the artist presents fabric works and an installation of a large woven braid, continuing the theme of found materials — a sense of collective archive — which she creates in her wider oeuvre.
Contributors to the Marrakech Biennale include curator Omar Berrada, who will present a specific show within the larger exhibition on the body of work and the archive of the late Moroccan critic and filmmaker Ahmed Bouanani; artists Yto Barrada and Mona Hatoum; a small survey of the art movement initiated by the Casablanca School; and architect Khaled Malas with documentation of his ongoing collaboration with a collective of artists and craftsmen in Ghouta and other areas of Syria to build windmills out of found materials to generate electrical power for hospitals.
• Three to six months of artistic, editorial, and technical support • Honorarium of up to 300 USD as well as material costs • Opportunity to present the project to an audience in the form of a reading, workshop, or discussion • Opportunity for inclusion in our annual print publication, Invalid Format: An Anthology of Triple Canopy, as well as our ongoing broadsheet series • Archiving and long - term maintenance of the final project by technical staff
More recently, Verge presented a collaborative exhibition with the Australian Centre for Photography featuring Michael Riley photographs from the University of Sydney Union art collection and archival material from the University of Sydney Archives, The Settlement Community Centre and the State Library of NSW.
«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.
Highlights of the Peter Blum Edition Archive, opening at the Museum of Fine Arts, Houston (MFAH) December 23, 2011, will present a focused selection of The Peter Blum Edition Archive, a landmark MFAH acquisition encompassing all of the prints, books, and related preparatory materials Peter Blum had released from 1981 through June 1994.
The 4D film - based experience explores the conflicting and overlapping belief systems implicit within his grandfather's engagement with the debunking of paranormal activity, The broader reach of the archival material is presented in a 600 - page, fully illustrated publication that makes the archive available to the public for the first time.
From the Archives of Studio Gallery presents material relating to the history of the gallery and runs from May 14th to June 12th 2016.
Since the millennium and, above all, in the last decade there have been more and more art exhibitions with documentary aspects of cultural history, which feature source materials from art archives and thereby demonstrate a recontextualisation of the presented artworks.
As with many of Campbell's films this new work uses a combination of archive material and self - shot footage and uses a study of the past to throw a new perspective on our present.
Alongside works from Australian and international collections, including the exhibition copy of Smithson's sculpture Enantiomorphic Chambers (1965/1999, illustrated above) from the collection of the Holt - Smithson Foundation, Time Crystals presents an extensive display of Smithson's manuscript and archival material drawn from the Robert Smithson and Nancy Holt Papers held at the Smithsonian Institution's Archives of American Art in Washington DC which was donated to the Archives by Nancy Holt.
The Hunterian Art Gallery at the University of Glasgow presents an outstanding exhibition, Still Moving: The Films and Photographs of Ulrike Ottinger, which brings together photographs, films, and archive materials from the German artist spanning the period 1975 to 2016.
If the archived material was assembled for review with an eye toward FOI request fulfillment, the resulting files would most likely not be left on the machine where they are archived (since access to these are generally tightly controlled by the IT people), but moved off to a machine where access by non-IT types wouldn't present a larger system security issue.
According to the person from Library and Archives Canada who was present, the following material is now digitized: