Sentences with phrase «presents changing exhibitions»

BlackRock is a nonprofit arts center which presents changing exhibitions of contemporary art by emerging and mid-career artist working in all media, to include site - specific installations, video and other time - based media, performance, new technologies and experimental forms.

The museum presents changing exhibitions and has a permanent outdoor sculpture park.

The history gallery also presents changing exhibitions of artifacts curated from The Grace Museum history collection.

BlackRock presents changing exhibitions of contemporary art by emerging and established artists in the The Kay Gallery and Terrace Gallery.

They present changing exhibitions that relate to Noguchi, hosts exhibits of Noguchi's sculpture, models for public projects and more.

Invited co-curators will present changing exhibitions of Long Island artists the through Labor Day.

«She makes these lovingly painted portraits of the documents,» said Thompson, who noted that Holzer would present changing exhibitions over the years.

It will continue to present changing exhibitions.

Gallery Route One (CA), Call for Northern California Artists: Road Maps Deadline: December 31st, 2017 GRO / Gallery Route One, founded in 1983, is a nonprofit art organization, presenting changing exhibitions year round, and offering community support programs.

Not exact matches

Christoper Spring, curator of the African galleries at the British Museum, explains why he hopes his exhibition will change people's perception of African art and show the diversity present in the continent.

In other words, rather than presenting science as an unchanging edifice (which is the way it is often perceived in the public mind), the exhibitions will show that science is a changing, man - made, approach to the world that is characteristic of modern society.

Forgoing dimensional changes for the IMAX sequences, the entire film is presented in the 2.40:1 aspect ratio of its standard theatrical exhibitions.

W5 also presents a changing programme of large and small scale temporary exhibitions and events and a daily programme of live science demonstrations and shows throughout the day.

This spring, the Philadelphia Museum of Art will present an exhibition exploring the creative responses of American artists following the rapid pace of change that occurred in the US during the early decades of the twentieth century.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

In 2012, with the support of an Artistic Innovation and Collaboration grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.

In keeping with the Greater Reston Arts Center's mission to enrich community life by promoting involvement and excellence in contemporary art, GRACE offers and series of changing exhibitions each year designed to present a diverse array of themes and media.

Today, at Jack Shainman Gallery, New York, will present Barkley L. Hendricks, Them Changes, the first ever exhibition of newly discovered works on paper made contemporaneously with his famous portrait paintings.

Dating from the 1950s to the present, the the photographs in the exhibition reveal how the explosive growth in numbers of women photographers since the 1950s, when Bunny Yeager herself was a pioneering photographer, has changed the way women are represented.

Inspired by — and drawing its title from — a neon work by the late Blair Trethowan, the exhibition signals the potential for change and transformation that MUMA's new situation presents.

The inaugural exhibition Change explores the breadth and depth of the Monash University Collection, reflecting on the changing forms and developments in contemporary art practice from the 1960s to the present, from late - modernism to our contemporary situation.

Gallery presents the exhibition You Can't Change The Weather by Aleksandra Vajd and Hynek Alt.

In 2012, with the support of an AIC grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.

By picturing decades of Brooklyn's coastal scenery, including its changing industrial and postindustrial environment, the exhibition presents dramatic panoramic vistas; spectacular aerial views; glimpses of popular recreational attractions, particularly in nearby Brooklyn Bridge Park and at Coney Island; and other scenes, including those impacted by natural or manmade forces, as well as by gentrification.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

MOCA Jacksonville offers indoor spaces that can accommodate up to 300 guests, a 125 - seat theater, and opportunities to enjoy a changing array of exhibitions with a focus on artists from the 1960s to the present.

The 2012 Marfa Dialogues begins Friday, August 31 with the opening of Carbon 13, Ballroom Marfa's fall 2012 exhibition presenting newly commissioned works by artists that propose a creative response to climate change.

AICA - USA member Bruce Altshuler's introductory essay presents an account of this game - changing period of exhibition history; his short essays introduce each exhibition overview.

A new exhibition at Turner Contemporary in Margate explores the changing character of the self - portrait, from the 16th century to present day.

Other exhibition formats, old and new, have taken their cue from artists» changing modes of creating and presenting work, often intentionally pushing at the limits of what a traditional museum can support.

«All Summer» - A Solo Exhibition by Patricia Feiler presents over twenty luminous paintings that reflect the changing faces of summer on the East End.

Francesca Fiumano presents Changing Landscapes, a new exhibition featuring paintings by Steve Lopes & Euan Macleod.

Accredited by the American Association of Museums, the Frist Center for the Visual Arts, located at 919 Broadway in downtown Nashville, Tenn., is an art exhibition center dedicated to presenting the finest visual art from local, regional, U.S. and international sources in a program of changing exhibitions.

This winter, the Institute of Contemporary Art at the University of Pennsylvania will present three exhibitions that explore how artists have captured, interrogated, and responded to rapidly changing environments in contemporary society.

About the Frist Center Accredited by the American Association of Museums, the Frist Center for the Visual Arts, located at 919 Broadway in downtown Nashville, Tenn., is an art exhibition center dedicated to presenting the finest visual art from local, regional, U.S. and international sources in a program of changing exhibitions.

The Sarah Wiseman Gallery «s Spring Exhibition reflects the changing season as we present bright and vibrant new works by Angie Lewin, Alison Pullen and Veronica Wells as well as new collections of ceramics by Mollie Brotherton, Tydd Pottery, Clare Nicholls and a range of colourful jewellery by Isla Clay.

Including photographs by artists such as Dorothea Lange, Richard Misrach, Robert Rauschenberg, Shirin Neshat, and Adi Nes, the exhibition presents artistic responses to a range of global issues including climate change, world wars, financial ruin, and the violation of human rights.

The Frist Center Accredited by the American Association of Museums, the Frist Center for the Visual Arts, located at 919 Broadway in downtown Nashville, Tenn., is an art exhibition center dedicated to presenting the finest visual art from local, regional, U.S. and international sources in a program of changing exhibitions.

Francis Alÿs: A Story of Deception, a two - part exhibition on view at MoMA PS1 and The Museum of Modern Art, presents a range of work from the mid-1990s to today by the artist Francis Alÿs (Belgian, b. 1959), who uses allegorical methods to explore the cyclical nature of change in modernizing societies, the urban landscape, and patterns of economic progress.

Join us for Multi-lane H.O.V, a new exhibition featuring four talented young artists from New York - based H.O.V Art as they present a diverse collection of visual, mixed media, and sculpture art that plays on themes of individuality, emotion, and the always changing, infinitely possible self.

Now, Mr. Stella's 60 - year trajectory as an artist, which developed as he traveled the world, is on display in an exhibition, Frank Stella: Experiment and Change, at the NSU Art Museum Fort Lauderdale, in Florida; the show will run from Nov. 12 to July 8, 2018, and includes approximately 300 of his paintings, sculptures and drawings spanning from the late 1950s to the present.

This exhibition will present Mike Kelley, an homage to the artist's friend and mentor and a meditation on the themes of cycle and change.

In our iconic building we host a year - round changing programme of historical, modern and contemporary exhibitions presenting sculpture from across the world.

Below, art historian Jacky Klein presents our video - tour of the exhibition, including a taste of the stunning works on display and an appearance from Tate Modern's Director, Sir Nicholas Serota, who explains how the artist changed the face of modern art.

The Gallery presents a comprehensive installation of its collection as well as changing exhibitions.

With this contradiction in mind, Oko will present Julian Schnabel 1978 - 81, a pointed study of Schnabel's early work via a rotating exhibition of four emblematic paintings made in a period of explosive change for both the artist and the New York City art scene.

Girls» Club presents Change Agents, an exhibition of works by female artists in South Florida, whose careers and creative projects advance the global conversation about contemporary art, demonstrate dynamic ways in which artists can be self - sustaining, while nurturing the career advancement of others.

The reading, like the book, will trace the changing role of the spectator in art and exhibitions from Minimalism to Relational Art, and New Institutionalism to the present.

Drawing from the Smart's permanent collection, this intimate exhibition explored how nineteenth - century artists and their audiences drew on views of the natural world, classical imagery, allegory and historical subjects to construct a meaningful understanding of the rapidly changing present.

Documenting Change: Our Climate, the Rockies is the first in a series of exhibitions and programs in 2018/19 presenting the historical scope of documentary strategies shared by artists and scientists in their study of climate.