The exhibition
presents photographic documentation of the performance, in which Marmolejo is nude and covered in hygienic pads.
The exhibition also
presents photographic documentation of projects executed before 1984.
Nearby, the Santiago de Chile gallery Aninat Isabel
presented photographic documentation from Lotty Rosenfeld's ongoing action art (since 1979) for which the artist uses white tape to transform highway median strips into crosses, thus protesting dictatorship and signs of hegemonic power.
Not exact matches
Work can be
presented in drawings / wordscapes, print, digital, installation, performance, sound or mixed media formats with
photographic documentation.
Esopus 23
presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and
documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract
photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.
The exhibition included both freestanding sculptures and wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created,
presented in the form of
photographic documentation, or made accessible by computer.
Challenging aesthetic norms of what sculpture or painting or installation or plain
photographic documentation is, Smit's artistic practice
presents a series of new works that are the result of the serendipitous nature of life interpreted as an errare.
Aujourd» hui is happy to
present an exclusive selection of pictures from Galerie Valentin's archive, that documents not only the gallery's program throughout the last two decades, but also the evolution of an exhibition's
photographic documentation.
The exhibition forefronts the challenges of historicizing elusive artworks by
presenting works that take
photographic and video
documentation and human memory as points of departure, reactivating, rearticulating and witnessing the interventions and works through the lens of the contemporary moment.
The
photographic documentation of the Ontological - Hysteric Theater's performances
presented here captures the spirit of experimentation not only in the theater's productions but also in the use of the
photographic medium.
Aujourd» hui is happy to
present an exclusive selection of pictures from Galerie Valentin's archive, that documents not only the gallery's program throughout the last 20 years, but also the evolution of an exhibition's
photographic documentation.
The exhibition forefronts the challenges of historicizing elusive artworks by
presenting works that take
photographic and video
documentation and human memory as points of departure and reactivating, rearticulating, and witnessing the interventions and works through the lens of the contemporary moment.
The exhibition
presents photographic, video and audio
documentation of seminal early performances such as Like, 1969, Lax / Relax, 1969 - 1995, and Past Future Split Attention, 1972.
[9] During this period, exponents of land art rejected the museum or gallery as the setting of artistic activity and developed monumental landscape projects which were beyond the reach of traditional transportable sculpture and the commercial art market, although
photographic documentation was often
presented in normal gallery spaces.