Sentences with phrase «presents white forms»

IL Lee presents white forms in a field of blue ballpoint lines.

Not exact matches

The v5 is now present along with all sorts of interesting letters form people that remembered either building it or or using it.the latter part of its service was spent in Northern Ireland traveling the white knuckle run for troops from Derry airport to Belfast escorted by a Saracen or two.

In keeping with his ontological focus, White - head describes the role of language in the former lecture as that which forms the link between one's past and the present.

This way of handling past, present, and future is to make use of the timeless form t --» or «snow is white at t».

But it should now be clear to white and black churchmen alike that the theological differences between them are very real, and that they form barriers which, in my opinion at least, are insurmountable for the present generation unless, of course, white churches are ready to make a radical commitment to the fight for justice on behalf of the oppressed.

In the 2013 vintage — whose white wines formed a particular focus in presentations — German producers showcased fresh, fruity and lean wines, as demanded by the market at present.»

They measure the increase by holding the mouse's head still and then presenting the mouse with visual stimuli in the form of black and white horizontal stripes that rotate around the mouse.

The journey of a great white shark, the adventures of «science sleuths» and the inner workings of our genes are just a few of the stories told in comic strips and books, tapping into a rich medium for communicating science and presenting an effective way to use such art forms to teach readers about...

If no silver ions are present then no white cloud will form.

It was presented last night at the spacious Hôtel d'Evreux on Place Vendôme, where two models wore long white sleeveless gowns, with small pieces of lace forming floral patterns.

Echoing Stardust Memories and forming a kind of hyper - misanthropic double bill with Deconstructing Harry, Celebrity is Allen's jet black industry satire, composed of a series of increasingly brutal vignettes in saturated black - and - white, presented with cokey, non-sequential skittishness.

For the «Mad Max» lover, the «Mad Max» unfamiliar and even those non-savvy with the art form of cinema, «Mad Max: Black & Chrome» is bound to make you the ultimate Santa of your loved ones» holiday, if for the idea of presenting people with one of the very best films of 2015 or giving them the gift of Doof warrior but in black - and - white.

The aim of this set to to help your students master Present Simple form, spelling and making affirmative, interrogative and negative sentences - Present Simple Rules has 39 worksheets in black and white, 6 worksheets in color, plus answer keys.

Technology's ability to capture data and present them in multifaceted visual forms ensures a growing need to capitalize on spatial intelligence, says geospatial extension specialist Shannon White.

When bacteria are present underneath the gum line, they solicits an immune system response in the form of white blood cells.

In this form, lymphocytes (white blood cells) and plasma cells (cells that produce antibody) are the primary types of inflammatory cells present in the mucosa.

Though much maligned, the white cube offers something singular: an environment for presenting and contemplating new forms and ideas.

In the present work, forty - one lengths of striped, brightly coloured cord run at equal intervals horizontally through a vast, textural black and white surface, which is formed from impacted layers of paper that Bradford has abraded with sanding tools.

Perhaps, in an attempt to remedy the Babel myth's «confusion of languages» that came to humanity as Divine punishment for its sins, Paulina Ołowska attempts an embodied written form in a selection of photos, presented grid - like in a white frame, of the artist posing as letters in «Alphabet» (2005).

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

Sculptures such as Number 175T present a combination of the cut and tightly fitted wood pieces for which Drew is known with the sprawling lines of natural root forms, represented in flat areas painted in white.

When scrutinised carefully, Bernhardt's work offers up intriguing sets of tonal, temporal and formal correspondences: the yellow Pac - Men are the same colour as Lisa Simpson; the Smurfs and the Windex are an identical shade of blue; the facets of the Rubik's cube mirror the squares of chocolate; rectilinear black and white forms (cigarettes) are the antithesis, both literal and figurative, to the glowing, luscious fruits (papayas and kiwis); nature (toucans) counteracts the artificiality of consumer culture (Nike trainers); the cartoon characters belong to both the past and the present, to the old and the young.

An active exhibition schedule includes works form the permanent collection and scholarly shows, such as American Modern: Abbott, Evans, Bourke - White, organized with the Amon Carter Museum of Art in Fort Worth, Texas, and presented in 2010 - 2011.

Gaze, by contrast, presents a ghostly triangular form that hovers on the square white canvas, bringing one in close to seek the source of the discoloration.

Sadie Benning Douglas Coupland Sarah Crowner Svenja Deininger Tony DeLap Thomas Demand Olafur Eliasson Liam Gillick Mark Grotjahn Andreas Gursky Jim Hodges Roni Horn Wyatt Kahn Ellsworth Kelly Agnes Martin Kaz Oshiro R. H. Quaytman Julia Rommel Sérgio Sister Blair Thurman Rebecca Ward Rachel Whiteread Inspired by Ellsworth Kelly's superimposed canvases Blue Relief over Green, 2004, and Dark Red Relief with White, 2005, Space Between investigates the legacy and influence of abstraction on Western art, presenting a selection of artists that enter into a conversation on history, process, and form.

Talk: «Al Held Panel Discussion» at Cheim & Read Following last week's opening of the highly praised exhibition «Al Held: Black and White Paintings,» which showcases eight of the abstract painter's monumental canvases of interlocking forms from 1967 to 1969, the gallery is presenting an in - depth discussion of the artist and his work.

White Walls is pleased to present Retrofitted and Other Forms of Vintage Futurism, a solo exhibition by Los Angeles based artist, Augustine Kofie.

presents a collection of wild forms in bloom with crystals and other small accents to highlight the black and white leaves.

Dragon Bone Lily presents a collection of wild forms in bloom with crystals and other small accents to highlight the black and white leaves.

The combination of a black and white colour palette and the bold, clean lines of the buildings presents the structures in their very best form.

The show is a coproduction with last year's A Hard White Body at Bétonsalon, Paris, newly presenting the porcelain remnants of the latter's previous form.

Hollow Form with White was the last of a range of sculptures presented by the artist to the Tate Gallery in 1967.

Darren Almond's To Leave a Light Impression at White Cube, Bermondsey, includes his photography series Fullmoon and Present Form, enthralling the audience across three large rooms.

Presented on a series of tables through the gallery, Iannone's work from 1968, Lists IV: A Much More Detailed Than Requested Reconstruction, is a narrative sequence of 34 black and white drawings, which highlight the artist's folkloric interest in coitus and the female form.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Hollow Form with White Artist: Dame Barbara Hepworth 1903 - 1975 Date: 1965 Classification: sculpture Medium: Elm Dimensions: object: 1346 x 584 x 464 mm Presented by the artist 1967 © Bowness

The installation and exhibition design for Wide White Space aim to take on the challenges inherent in presenting any show on graphic design: how to make it possible for visitors to directly engage with the materials on display; how to gather and present a breadth of historical and contemporary pieces, which take the form of both original physical objects and restaged exhibition projects; and how to speak to both peers within the design community and a broader audience.

«American Art on Paper from the 1960s to Present: Selections from the Permanent Collection,» Mildred Lane Kemper Art Museum (formerly the Washington University Gallery of Art), Washington University, St Louis, MO, January 23 — April 18, 2004 «neoqueer: new visual art by lesbian, gay, bisexual and transgender artists,» Center on Contemporary Art (COCA), Seattle, WA, February 7 — March 20, 2004 «Super-Sized: The Big Print Show,» Greg Kucera Gallery, Seattle, WA, May 12 — June 12, 2004 «Remembering,» Sweeney Art Gallery, University of California, Riverside, CA, October 1 — December 11, 2004 «Experiments with Truth,» guest curator Mark Nash, The Fabric Workshop and Museum, Philadelphia, PA, December 3 — March 12, 2005 «Love / Hate: From Magritte to Cattelan: Masterpieces from the Museum of Contemporary Art, Chicago,» curated by Francesco Bonami, Villa Manin Centro d'Arte Contemporanea, Codroipo (Udine), Italy, 2004 «Great White,» curated by Joanna Montoya, Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY, 2004 «Open House,» Brooklyn Museum of Art, Brooklyn, NY, 2004 «Singular Forms (Sometimes Repeated),» curated by Nancy Spector, Solomon R Guggenheim Museum, New York, NY, 2004 «Robert Colescott & Glenn Ligon from the Logan Collection,» curated by Shannen Hill, Victoria H Myhren Gallery, University of Denver, Denver, CO, 2004

Many of the latest pieces feature the same intense, warm palette and pseudo-anatomical imagery set against flat monochromatic backgrounds, such as Green Ovals, which presents a smooth fleshlike surface against which brightly rendered rolling forms in pink, white, and orange suggest intestines, buttocks, and / or reproductive organs.

For his Berlin debut, Koh will present a single sculpture, in the form of a life sized white marble tombstone, made entirely as an edible cake.

Music and many other forms of art have been ever present in the Obama White House, bringing it to life as President and First Lady welcomed a broad swath of Americans to what they always emphasized is the People's House.

The new works presented at the White Cube are inspired by comic strips, retaining the form but changing the content to leave space to the mimesis of the pure noise of brush strokes, dripping, pouring and splashing.

Artists include: Sadie Benning Douglas Coupland Sarah Crowner Svenja Deininger Tony DeLap Thomas Demand Olafur Eliasson Liam Gillick Mark Grotjahn Andreas Gursky Jim Hodges Roni Horn Wyatt Kahn Ellsworth Kelly Agnes Martin Kaz Oshiro R. H. Quaytman Julia Rommel Sérgio Sister Blair Thurman Rebecca Ward Rachel Whiteread Inspired by Ellsworth Kelly's superimposed canvases Blue Relief over Green, 2004, and Dark Red Relief with White, 2005, Space Between investigates the legacy and influence of abstraction on Western art, presenting a selection of artists that enter into a conversation on history, process, and form.

Through individual research, leaning heavily on sourcing and reading white papers from specialists in the field of building science, students will form opinions and present findings on best practices and relate those findings to sociopolitical and economic factors of accessibility.

The dock «s form and walnut wood reference the traditional Dutch magazine rack, but its white powder - coated aluminum base is firmly rooted in the present.

The Crossdock Wireless» form and walnut wood reference the traditional Dutch magazine rack, while the white powder - coated aluminum base is firmly rooted in the present.

This blue - and - white colored template presents information of the job seeker mostly in a paragraph form.

This black and white design presents the applicant's information in letter form and can be used for job application or profiling as well.