To make it, Hammons greased his body,
pressed against the canvas and sprinkled charcoal or pigment over the result — not an art form you see every day.
These sculptures and others from the last twenty years are quite different from Hammons's body prints (the earliest works in the show), which he made by smearing his body in oils and
pressing it against canvas.
Using toxic colors and combinations, Flood started making paintings from paint soaked lace
pressed against a canvas, showing the age and wear endured by the battered lace before its last incarnation in printmaking.
Jenny Saville, «Ancestors» Opening: 6 — 8 p.m., Gagosian, 522 West 21st Street What you should know: YBA painter Jenny Saville hasn't had a New York solo in some seven years, so your appetite should by now be whetted for her grotesque depictions of bodies under duress,
pressed against the canvas as a pane of glass, or grotesquely overweight, all recalling her countryman Lucian Freud's hungry paintings of abject flesh.
Not exact matches
Take the fresh placenta and
press the side with all the blood vessels branching out like a tree,
against a white
canvas or art paper.
Those curved areas may look back to Henri Matisse as well,
pressed against a painting's edge like the leg and torso of a grand nude — even as that very edge takes on a touch of bare
canvas that seems to change its dimensions and to divide a painting into two slightly misaligned panels.
Other compositions in this series feature an assortment of shapes — including Xs and ziggurats — all
pressed against the edges of the square and rectangular
canvases and all similarly striped with such colors as goldenrod and cool green.
Over the next two years, he began to make a new kind of picture, the «anthropométry,» by covering models with paint and having them
press their bodies
against paper or
canvas.
With layered washes of similarly hued watercolors, the
canvases of this London - based German artist seem at first monochromatic, but slight changes in light or a viewer's position reveal clusters of dancers, a single body
pressed up
against the edges of the picture plane, or a moonlit landscape.
Done with oil sticks
pressed directly
against the
canvas, a method Mr. Goldberg chose some years ago over brushing with paint, they are energetic productions based on what he called a «quasi grid,» with patchy squares of color intersected at random by strong diagonals.
Her process for these works — layering images created by
pressing her oil - covered body
against the
canvas surface, and then brushing or spraying pigment onto it — is one of simultaneous concealing and exposing.
Do not allow any rigid object to
press against the front or back surface of the stretched
canvas as this could create permanent indentation damage.
The room a claustrophobic teeming heap, as if what Guston wanted to express was
pressed up
against the
canvas attempting to rupture its surface.
In her exhibition last year at Mitchell - Innes & Nash on Madison Ave, she displayed her body prints, made by covering her body in oils and pigments and then
pressing it
against the surface of
canvas or paper.
Michael Goldberg loved oil stick, for the way it
presses up
against canvas, in broad smears or freehand traces.