Notably, this time the bounty of material is handled with lightness and confidence, minimizing the sense of overload and hectoring that has hampered his other densely populated features — epitomized by the rhetorical uses of an American flag toward the end of Nashville, the pretentious or mock -
pretentious uses of music in A Wedding, and an overreliance on 11th - hour violence to goose the dramatic effects of these and many other films, including The Long Goodbye and Short Cuts.