Sentences with phrase «pretty good audience»

This is one of those odd stories I prefer not to pay too much attention to, but having sen what Digital Manga Inc. is all about, I suppose they are providing a pretty good audience for Takaku's works and every shounen - ai fan would get this as long as they really do.

«But it's a pretty good audience... There is a culture of entertainment consumers that understands that the work has an intrinsic value, and they want to honor you and they want to give you money.

Not exact matches

Joe Laszlo, a senior broadband analyst at Jupiter Communications in New York City, calls DSL a good technology that has experienced «pretty significant growing pains as it transitions from experimental to prime - time, mass - audience consumer adoption.»

Whenever you see old episodes of The Brady Brunch on Nick at Nite or whatever, one thought inevitably pops into your mind: This is pretty good, but I just wish somebody would take this beloved concept and update it for modern audiences.

«They look after their audience pretty well.»

When you're writing an NIH grant proposal, you can actually get to know your audience pretty well.

Backed by 17 years of practice, the site has a pretty legitimate audience and knows well how to match others for a long - term relationship.

Despite coming across as a glorified extra for the first half of the movie, Smith trusts her with a pretty good character and when the film begins to dip, Bishe keeps the audiences interested enough to stick around.

I don't know why it's getting panned by critics, though, needless to stay, it's good that at this day and age, even regular audience members can give their two cents and it's pretty obvious that this film doesn't warrant all the negative CRITIC reviews.

Bad Example Productions does a pretty good job of showing an audience a good time on a bare stage with Cannibal!

There is a good movie somewhere in The Good Dinosaur, but one theorises that studio interference and a lack of belief in their audience has led to this pretty lacklustre affgood movie somewhere in The Good Dinosaur, but one theorises that studio interference and a lack of belief in their audience has led to this pretty lacklustre affGood Dinosaur, but one theorises that studio interference and a lack of belief in their audience has led to this pretty lacklustre affair.

This is pretty much an interesting tale which because of its teen protagonists could make a hit with high - schoolers here, containing nothing that could alienate an older audience as well.

This film is pretty much good for everyone even if the material goes over some of the audience members heads.

Despite the constant need to remind audiences that this is still a Bourne movie in lieu of Matt Damon's absence, the footage actually looks pretty good.

The cinematography is gorgeous as always, and the performances are pretty good across the board (particularly newcomer Ni Ni and Christian Bale as the Westerner caught in the middle of the conflict), but the real star is the story itself, which earns its emotional beats without feeling like it's pandering to the audience.

Selling things using attractive characters isn't that outrageous either, sure people love to say how DW / SW games tend to sell mostly for all the pretty girls but then ignore that there is also a notable fujoshi audience for those games as well.

These movies are usually made for pretty cheap and have strong opening weekends, but while «Ride Along» should find success with its target audience, that doesn't mean it will be any good.

, duplicity rules, and the audience leave pretty much well satisfied.

For such a minuscule budget, the film has some pretty impressive effects for the time, utilizing camera tricks as well as great make - up to terrorize the audiences with horrific scenes that come close to crossing several lines.

Really pretty pictures and the promise of Tom Hanks outdoing himself by snagging all five Oscar nominations for best actor for parts played in a single movie were not enough to draw audiences out for Cloud Atlas.

Bridesmaids tries to dig a little deeper by showing the kind of female insecurity that would be familiar to movie audiences (not being as pretty as another woman, not finding a good man), but shown as coming from hard - to - control selfishness that's specifically character - based, followed up upon and explored — rather than a default female trait.

The best actor, and character, here is the movie's antagonist, but he is left hidden from the audience for a final act twist (which is a pretty dumb move, as everyone knows who it is going to be from the first few scenes).

Although Logan contained enough clues for audiences to get a pretty good idea of what happened during the «Westchester Incident», but director James Mangold has revealed to IGN that he originally planned to make it much more explicit by opening the film with the death of the X-Men.

Good news for diligent viewing types, though: April and the Extraordinary World is pretty great, a compact exercise in world building without handholding that rewards a patient, observant audience.

But this shouldn't stop audiences looking for some quick, almost bloodless fun from seeing the film, as it does have a winning cast and a surprising amount of effective humor that leaves you feeling pretty good about the experience.

Perhaps the brightest spot of the film is Sebastian Stan, who plays a pretty good douchebag, yet is somehow more likable than Hope despite the writing telling the audience otherwise.

Once the plan is set in motion, a scant 11 minutes into the film, the audience has a pretty good idea that things are going to go wrong.

Hopes for real substance are pretty much deflated as well, as the plotting shifts from something's - rotten - in - Denmark to libertarian - Alex - Jones - Illuminati - conspiracy - territory, and while the film's ballsiness in its twists, and their impact on the movies going forward, is admirable, it smacks of being afraid to have a real viewpoint for fear of alienating some of their audience.

The story is still effective, and it does introduce the audience to an enormous amount of characters pretty well.

Well, my stage skills are getting pretty rusty, but as an audience member I love anything that entertains and makes me think.

The payout is pretty good and the program helps grow my audience.

A lot of selections are pretty bad, but I wonder if an audience exists for stories that are so bad they're good, sooo bad they are a chore to read and to figure out what the author was trying to convey — much like the absurdly bad films we love to cringe at.

It's pretty obvious at a glance which ad looks more professional and has a better chance of catching the audience's attention.

When you take the time to really focus on who your audience members are, what their engagement patterns are, where they engage, and where they are buying, you get a pretty good idea of where you should be.

Put another way: Some authors are motivated and pretty good at the online and digital platform stuff (and at reaching an audience), and some aren't.

Anime and manga fans certainly had much to be excited about — Viz announced it was adding Bleach to Shonen Jump, Funimation picked up Vexille from the production team that did Appleseed (well, it certainly seemed like a good idea at the time, although in retrospect, perhaps not so much), and several publishers snagged good series that were criminally under - read by U.S. audiences and subsequently stopped before their full runs were complete: Seven Seas» Hayate X Blade, Del Rey's Me and the Devil Blues, pretty much everything announced by Broccoli Books and CMX.

By the time Dark Horse reintroduced Gate 7 to U.S. audiences in April 2011 prior to the release of the first volume in October, the series had been running in Japan for several months, the 80 - page format had been scrapped in favor of traditional chapters, and it was... well... like pretty much every other manga that's been released before and since.

But I already had a pretty good idea that I did have an audience out there, so I did a fund - raiser on the blog for my first novel... and now, nine books later, I believe that I have got the hang of it all.

Not all fictional works, but especially novels where there is an audience that can discover it (zombies, romance, mystery — sure, some genres have more competition among books, but this is compensated for by having more readers), and where the book is pretty good.

For the former, celebrities can approach their niche audience pretty well with or without baring their skin.

And yes, the audience can tell pretty well how much money you spend.

If you can get your audience to answer some of these questions, you'll have a pretty good idea as to which products to sell and which ones to avoid.

Greg says there is a place for pretty, well - edited travel videos but it's the natural ones where you're just being yourself that allow you to really connect with your audience.

An initial glance at the Luxury Card homepage gives a pretty good indication of the intended audience for the Mastercard Black Card.

I think there's something genuinely pretty good hiding within Starship Corporation, a really satisfying management simulator that could potentially please a niche but dedicated audience.

Second, Killzone 2 is doing very good for a sequel to a game that was pretty average and was unheard of in the general gaming audience.

Besides that it doesn't really look like the kind of comfy design for all audiences that Nintendo would pull off... The mock - up was done pretty well though: D

For the immensely popular sandbox Minecraft's foray into another genre on Xbox One, Telltale's Minecraft Story Mode has gone down pretty well with the gaming audience... so much so that it warrants another season.

Assassin's Creed Unity is finally available, and the audience seems pretty split on whether that's a good thing.

Lords of the Fallen seems like a pretty good deal, plus it's a low key way to prep mass XBL audiences for Dark Souls 3