Sentences with phrase «pretty good boss»
There are some pretty good boss fights too, including the final battle against Wart.
http://www.nintendoworldreport.com/ Not exact matches
So that when faced with a heady career discussion with my boss, colleagues, wife, or (to be honest) myself, I'd have a quantitative, longitudinal, evidence - based narrative that would beat the pants off of «Pretty good, I guess.»
If your boss shuts down every idea you pitch or disagrees with everything you say (but doesn't seem to do this with others), that's a pretty good sign they secretly hate you.
It's pretty tough to get ahead at work without being on your boss's good side.
The player was even dragged off at half time for Barry by boss Alan Pardew, which sums up the player's performance pretty well.
There were always going to be some changes made by Arsene Wenger to the Arsenal starting XI for this third round FA cup clash with Preston North End, but the boss has kept faith with the competition that has been so good to him and the club and gone for a pretty strong Gunners side.
The boss is usually pretty pragmatic so he should be able to see that things will quickly get better for the Gunners, both on and off the pitch.
I take his point and it seems pretty obvious that any team needs it's best players to perform well to be at or close to their best, but if the form of our forwards really is so important to Arsenal then it is vital that the boss somehow gets them to play like this every week.
But now that the young French striker has found his scoring boots in stunning style, with four against Benfica, those concerns do not seem as critical, and with the boss also stating that Joel Campbell would definitely not be going out on loan, our front line starts to look pretty good.
But regardless, Mason has played well on occasion in our midfield, and pretty much bossed the North London Derby as well as good performances in the Capital One Cup.
They beat some of the best teams in Europe to get to the final and pretty much bossed most of the first half.
In pretty much every game since Sevilla we have seen the boss make changes to what we would perceive to be his preferred eleven, however, results and performances have continued to be pretty good.
If I fucked up at work and my boss seriously went off on me, or if she told me I had to be separated from everyone else in the building for a while and told me where to go sit and that she would let me know when I could return and interact with other people, if she told me I had to accumulate a certain amount of «good» days or actions before I could get paid, if she had a certain set of rules and standards that applied to all the employees behavior but not to her own, and if she gave me the impression that she valued me as a human being only when I was following all the rules, I'm pretty sure I would tell her to go fuck herself.
There is another round of meetings between Vince Cable, George Osborne and the bank bosses starting next week but it is focusing on transparency and lending with the towel pretty well thrown in on trying to change bonus policy.
A pretty open world, an AMAZING range of attacks, on the fly switch from Your Friendly Neighborhood Spider Man to Murderous Symbiote Black Spider Man, FUN BOSS FIGHTS (hard to come across those three words nowadays) and two paths to play (Red is good / acrobatic or Black, which is evil / powerful), each with its own missions: all of these make the game the best Spider Man / metahuman sandbox game to date.
Bateman, Daley and Goldstein collaborated on the first, pretty good «Horrible Bosses»; more problematically, Daley and Goldstein were also responsible for the 2015 reboot of «Vacation,» a low point in recent American movies and, in fact, recent America.
The boss finds out and, after a pretty good beating, Joe lucks himself into the hospital, where he plots his revenge.
The check point system in this game works pretty well too and you will probably need to use it during some of the boss fights.
Regardless of how well you prepare, it seems as though the first time you encounter a brand - new boss - caliber enemy, it's pretty normal to either get crushed or time out of the battle.
(New super mario bros DS had original bosses tho) I would like both, of course, is not good to ALWAYS have the same bosses over and over again, and I must say Nintendo is making it kinda too much, thats why I LOVE New super mario bro DS, it bring back old bosses and make new ones, I am pretty sure Nintendo can balance out New and old expiriences in a Mario game.
Alessandro Nivola gives the best performance in the film with a very funny and endearing display as the reckless and egotistical Gavin Harris, Marcel Iures is a strong presence as the boss and Anna Friel (despite sporting a Geordie accent which tends to wander at a moment's notice) is pretty and effective as the love interest.
The hope is that if it worked well in the boss's last job he can apply pretty much the same thinking in the new job.My friend didn't want to fall into this trap, so we talked through the three main options open to him.
Hummer rides are a pretty boss means of transportation as it is, but combined with a scenic tour highlighting the best of Fraser Island?
However, they're well thought out and pretty damn fun to play, mostly thanks to the bosses looking suitably alien and evil.
Sadly, the final boss ruins what good things the game was starting to show with the excellent fortress bosses that came beforehand, with a stupid ball bouncing phase 1, a pretty easy phase 2 and an RNG based phase 3 that's akin to Wily Machine 7.
What this fun setup boils down to in terms of mechanics is a pretty standard to - down shooter / brawler where you blast and punch your way through the supremely boring environments of Hell at the behest of Beezle, fighting hordes of regular ghouls and creeps, as well as plenty of bosses that need a solid kicking.
The boss battles were pretty awesome, as well.
(New super mario bros DS had original bosses tho) I would like both, of course, is not good to ALWAYS have the same bosses over and over again, and I must say Nintendo is making it kinda too much, thats why I LOVE New super mario bro DS, it bring back old bosses and make new ones, I am pretty sure Nintendo can balance out New and old expiriences in a Mario game.
Learning to parry is incredibly important for the combat and many of the later boss battles are pretty much impossible if you can't do it consistently, and although the game does feature a tutorial on it it's description of it is vague at best and you're given one guy to practice on who barely attacks you in the first place.
The music is also pretty damn good too, even if it's relegated to boss fights.
It's a pretty hard game, but fun once you become better at it and know how to battle against the bosses.
Skills in particular have more customization options and it is pretty neat because you get better looking, stronger skills that will help you take down bosses in stylish ways.
There were some pretty wicked boss battles throughout, as well (Xi Wang Mu, anyone?).
Each time you entered the world, however, you had a pretty good idea what you were after: collecting red coins, defeating a boss, winning a race, etc..
In fact, that giant Luigi volcano boss is pretty much the best marker of where the difficulty goes up and generally stays there, so you'd better be prepared to practice and put the effort in.
These levels are a pretty bland but the addition of mid and end of level bosses (with iconic Transformers) does spice things up a bit, as well as help the player forget the repetitive scenery for a while.
Are they pretty cool boss concepts for a 2D platformer, and perhaps even the best bosses in a Yoshi game to date?
EM: To put it lightly, your bosses are pretty sweet (The Ancient Cosmonaut is a personal favorite), so what takes the majority of your time as you design this aspect of your game, and what constitutes a good and challenging boss, to your view?
If you're blasting through the story to get to the post-game «real» game, then you'll have to put up with some level design issues, too: walking speed is pretty slow, and navigation is a bit of a dirge, so when you've got to fight a boss across the whole map it'll take a good few minutes to even get there.
The plot while decent offers a nice gallery of villains even if the boss fights are pretty average at best.
I also finished God of War a few days ago (pretty good but pacing and bosses were surprisingly minimal) and already started on the sequel, so I'll continue my journey to defy the Sisters of Fate.
Some Wispons work better for certain stages and bosses (with no prior indication to the player), but the Avatar's stages (both solo and Tag Team with Modern Sonic) are pretty stop - and - go, while there is more tangible platforming in 2D.
Mission based gameplay is definitely a pretty big gameplay difference, but it isn't the only thing that Superdimension Neptune VS Sega Hard Girls switches up; the way in which the game tackles the final boss is pretty unique as well (very minor spoiler warning).
+ Unique mechanics for a rail shooter + Some stages still look pretty good + Decent boss fights + Succeeded as a showpiece for its time
Things get pretty good along the way, and the last boss battle music is some of my favourite from any video game.
This then complements the games» lore filled story and makes boss battles even more epic and actually pretty scary (the Cleric Beast is a good example of this).
Basically, your boss sucks and whatever management has let her get away with all this is pretty lame as well.