Sentences with phrase «pretty much drama»

Living the student life without the drama's and idiot's, just me and my friends, so pretty much no dramas.

Not exact matches

Six months into the year and we find ourselves pretty much where we started, despite or maybe because of all the political drama.

March Madness once against lived up to its reputation with a lot of drama and some shocking upsets, but we're pretty much where we always are — with three No. 1 seeds and a Cinderella story.

I can't speak for the controlling thing, but I can pretty much guarantee that if a man's profile speaks more to his financial situation versus who he is as a person and what he believes in, he's destined to attract women who want him for his wealth and stuff, and thus may indeed involve some maintenance and drama.

Clearly would want much less drama, but the color and pattern could be really pretty.

My favorite kind of movies are the rather old fashioned ones — you know the kind, where life is pretty much boring, with moments of danger, excitement, drama, mystery, and eventually love in all its glorious wonder.

I'm pretty much a laid back type of person and is drama free.

I am pretty much a kick back kind of guy do nt want drama and i don» need lie's.

I am pretty laid back I like to go out do random things dance but pretty much I just wan na chill with no drama

im a father of 3 hansom boys and currently a full time student to become an aviation technician im pretty laid back individual tries to avoid drama as much as possible other then that im a simple guy with simple pleasures

Whether viewers come for the political intrigue, the space battles, or the character drama, there's pretty much something for everyone.

part investigative mystery, part cultist drama, and you can pretty much guess where it's all going

In 2003, Deschanel appeared in minor capacity as a receptionist in Sam Raimi's Spider - Man 2, with her role in Ghost House Pictures» 2004 frightener Boogeyman serving to prove that she was much more than just another pretty face.As the 2000's rolled on, Deschanel would prove to be an even bigger force on the small screen, playing forensic anthropologist Dr. Temperance «Bones» Brennan, partner of FBI agent Seeley Booth (David Boreanaz), on the popular Fox crime drama series Bones.

Christian Bale, Jennifer Lawrence, Bradley Cooper, Amy Adams and Jeremy Renner collaborating with David O. Russell («Silver Linings Playbook») pretty much made this comedy drama a lock once it was announced, but the finished product was a lot of fun thanks to the spirited performances and Russell's active film - making style.

Needless to say, a historical drama directed by Steven Spielberg and starring Tom Hanks and Meryl Streep is pretty much the Platonic ideal of awards season wild cards, even before you factor in the extent to which a movie about the journalists who declassified the Pentagon Papers might dovetail with current events (every vote is a vote against «fake news»).

I didn't think Radnor would do much outside the show, but he does comedy and drama pretty good in the show.

This is as much psychological thriller as musical drama and it turns on the increasingly toxic chemistry between two clearly damaged people, to the exclusion of pretty much anyone else in the film.

Though I suppose we shouldn't be surprised since the prequels to Star Wars were pretty much disastrous, we were hoping for a solid war drama with great aerial action sequences.

With a Coen Bros meets Sergio Leone feel to it, Mystery Road is pretty much No Outback for Young Aborigine Ladies, a dark drama that manages to sneak muted undercurrents of racial aggression amongst its larger themes of derelict duty and parental responsibility.

Though he does a better job for longer than you'd expect, director Alan Taylor (who transitioned from respected cable dramas to film on 2013's pretty good Thor: The Dark World) can not overcome the fact that there's only so much a person needs to see of one indestructible character fighting another, each bouncing back from seemingly certain death on multiple occasions.

The trailers for This Is Where I Leave You would have us believe the film is an R - rated comedy romp but it's more a dramedy — for every comedy beat, there's unexpected drama (and pretty much all the boob jokes are in the trailer... sorry!).

It's a basic concept — pretty much the heart of drama.

But for me, that was pretty much what I went to drama school for three years for — I mean, besides the work, which was really good, but to be told that and somehow to believe that and then be determined for that not to be true.

So, when we drafted the story, the balance between action and drama was pretty much determined.

Unlike pretty much any other period drama you've ever seen this film is taut, told with care and total suspense.

All of these early scenes stick pretty closely to the historical record and are much more interested in the specifics of the Wing Chun art than they are any kind of personal or historical drama.

Allen never did collaborate with Bergman's muse Liv Ullmann, but a few of his actresses recreate her particular ethereal spell, including Rowlands and also Farrow, who suffers a nervous breakdown (a la pretty much any early Ullmann performance in a Bergman film) in 1987 chamber drama «September.»

Exploring the concept of the cop and the robber on opposite sides of the same coin is a premise that pretty much every crime drama has delved into in one way or another, yet Mann manages to create the dichotomy's epitome.

Last year's «Labor Day» was deemed to be Reitman's first major misfire by pretty much everyone, but the four films that preceded it showed such an assured ability to mix comedy and drama that we'll always be paying attention to what he's got coming, and «Men Women & Children» is no different.

It is a quiet, understated drama that nonetheless doesn't offer much to latch on to besides an impossible romance which sees the Marine, surprised to find a pretty nun who makes jokes, begging her not to take her final vows.

When you look at the caliber of talent behind the pilot for the horse racing drama Luck, it was pretty much a foregone conclusion that HBO would order it to series.

But Mahershala Ali's astonishing work in Moonlight, which makes for an excellent way to reward the film even when it may not win the top prizes (see best drama, above), ought to be rewarded here, even if its understated power is pretty much the opposite of everything the Globes stand for.

«The Immigrant» Starring Joaquin Phoenix, Marion Cotillard and Jeremy Renner as directed by Playlist favorite James Gray («We Own The Night,» «Two Lovers «-RRB-, period drama «The Immigrant» screamed Oscar - contender from the outset, but it's actually quite a different animal with divergent concerns, as Harvey Weinstein found out (he pretty much dumped the movie, despite rave reviews, one of the biggest shames of 2014 so far), really more of a slow - burning emotional drama exploring the ideas of forgiveness and redemption via terrible characters that are nearly beyond salvation.

Marion Cotillard can't rescue some mediocre material in this deliberately paced French drama from director Nicole Garcia (Place Vendome) featuring some pretty scenery and not much else.

Great Directors on TCM: Martin Scorsese Martin Scorsese has been a leading American director since the 1970s, when he burst on the New Hollywood scene with gritty urban dramas like Mean Streets and Taxi Driver — and he's stayed on top pretty much ever since, and shows no signs of slowing down.

It's got drama, guns, vehicular warfare, explosions and pretty much everything Battlefield, Call of Duty and Medal of Honor have, combined.