Sentences with phrase «previous film credits»

But there's another name attached to Lucky that has entertainment reporters asking questions: screenwriter Rebecca Blunt, who has no previous film credits and whose script is highly praised in early reviews.
Her previous film credits include STEP UP REVOLUTION and FEAR CLINIC.
Additional highlights of his previous film credits include HERCULES, CUBAN FURY, JACK AND THE GIANT SLAYER, SNOW WHITE AND THE HUNTSMAN, starring in, and co-producing, the motion picture 44 INCH CHEST, Woody Allen's SCOOP, and voice over acting in the highly - acclaimed animated features, CORALINE, SHREK THE THIRD, KUNG FU PANDA, and THE GOLDEN COMPASS.

Not exact matches

Questions of horcruxes and wand ownership dominate the film, again, as they did the previous two installments, so it is a credit to Yates that he manages to steer these entries away from drowning in their own exposition.
Though Tony Gilroy, who shared writing credit on all three previous Bourne films and directed the excellent Michael Clayton 82 (and much less excellent Duplicity 69), handles both writing and directing duties here, critics found that Legacy added little in the way of originality, while Renner proved a less captivating action star than Damon.
Like the previous film, it has received a clever viral marketing campaign and received very strong reviews; unlike the previous film, it's also received an original score (Cloverfield had a fantastic end credits piece by Michael Giacchino but that was it).
Credit their previous film together, Adventureland (2009) if you will, but Eisenberg and Stewart share the kind of onscreen chemistry that may bring tears amidst all the laughing.
We see the destruction of Metropolis from his ground - level viewpoint in a genuinely tense and engaging opening sequence (after the contractually obligated retelling of Bats» origins during the credits), that does far more to convey the true horror and damage of that fight than the previous film.
Ganatra, whose previous film and TV credits include Mr. Robot, Dear White People and Girls, was confirmed as Feig's replacement in August 2017.
Misher's previous credits include It's Kind of a Funny Story and The Scorpion King, while Muschietti is coming off his feature directorial debut with Mama (after first directing a short film of the same name).
The film stars two previous Condon collaborators, Ian McKellan (Gods and Monsters) and Laura Linney (Kinsey), as well as newcomer Milo Parker, who's only other acting credit was in something called Robot Overlords.
While «Black Panther» stands on its own, a refresher on the previous, connected films make for a more gratifying experience, especially for those two scenes following the credits.
Pence's previous credits include Ian McCrudden's «The Things We Carry»; Neema Barnette's «Super Sweet 16: The Movie»; and Kevin Porter's short film «Wish.»
The territory seems like a perfect fit for director / producer Jonathan Hock, whose previous credits include playground highlight videos and the 2000 IMAX film Michael Jordan to the Max.
The screenplay by Tony Gilroy — whose previous writing credits include The Bourne Identity (2002) and its three successors — provides a strong foundation for the film, demonstrating a solid understanding of the undercover world.
Izzard's performance was one of the highlights of Prince Caspian, and whilst this time I didn't realise the switch had taken place until the credits, I did feel the performance paled in comparison to the previous film.
The film's writer and director (whose previous credits include Say Anything and Jerry Maguire) did in fact start out as a 15 - year - old rock journalist, writing for Playboy and The Los Angeles Times prior to his Rolling Stone days.
It's his third feature film as a writer - director, with his previous efforts not very successful (Wisdom, Men at Work), but Estevez had a passion to make the film, and with a good deal of monetary sacrifice, he should get some credit for getting the film made with a very fine ensemble of actors.
However, considering how dense the Underworld mythology is and how each sequel / prequel hardly ever slows down to rehash backstory covered in previous installments (much to the franchise's credit), those in need of any sort of refresher in the world's now vast history will find this an invaluable resource, and the disc producers have executed it in such a way that it never disrupts the flow or skips and / or runs over any key scenes in the film.
The film's greatest strengths are Eddie Redmayne, Jóhann Jóhannsson's score, Benoît Delhomme cinematography and, at risk of crowding the list of highlights, one must credit James Marsh's helming of the project entire, which echoes his previous Oscar - winning effort, Man on Wire, in a most joyful manner by presenting Professor Hawking as a man who's physically the yin to that films uber - athlete's (tightrope walker Phillipe Petit) yang and yet a kindred spirit in terms of sheer zest for life and experience.
David Lowery — whose previous credits include myriad short films and cinematography / editing duties on numerous indie projects — writes and directs.
While there's certainly some unintended camp value which makes No Orchids for Miss Blandish notable, its titular leading lady, played by the decidedly un-captivating Linden Travers (whose biggest screen credit is Hitchcock's The Lady Vanishes, 1938), is perhaps the film's greatest misstep (even though she's interpreting the same role she played in the material's previous stage play version).
Previous credits include Tron Legacy, Transformers: Revenge of the Fallen, Star Trek, 2012, and G.I. Joe, among other big - budgeted films.
After all, she only had one previous credit as a director, and that film (In the Land of Blood and Honey, 2011) was nowhere near the scope of this project.
Affleck's previous directing credits also have a real darkness to them that isn't really seen in this film.
I knew it without even seeing the credits; it was the familiar stench of screenwriter Akiva Goldsman, who wrote the previous film, as well as the awful Batman & Robin (1997).
Just as the previous Mini 8 did, the Mini 9 utilizes Fujifilm's Instax Mini film cartridges, which produce credit - card - sized prints just moments after capture.
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