Sentences with phrase «previous film part»

Not exact matches

While this seems like a poor decision on the studios part, let's take a look at the previous film.
And, Murphy and Banderas, who voiced significant parts in the previous Shrek films — and enjoyed the funniest lines — take a back seat to Myers this time out.
While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.
For the most part Shrek The Third lacks the heart of the two previous films and often feels forced and insincere.
Harry Potter and the Deathly Hallows: Part 1 is slower and stranger than any of the previous films, simultaneously raising hopes for a haunting finale while dimming hopes for a magical one.
Kang goes on to write, «[Director and writer Martin] McDonagh says he created Mildred in part as a corrective: He was «conscious» that his previous films, «In Bruges» and «Seven Psychopaths,» were bereft of meaty roles for women.»
The implication is that Dominika's previous success, as well as her painful downfall, was part of a larger scheme she couldn't hope to comprehend, though the film isn't particularly persuasive on that front.
In the previous films, the web - slinger utilized them almost exclusively for locomotion, whereas here it's an integral part of his fighting style.
Unlike previous Snyder remakes and adaptations, however; this film is equal parts flash and substance.»
Welcome to the fourth part of my series on female - directed movies, wherein I share with you... well, whatever I want to share with you, whether it's a film that doesn't quite fit into one of the previous categories or one that I just didn't have space for.
There was a conscious decision on the part of the makers of this film to not have a discernable enemy, and also to return the title out of the dark and violent path it had been on in the previous movies.
We know that a long list of actresses has been in contention for two parts in the new version that roughly correspond to their counterparts in the previous film.
As expected, Mockingjay — Part 1 had the biggest opening of the year, but its opening didn't catch fire like the previous two films in the Hunger Games series.
Even so, Mockingjay Part 2 hasn't quite earned as much as any of the previous films in...
The film is the latest true - story based projected directed by Bennett Miller; part psychological drama / thriller, part sports drama, Foxcatcher reads as being a hybrid of genre tropes presents in Miller's previous biographical features, Capote and Moneyball.
There is no reintroduction of characters or plot points, which will be disorienting for audiences who have forgotten any part of the previous film.
These violent exercises were mostly off screen in previous films, shown briefly through news footage or montage, are now on full display in Mockingjay, Part 2.
Swanberg had met with Lynskey for a part in «Drinking Buddies,» his previous film, that didn't end up working out.
Picking up where Mockingjay — Part 1 left off, the new film finds Katniss Everdeen (Lawrence) recovering from injuries she suffered at the conclusion of the previous episode.
Not only is Infinity War dealing with elements from every previous MCU film, it's also contending with being the first part of two distinct films.
The Oscar - nominee (for Alexander Payne's «Sideways») returns to the multiplex after a part in the hit religious film «Heaven Is for Real» from last year, while having previous appeared in a mix of indie and studio projects that range from «George of the Jungle» to «Lucky Them» and even «Spider - Man 3.»
Going into Wang Bing's latest documentary, Mrs. Fang, I was too busy cracking jokes about how much shorter it is than his previous works (his breakthrough film, Tie xi qu: West of the Tracks, clocks in at nine hours; his recent masterpiece»Til Madness Do Us Part comes in at close to four) and had somehow failed to realize I'd be watching almost an hour and a half of a woman lying on her deathbed.
The Blu - ray includes commentary by director Sidney Lumet, a four - part documentary on the making of the film, and the featurette «Lumet: Film Maker,» all carried over from the previous Blu - ray release.
Of course, it's not much of a stand - alone movie; viewers who haven't seen the previous couple of films will be lost, and much depends on the breathlessly - awaited, two - part conclusion (to be released in 2010 and 2011).
Obviously part of the fun was spotting the existing characters from previous films.
-- Alejandro G. Iñárritu's dramatic satire Birdman or (The Unexpected Virtue of Ignorance) was named the Best Picture of 2014 by the Seattle film community, as part of the 2015 Seattle Film Awards, honoring the best films of the previous year.
Another part of this is the pace of star Bakula himself, who lent an equally laid back approach to a previous sports film, Necessary Roughness, another dumb but not entirely bad entry in the formulaic football comedy genre.
Blu - ray Highlight: Although it's appeared on previous editions, «The Art of the Sting» is an excellent three - part retrospective that features interviews with Robert Redford, Paul Newman and other cast and crew as they reflect back on making the film, including the choice to use ragtime music for the score, cast chemistry and anecdotes from the set.
For her part, Lawrence is great as Mystique, adding subtlety and depth to a character that was mostly eye candy in previous films.
As in the previous film, they have a short time before they must part; Jesse has a plane to catch.
Though technically just the bridge between the lower - budget original and the two - part finale still to come, in director Francis Lawrence's steady hands (gone are the previous film's needlessly spastic camera moves), «Catching Fire» makes for rousing entertainment in its own right, leaving fans riled and ready to storm the castle.
The film is somewhat subdued in no small part due to the fact that Rowling's take is not as big on the grand moments of action and adventure as previous entries, as it is merely a setup for the final book in the Harry Potter series, which is being released in theaters in two parts.
He also talked about what he gets out of test screenings, why he doesn't want to make sequels for any of his previous movies, the 12 - part streaming TV series that he hopes to do, and why he finds it so hard to get financing for the types of films he wants to make.
The Hangover Part II has no illusions about the ridiculous nature of its premise of the same men from the previous film somehow repeating the worst mistake of their lives.
Caged isn't just a great performance, it's Parker showing how much further she could have taken any previous part, if the films had just been there for her.
Unlike in the previous film, Galifianakis can't pull his own weight due in large part to his brand of humor relying entirely on his lines being outlandish or based on mispronunciations of common words.
David Yates had also directed the previous film, Harry Potter and the Half - Blood Prince (2009), and would direct both parts of this episode.
This period adaptation of Sarah Waters» Fingersmith feels like a departure from Wook's previous work — part heist film, part erotic thriller — but aside from the setting there are numerous elements that are characteristic of the director's previous work.
Sometimes the best documentaries are unlooked for stories that surprise both the audience and the filmmaker, and this is part of understanding the wonderful experience of watching [email protected] Director Stephen Walker set out to create a BBC tv documentary, perhaps covering some of the ground of previous documentaries about the [email protected] chorus, and yet his film has grown legs and achieved international release as a feature film.
It may fit in better with the Korean melodramas from the early parts of the decade — really wonderful films like Failan, Sad Movie or Il Mare (remade in Hollywood as The Lake House; yes, the one starring Keanu Reeves), and perhaps Lee's previous film Secret Sunshine, which I have regrettably yet to see.
Courtney fairs a little better as Reese because the character gets more (welcome) development than he has in the previous films; he lacks the fierce energy that Michael Biehn originally brought to the part though.
The Hunger Games: Mockingjay — Part 2 had what would be an excellent weekend for any other film — an estimated weekend take of $ 51.6 million — but with an unreported budget and nearly $ 198.3 million in the can domestically, one wonders if Lionsgate had hoped the movie would do better, especially as it has made much less than the previous films in the series.
In the previous films, part of the thrill was wondering where the camera was going to alight next, and the knowledge that a scene was more likely than not to end up in a spatial configuration radically different from the one in which it began.
«Vamp» is equal parts teen comedy and horror film, but one can't help but feel that screenwriters Richard Wenk (who also directed) and Donald P. Borchers were more than a little inspired by Scorcese's «After Hours,» which was released the previous year.
Boring, uninteresting, and painfully slow, Harry Potter and the Deathly Hallows: Part 1 takes nearly everything that made the previous films so entertaining, and throws it all out the window.
Really enjoyed the film overall and would recommend seeing it, but I do agree with the previous poster - the second part of the film was not as well crafted the first.
McDonagh says he created Mildred in part as a corrective: He was «conscious» that his previous films, In Bruges and Seven Psychopaths, were bereft of meaty roles for women.
2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish
The film follows the trajectory of Grannan's previous work (99, Boulevard) depicting an unseen (and in many ways unwanted) America through intimate portraits of strangers she finds in California, particularly in economically ravaged parts of the Central Valley that were photographed by Dorothea Lange during the Great Depression.
Harnett juxtaposes the material that resulted from this travel with his recent film Hopes for unity, self articulation and sustainability of a group (2018), which derives from his previous experience of staying with the Agta, an indigenous people who live in isolated mountainous parts of the island of Luzon, the Philippines, along with saltwater aquariums inhabited by North Sea anemones.
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