Tyler's process uses these same digital techniques and incorporates them into
previous painting languages, not an easy feat.
Not exact matches
If
previous works of hers reflected genre categories in western
painting — the landscape, still - life, portraiture and the nude — in recent years she has been shifting her subject matter to a subliminal realm of imaginary landscapes, rendered in a
language of abstraction.
The works presented at Craig Krull are a conceptual extension of her
previous paintings which explored the ways in which codes, used for converting information from one form into another, are particularly useful where ordinary
language is difficult.
Recognized for his intelligent and engaging use of
paintings aesthetic legacy, Aldrich incorporates his own
language into this history through a conceptual correspondence with
previous paintings, of his own and of others, and connects them in various series through time.
While continuing the dance between abstraction and figuration found in her
previous decade of works, the new pieces move away from a more direct narrative to a more abstract, open
language about
painting itself.