Consequently, Krumpak's technique results in surprising, yet studied, new works that are direct products of past processes, specifically
previous painting sessions, and visual research outreach, blurring the lines between place and being, time and space.
In the 1960s he began employing brighter colors and scraping down entire canvases rather than working on top of
previous attempts, thus beginning the entire image afresh at each
session and often spending months or years on a single
painting.