Sentences with phrase «previous solo exhibition»

Her previous solo exhibition took place at 47 Canal, New York, USA (2015).
The previous solo exhibition at Archetype Gallery was from a brother named Masud Olufani aka MAO.
Her national exhibitions include the Haifa Museum of Art, MOBY (Bat Yam) and a previous solo exhibition at Braverman Gallery, Tel Aviv.
Her previous solo exhibition, «Something Previous» (featured here) borrowed inspiration from the internet.
Calle's work was the subject of a previous solo exhibition at Fraenkel Gallery in 1994, and her work has been included in a number of group exhibitions at the gallery, including The Unphotographable in 2013.
Diverging from her food - centered paintings, spotlighted in her previous solo exhibition at the gallery, All U Can Eat, her new works feature abstracted landscapes grounded in an engagement with early modernism and an exploration of color relationships.
The collection of 18 - 22 paintings made specifically for this show have a fairly loose theme but stylistically they feel more coherent than my previous solo exhibition.
A previous solo exhibition and catalog, Katherine Behar: E-Waste, premiered at the University of Kentucky in 2014 and traveled to Boston Cyberarts Gallery, MA.
Badger's previous solo exhibition at Jessica Silverman Gallery in 2010 explored a similar fascination of the natural landscape's dramatic modulations.
She had a previous solo exhibition at Holland Tunnel Gallery in 2006 and her work has been featured in numerous group shows there.
Your previous solo exhibition Second Life challenged you tremendously on a personal level as it marked a period of time that you lost your sight.
The landscape first appeared in Adams» previous solo exhibition Second Life which featured A Mire of Epiphany at its narrative core, as it spoke to the artist's temporary loss of vision.
His previous solo exhibition with the gallery took place in New York in September — October 2014.
Previous solo exhibitions include Nassauischer Kunstverein, Wiesbaden, 2017; Folkwang Museum, Essen, 2017; and Air de Paris, 2016.
Previous solo exhibitions were held at the gallery in New York in 2005 and 2007.
Zeghidour's previous solo exhibitions include Hypogea, Galerie Catinca Tabacaru, New York (2016); DNSAP, ENSBA, Paris (2014) and Heterotopie, ENSBA, Paris (2013).
Previous solo exhibitions of his work have taken place at Sperone Westwater in 2004, 2008, and 2011.
He has held six previous solo exhibitions at Goodman Gallery, and his projects include commissions for the Johannesburg Biennale, the Bath Festival in England, a public sculpture in Braamfontein, an award - winning mosaic for Nandos in London and several others.
Nease has had two previous solo exhibitions in Atlanta, in 2012 and 2014, at Get This Gallery.
Previous solo exhibitions include The Show Must Ego On, WIELS, Contemporary Art Centre, Brussels, 2016, Delegierte Performance for WWTBD, Marien Jongewaard at Kunsthalle Wien, Vienna, 2013, Commission, MMK Museum Moderne Kunst, Frankfurt, 2012; Erik makes Happy, BAWAG Contemporary, Vienna, 2011; How Can I Help You, Hayward Gallery Project Space, London, 2011; Im Netz, Ludwig Museum, Cologne, 2009; Homeland Security, Projekt am Museumsplatz, Städtische Galerie im Lenbachhaus, Munich, 2007 and Guantanamo Baywatch, Hammer Projects, Hammer Museum, UCLA, Los Angeles, 2007.
Previous solo exhibitions include The Show Must Ego On, WIELS, Contemporary Art Centre, Brussels, 2016; Delegierte Performance for WWTBD, Marien Jongewaard at Kunsthalle Wien, Vienna, 2013; Commission, MMK Museum für Moderne Kunst, Frankfurt, 2012; Erik makes Happy, BAWAG Contemporary, Vienna, 2011; How Can I Help You, Hayward Gallery Project Space, London, 2011; Im Netz, Ludwig Museum, Cologne, 2009.
Previous solo exhibitions at the gallery in New York include Gordon Matta - Clark (1999), A W - Hole House and Selected Drawings (2002), Bingo (2004), Gordon Matta - Clark and Rirkrit Tiravanija (2007), and Above and Below (2013).
Previous solo exhibitions include Black Rat Projects (2011), London, and the Warrington Museum (2010), Warrington, UK.
Previous Solo Exhibitions include Brennan & Griffin, New York; Gagosian Gallery, Beverly Hills; LAXART, Los Angeles; Susanne Vielmetter, Los Angeles; Leo Koenig, Inc., New York; Michael Janssen, Cologne, Germany; and The Green Gallery, Milwaukee.
Previous solo exhibitions include 11R, NY (2014); Feature Inc., NY (2012); The Suburban, Oak Park, IL (2011); Minus Space, Brooklyn (2009); a White Room at White Columns, NY (2003); and Richard Heller Gallery, Santa Monica (1998), among others.
Previous solo exhibitions include The Populist Camera, Jessica Silverman Gallery, San Francisco, 2014, Library, Marc Selwyn Fine Art, Los Angeles, 2013, HORIZON / S, University of California Riverside, Museum of Photography, 2012 and Matt Lipps, Josh Lilley Gallery, 2012.
For regardless of her previous solo exhibitions at the David Roberts Art Foundation, London, Kunsthaus Baselland, Basel, and the Baltic Centre for Contemporary Art, Gateshead, the place that is of greatest importance to British artist Lydia Gifford (b1979) is her small, unruly studio in east London.
Previous solo exhibitions at the gallery in New York include include Drift (2016), which was first on view at David Zwirner, London, Freedom (2011), Terminus: Drawings (1979 - 1982) and Recent Paintings (2009), Recent Work (2006), Remnants (2003), and Come on, play it again (2001).
Previous solo exhibitions include: Centro de Arte Contemporáneo Málaga (2015); Golems, Pace Gallery, London (2014); On the Road to... Tarascon, Plan B, Berlin (2013, with Navid Nuur); Pie - Fights and Pathos, Museum for Contemporary Art, Denver (2012); S.M.A.K. Museum, Ghent (2010); and The National Museum of Contemporary Art, Bucharest (2009).
Robleto's previous solo exhibitions have concentrated on the Civil War and animal extinction, while Dario Robleto: The Prelives of the Blues focuses on 20th century music, family connections and the process of musical development.
Previous solo exhibitions include: Microamp Boombox, Waterfront Art / Life Institute, Kingston, NY; Fringe Benefits, Proof Gallery, Boston, MA; cyt O, Death Stuff, Chicago, IL; Shake - ity, Contemporary Art Workshop, Chicago, IL and Double Truck Jump, New Jersey Project, Chicago, IL.
Previous solo exhibitions include «The Freedom Of Speech Itself» (2012) at Showroom, London, and «Tape Echo» (2013) at Beirut in Cairo and Van AbbeMuseum, Eindhoven.
Previous solo exhibitions include «Content is Fiction» at New Jerseyy (Basel, 2013) and «Hospital Postures» at Johan Berggren Gallery (Malmö, 2013).
Previous solo exhibitions include «The Longer Your Instrument Is The More Power It Has», Medicine Cabinet, Chicago (2010) and «First Place», CoSign, St Louis, MI (2009).
Following previous solo exhibitions entitled → Glare Inland, Quiet Attachment (2011) and → 5006 years of daylight and silent adaptation (2014), EXILE is pleased to present Kohout's third individual appearance entitled after his recently completed short film Slides.
Furness» two previous solo exhibitions at Plus Gallery have certainly been impressive affairs, and we are delighted that her exposure is now opening up on a wider basis through both the Mizel Museum's «Place Matters» exhibition currently on view at the Buell Theatre in downtown Denver and now as part of the upcoming Biennial of the Americas.
Norton's previous solo exhibitions have included: Brian Morris Gallery, New York, NY; Art Virus Ltd., Frankfurt Germany; Galerie Bercovy - Fugier, Paris, France; Thomas Punzmann Fine Arts, Frankfurt, Germany; FiveMyles, Brooklyn, NY; Museo Civico d'Arte Contemporanea, Albissola, Italy; Woodstock Artist Association & Museum, Woodstock, NY; Galerie Christine Le Chanjour, Nice, France; His work has been included in various group shows throughout the USA, Germany, France, Spain, and China.
Previous solo exhibitions at the gallery in New York include At the Well (2014), Heilstätten (2011), Neo Rauch (2008), Renegaten (2005), Neo Rauch (2002), and Neo Rauch (2000), which marked his United States debut.
Previous solo exhibitions are: With Half - Closed Eyes, Galerie ERD, Seoul, 2017; Liminal Moment, Project Gallery, Arundel, 2016.
Her previous solo exhibitions include amongst others Eerste huwelijk (First Marriage) in M HKA, Antwerp (2002), Das Fragment an sich (The fragment in itself) in Ikon Gallery, Birmingham (2006 — 2007) and recently In 10 Minuten (In 10 Minutes) in Museum Ludwig, Cologne (2010 — 2011) and Stick Empathy in Mudam, Luxemburg (2011).
Previous solo exhibitions at the gallery in New York include press + + (2016); photograms and ma.r.s.
The new body of work builds upon two previous solo exhibitions by Burgos at the gallery.
This is her third solo exhibition at the gallery, following previous solo exhibitions in 2007 and 2011.
Richard Banks has participated in group exhibitions in Toronto, Guelph, Winnipeg, Saskatoon and West Berlin, with previous solo exhibitions at YYZ, Mercer Union and Garnet Press Gallery in Toronto.
Previous solo exhibitions include: Ikon Gallery, Birmingham; CCA, Berkeley, California; Institute of Visual Arts, Milwaukee; Kunsthalle Bern; and City Racing, London.
Her previous solo exhibitions include Violet Dawn Love Song at Monya Rowe Gallery, New York and Natures Rituals and Mistaken Identities in the Project Room at Rocket Projects, Miami, Fla..
Previous solo exhibitions have taken place at Gregory Lind Gallery in San Francisco, Richard Heller in Los Angeles and The San Diego Museum of Contemporary Art.
This body of work builds upon two previous solo exhibitions by Burgos at this gallery.
Her previous solo exhibitions include: Rachel Lowe, narrative projects, London (2015); Revolving Woman, Eastside Projects, Birmingham (2013); Oriel Mostyn Gallery, Llandudno (2002); The Showroom, London (2001); Southampton City Art Gallery (1999).
Garth Weiser received a Master of Fine Arts from Columbia University School of the Arts in 2005 and has had previous solo exhibitions at Guild & Greyshkul, New York and Kavi Gupta gallery, Chicago.
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