Sentences with phrase «previously been a curator»

Previously she was curator of public engagement at the Hammer Museum, leading an innovative program focused on creating exchanges between visitors and the museum through works of art.

Previously he was curator of international modern art at Tate Modern, London, where he worked on exhibitions such as Duchamp, Man Ray, Picabia (2008), Cy Twombly: Cycles and Seasons (2008), and Pop Life: Art in a Material World (2009).

Blanton Museum curator Carter Foster, who previously was the curator of paintings for the Whitney Museum, Los Angeles County Museum of Art, and the Philadelphia Museum of Art, will moderate a panel including LaToya Ruby Frazier, Dr. Deborah Willis of New York University, and Sarah Lewis of Harvard University on August 20.

Previously he was Curator at the Musée d'Art Moderne de la Ville de Paris, and since 1991 he has curated over 250 exhibitions around the world, including «Utopia Station» (2003), «Laboratorium» (1999) and «Cities on the Move» (1997).

Previously he was Curator at the Whitechapel Gallery, London; Senior Curator at Cornerhouse, and director and curator of numerous organizations in the UK devoted to contemporary art and film.

Blanton Museum curator Carter Foster, who previously was the curator of drawings for the Whitney Museum, Los Angeles County Museum of Art, and the Philadelphia Museum of Art, will moderate a panel including LaToya Ruby Frazier, Dr. Deborah Willis of New York University, and Sarah Lewis of Harvard University on August 20.

Previously he was curator of Tricycle Gallery, London from 2007 - 09.

He has previously been a curator at ScuptureCenter and Henry Art Gallery.

Drutt, who joined the Houston museum in June, previously was curator of the Guggenheim, where he and Rosenthal collaborated on projects.

Not exact matches

Previously, Wilson was the Film and Dance Curator for Performa.

Alongside her academic work, Rich has been International Curator for the 2002 Toronto International Film Festival; has served on juries at the Sundance, Toronto, San Francisco, Oberhausen, Havana, Sydney, and Guadalajara film festivals; and is a member of the advisory board of the Provincetown Film Festival and previously of the Sundance Selection Committee.

The curator for the (Unofficial) Doctor Who StoryBundle is Simon Carless, who previously curated the best - selling Video Game Bundle for StoryBundle.

Previously, Victoria was a curator and co-owner of Points of Departure, a cooperative art gallery in the East Village in NYC.

She was previously assistant curator at the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art.

Previously, she was Curator at Kunstmuseum Thurgau, Warth, from 1994 — 1998 and Director of Kunsthalle Zurich from 2001 — 2012.

Previously, she was Assistant Curator of Visual Arts at Yerba Buena Center for the Arts, the Senior Editor of the art and technology non-profit arts organization Rhizome, and Special Projects Coordinator at the New Museum.

Before her arrival at the Farnsworth, she served as the Interim Director of the Museum of Art, Rhode Island School of Design, where she had previously been its Assistant Director and Curator of Prints, Drawings, and Photographs.

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and programs.

She is chiefly based in New York, where she was previously the Curatorial Fellow at Wave Hill and is the Spring 2018 Curator in Residence at Residency Unlimited, where she was also a Guest Visitor in 2016 and 2017.

Previously, Hoptman was the Assistant Curator of Drawings at the Museum ofRead more

«Picasso Portraits» promises to be a blockbuster exhibition for the NPG, who along with curator Elizabeth Cowlingmore have managed to gather together more than 80 portraits by Picasso, some familiar from the lexicon of art history, and some previously unseen in Britain.

Previously he was Artistic Director at Tate St Ives (2007 - 13), Curator of Exhibitions at Arnolfini, Bristol (2005 - 7), and Curator and Exhibitions Tutor at Kent Institute of Art and Design (now University College of the Creative Arts)(2002 - 5).

Lilia Kudelia is the Assistant Curator at Dallas Contemporary, and has previously worked as a curatorial assistant at the Corcoran Gallery of Art, Washington DC.

Previously, she was the Director of the Museo Tamayo in Mexico City since 2009 and was Curator and Programs Manager at Art in General from 2003 - 2008, where she developed a New Commissions Program.

Dr. Omar Kholeif, a curator, writer, editor and sometime producer, was appointed the Manilow Senior Curator at the Museum of Contemporary Art Chicago (MCA) in Sept. 2015 and was previously the Curator at the Whitechapel Gallery, curator, writer, editor and sometime producer, was appointed the Manilow Senior Curator at the Museum of Contemporary Art Chicago (MCA) in Sept. 2015 and was previously the Curator at the Whitechapel Gallery, Curator at the Museum of Contemporary Art Chicago (MCA) in Sept. 2015 and was previously the Curator at the Whitechapel Gallery, Curator at the Whitechapel Gallery, London.

She has previously held curatorial and administrative positions at the Guggenheim Museum and was Curator of Prints and Drawings at the Brooklyn Museum.

Previously, Hoptman was the Assistant Curator of Drawings at the Museum of Modern Art, and held positions as Guest Curator at the Museum of Contemporary Art, Chicago; and Curator of The Bronx Museum of the Arts, New York.

Previously she was Director of Visual Arts at The Banff Centre, Canada; Chief Curator at the Serpentine Gallery, London; and Curator of Contemporary Art at the National Gallery of Canada.

Previously Herkenhoff was adjunct curator in the Department of Painting and Sculpture at Museum of Modern Art, New York (1999 — 2002), and chief curator of Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro (1985 — 1990).

Guerrero is currently Estrellita B. Brodsky Adjunct Curator of Latin American Art in Tate, London and was previously Associate Artistic Director and Curator at TEOR / éTica, an independent not - for - profit art space in San José, Costa Rica.

He was previously the Guggenheim UBS MAP Curator, Latin America (2013 - 2016) at the same institution and Director of the Casa França - Brasil in Rio de Janeiro (2015 - 16).

He was previously the Curator of the Musée d'Art Moderne de la Ville de Paris.

Episode No. 334 of The Modern Art Notes Podcast is a holiday weekend presentation of previously recorded interviews with curators Frederick Ilchman and Scott Shields.

Previously she was the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.

Elvira Dyangani Ose is joining Creative Time as senior curator and Nato Thompson, who previously served as chief curator, is being elevated to artistic director.

Previously, she spent 20 years at The Nelson - Atkins Museum of Art in Kansas City, Mo., where she was the Samuel Sosland senior curator of American art.

Feyeux was previously Assistant Curator at the Musée National d'Art Moderne Centre Georges Pompidou.

Previously, she was curator International Art at the Tate Modern (2011 - 2014).

Known in six other cities as Hauser & Wirth, the Los Angeles gallery is marked by the addition of partner Paul Schimmel, who previously worked as chief curator of the Museum of Contemporary Art in downtown L.A., now across the street from the Broad.

Schimmel was previously the longtime chief curator at the Museum of Contemporary Art, Los Angeles, and has maintained a curatorial career extending back to the mid-1970s.

João Ribas is Curator at the MIT List Visual Arts Center in Cambridge, Massachusetts, and was previously Curator at the Drawing Center in New York.

Previously, she held the position of Chief Curator and Deputy Director of Programs at Chicago's Museum of Contemporary Art, and was Curator at The Museum of Contemporary Art in Los Angeles.

Previously he was Assistant Curator at the Walker Art Center in Minneapolis, where he co-curated the ambitious new historical exhibition «International Pop» (2015).

Obrist, who previously occupied the top spot in 2009, is followed in the ranking by Polish curator Adam Szymczyk and Iwan and Manuela Wirth.

João Ribas (b. 1979, Braga, Portugal) is Curator at the MIT List Visual Arts Center in Cambridge, Massachusetts, and was previously Curator at The Drawing Center, in New York.

He was previously the Guggenheim UBS MAP Curator, Latin Amer - ica (2013 - 2016) at the same institution and Director of the Casa França - Brasil in Rio de Janeiro (2015 - 16).

• Based in New York • Specializes in emerging American contemporary artwork • Previously was the head of contemporary sales at Paddle8 • Runs a New York based non-profit called Y&S, which supports young artists without gallery representation and young curators.

Exhibitions include a / wake in the water: Meditations on Disaster (2014) at the Museum of Contemporary African Diasporan Arts, Memoirs of A Watermelon Woman (2016) and A Subtle Likeness (2016) at the ONE National Gay and Lesbian Archives, S / Election: Democracy, Citizenship, Freedom (2016) at the Los Angeles Municipal Art Gallery, where she previously served as Curator, and baby boy (2017) at Transmission gallery, Glasgow.

Co-curated by Dr. Mitchell Merling, Virginia Museum of Fine Arts» Paul Mellon Curator and Head of European Art, and Dr. Heather MacDonald, Dallas Museum of Art's Lillian and James H. Clark Associate Curator of European Art, The Art of the Flower provides a thorough reassessment of floral still life painting, a genre that previously has been underexplored.

Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall: Imagination and the American South (2014); Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.