Sentences with phrase «previously curated exhibitions»

Previously curated exhibitions include Teresa Margolles (2014), Stephen G. Rhodes (2013), Alex Bag (2011), Une Idée, une Forme, un Être — Poésie / Politique du corporel (2010), Deterioration, They Said (2009), Christoph Schlingensief (2007), Spartacus Chetwynd (2007), and Cory Arcangel (2005).

He previously curated exhibitions including Carey Young (2013), Stephen G. Rhodes (2013) and Alex Bag (2011).

Elbaor regularly contributes to artnet News and has previously curated exhibitions in London and Hamburg.

Not exact matches

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

EM: You have previously curated other artist's work for shows, as well as taken part in artist curated exhibitions.

The Wright wall - painting is part of an exhibition curated by Polly Staple, director of the Chisenhale Gallery in east London, in the gallery space carved out of a previously disused wing of the castle.

Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).

Previously, he was a key lecturer at Central Saint Martins School of Art (1995 - 2003); a visiting lecturer and researcher at University of Westminster (1997 - 2003) and the Head of Department of Exhibitions, Film and New Media at the Haus der Kulturen der Welt, Berlin (2003 - 2008) where he curated several exhibitions accompanied by publications, including The Black Atlantic; Dreams and Trauma - Moving images and the Promised Lands; and Re-Imagining Asia, One Thousand years of Exhibitions, Film and New Media at the Haus der Kulturen der Welt, Berlin (2003 - 2008) where he curated several exhibitions accompanied by publications, including The Black Atlantic; Dreams and Trauma - Moving images and the Promised Lands; and Re-Imagining Asia, One Thousand years of exhibitions accompanied by publications, including The Black Atlantic; Dreams and Trauma - Moving images and the Promised Lands; and Re-Imagining Asia, One Thousand years of Separation.

Previously she had curated Interactions, a four month series of artist and audience activations that served as a companion to the MCA's exhibition Without You I'm Nothing: Art and Its Audience, which Van Eck co-curated.

The exhibition, curated by Jeffrey Deitch, was held at Anthony d'Offay Gallery, where Hirst had previously worked part - time whilst a student at Goldsmiths.

Feingold has exhibited in London, Tokyo, and Los Angeles, among other cities, and she's now holding her first solo exhibition at the Untitled Gallery in New York (where she's previously exhibited in group shows), curated by gallery director Indira Cesine.

Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall: Imagination and the American South (2014); Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.

Conceived and produced under the artistic direction of the Fondation Louis Vuitton, the exhibition showcases key works by Cheng in the framework of the Fondation's «Hors - les - Murs «program, destined to introduce previously unseen artworks from its permanent collection to audiences of the Espaces Culturels Louis Vuitton in Munich, Venice, Beijing, and Tokyo, thus realizing its mission to curate ambitious international art projects and share its collection with a broader public.

With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibition offers new insights into the life and work of Andy Warhol, while also revealing something about the personality of the collector.

She was previously Exhibitions & Displays Curator at Tate Liverpool, where she curated a number of exhibitions including Nam June Paik and DExhibitions & Displays Curator at Tate Liverpool, where she curated a number of exhibitions including Nam June Paik and Dexhibitions including Nam June Paik and Doug Aitken.

He curated the exhibition «Primary Structures,» earlier this year at the San Francisco Art Institute, has recently presented Creativity Explored in association with Jack Fisher Gallery and has previously collaborated with the De Young Museum and the San Jose Museum of Art.

Previously he was Curator at the Musée d'Art Moderne de la Ville de Paris, and since 1991 he has curated over 250 exhibitions around the world, including «Utopia Station» (2003), «Laboratorium» (1999) and «Cities on the Move» (1997).

In 2012, she curated the exhibition «Roger Brown: This Boy's Own Story» of Chicago Imagist artist Roger Brown, which unearthed previously censored artworks and archival materials from Brown's career and resulted in Brown's induction into the Visual AIDS Artist Registry.

Previously exhibition curated include: Ai Weiwei.

His most recent exhibition, Things Fall Apart (2016) examines the artistic legacy of formerly socialist countries, previously explored in Re-imagining October at Calvert 22 (2009), (curated with Isaac Julien).

She previously served as Associate Curator at Pérez Art Museum Miami (PAMM) for five years, where she has curated exhibitions including John Dunkley: Neither Day nor Night, Adler Guerrier: Formulating a Plot, Iman Issa: Heritage Studies, and Nari Ward: Sun Splashed, a mid-career survey of the artist's work.

Vilma Gold is pleased to present an exhibition of new work by Josef Strau, and a curated / collaborative exhibition of works by artists previously shown at Galerie Meerrettich in the second gallery space.

The group exhibition, curated by curator Nina Folkersma and artist Charlott Markus, was the result of a collaboration with Castrum Peregrini, where it was previously shown in a more performative, smaller version.

His work was previously shown at Stevenson Cape Town on the curated exhibition This is Our Time (2010).

Previously, she was the director of Museo Tamayo in Mexico City, held curatorial positions in New York at Art in General and Americas Society, and guest - curated exhibitions for Kadist Art Foundation in Paris, MALBA in Buenos Aires, and the Center for Contemporary Art in Vilnius, among other places.

This painting cycle has previously been shown in the exhibition «Ferdinand Hodler & Jean - Frédéric Schnyder» at Kunsthaus, Zurich (September 2014 to April 2015), curated by the artist Peter Fischli.

Rarely seen together, a full set of these works will be on view in this solo exhibition curated by Flavin Judd, curator and co-president of Judd Foundation, in a configuration conceived by the artist but never previously realized: installed on both the floor and the walls at 101 Spring Street.

The exhibition is curated by art historian Marina Pugliese, Adjunct Professor at the California College of the Arts in San Francisco and former Director of the Museum of 20th Century Art in Milan, conservator Barbara Ferriani, lecturer at the Centro di Conservazione e Restauro «La Venaria Reale» and at the University of Milan, and Vicente Todolí, Artistic Director of Pirelli HangarBicocca and previously Director of Tate Modern in London from 2003 - 10.

In addition to curated exhibitions of contemporary art, AMERINDA's new non-fiction volume, No Reservation: New York Contemporary Native American Art Movement, distributed by D.A.P., reveals a previously hidden history of contemporary Native American art in New York City.

She previously held the position of Senior Curator at the Contemporary Arts Museum Houston from 1999 to 2008, where she curated exhibitions that include Andrea Zittel: Critical Space and Subject Plural: Crowds in Contemporary Art, as well as Wishing for Synchronicity: Works by Pipilotti Rist.

Previously she worked at Richard Meier & Partners Architects, where she curated several exhibitions of Meier's work and edited many publications and monographs on the firm.

Previously, Seeto served an eight - year term as director of Sydney's 4A Centre for Contemporary Asian Art where he curated numerous solo exhibitions, featuring artists such as Shen Shaomin, Yang Fudong, Qiu Anxiong, Ming Wong, and Dadang Christanto.

Curated by British artist Damien Hirst, Jeff Koons» first major exhibition in London since the Serpentine exhibition in 2009 showcases previously unseen work by Koons from Hirst's private collection.

Curated by Redia Soltis and Jennilee Marigomen, the exhibition showcases 39 inspiring artists of different disciplines that have been previously featured in the magazine.

Curated by Redia Soltis and Jennilee Marigomen, the exhibition showcases 34 inspiring artists of different disciplines that have been previously featured in

Curated by Candice Allison, the exhibition includes recent and previously unseen work: photographic prints, drawings, oil paintings, video, and installation; alongside paintings from the National Gallery of Zimbabwe's permanent collection, material from the National Archives, and Chiurai's own personal archive of propaganda posters and vinyl records.

Harris was previously the Assistant Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012).

Hauser Wirth's exhibition, which is also co-curated by Paul Schimmel (former curator at the MOCA), is a representation of what commercial galleries can provide for the community: a well curated, museum - quality experience that offers previously unexplored insights and connections in the arts.

9th April — 8th May 2011 Walls — a group exhibition featuring works by Rut Blees Luxemburg, Shane Bradford, Soonhak Kwon and Brian Reed, all of whom have previously shown with Jari Lager in curated projects or exhibitions at Union Gallery.

Joining the collection from Modern Art Oxford, where he curated a number of solo exhibitions including Thomas Houseago and Howard Hodgkin, Paul has also previously worked at FACT Liverpool, Urbis in Manchester and the Liverpool Biennial.

Previously she was the Hugh Kaul Curator of Modern and Contemporary Art at the Birmingham Museum of Art in Alabama where she curated Third Space / shifting conversations about contemporary art an exhibition exploring connections between the American South and the Global South.

Kristine has an active life in the arts, previously teaching art history at Antelope Valley College and Pasadena City College, forming an artist collective in Los Angeles and organizing and curating numerous art exhibitions.

Previously, Keith served as an associate curator at the Studio Museum in Harlem from 2011 to 2016, where she curated numerous art exhibitions including «Charles Gaines: Gridwork 1974 - 1989» in 2015.

She previously served as associate curator at Pérez Art Museum Miami (PAMM) for five years, where she curated exhibitions including «John Dunkley: Neither Day nor Night,» «Adler Guerrier: Formulating a Plot,» «Iman Issa: Heritage Studies» and «Nari Ward: Sun Splashed,» a mid-career survey of the artist's work.

He was previously director of the Museo de Serralves in Porto, where he curated the exhibition Robert Morris: Films and Videos / Bodyspace Motionthings (2011), and numerous others, with Ryan Roa.