Sentences with phrase «previously curator of contemporary art»

She was previously curator of contemporary art at Boston's Isabella Stewart Gardner Museum.

Not exact matches

Previously, he worked as an independent curator, co-curating Basquiat (2005) at the Brooklyn Museum and One Planet Under a Groove: Hip - Hop and Contemporary Art (2002) at the Bronx Museum of the Arts, among many others.

«This image comments upon notions of idealized beach scenes with a dead - pan and subtle, but sweetly satirical play on the notion of a «view,»» said Dianne Vanderlip, esteemed curator of the ART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art Museart at the Denver Art Museart at the Denver Art MuseArt MuseArt Museum.

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograArt, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograart with strong experience in expanding contemporary art collections and prograart collections and programs.

Previously associate curator at the Museum of Contemporary Art, North Miami, she speaks here about cultural and financial tensions surrounding the display of art in Miami and beyond, and looks at the role of the curator todayArt, North Miami, she speaks here about cultural and financial tensions surrounding the display of art in Miami and beyond, and looks at the role of the curator todayart in Miami and beyond, and looks at the role of the curator today...

Previously Chief Curator at the Museum of Arts and Design, Sims has helped to diversify and enrich understandings of American modern and contemporary art through her scholarship and support of minority American artists.

Previously serving as Curator of Public Programs at Nottingham Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and live events.

He worked previously as the Kramlich Curator of Contemporary Art at Tate and, from 2004 to 2011, as Director of Hauser & Wirth, London, organising exhibitions in London, Zurich and New York.

Lilia Kudelia is the Assistant Curator at Dallas Contemporary, and has previously worked as a curatorial assistant at the Corcoran Gallery of Art, Washington DC.

Dr. Omar Kholeif, a curator, writer, editor and sometime producer, was appointed the Manilow Senior Curator at the Museum of Contemporary Art Chicago (MCA) in Sept. 2015 and was previously the Curator at the Whitechapel Gallery, curator, writer, editor and sometime producer, was appointed the Manilow Senior Curator at the Museum of Contemporary Art Chicago (MCA) in Sept. 2015 and was previously the Curator at the Whitechapel Gallery, Curator at the Museum of Contemporary Art Chicago (MCA) in Sept. 2015 and was previously the Curator at the Whitechapel Gallery, Curator at the Whitechapel Gallery, London.

Previously, Hoptman was the Assistant Curator of Drawings at the Museum of Modern Art, and held positions as Guest Curator at the Museum of Contemporary Art, Chicago; and Curator of The Bronx Museum of the Arts, New York.

Previously she was Director of Visual Arts at The Banff Centre, Canada; Chief Curator at the Serpentine Gallery, London; and Curator of Contemporary Art at the National Gallery of Canada.

Previously she served as the Haskell Curator of Modern and Contemporary Art at the Princeton University Art Museum, having worked as a curator and scholar for almost fifteenCurator of Modern and Contemporary Art at the Princeton University Art Museum, having worked as a curator and scholar for almost fifteencurator and scholar for almost fifteen years.

Previously she was the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.

Known in six other cities as Hauser & Wirth, the Los Angeles gallery is marked by the addition of partner Paul Schimmel, who previously worked as chief curator of the Museum of Contemporary Art in downtown L.A., now across the street from the Broad.

Schimmel was previously the longtime chief curator at the Museum of Contemporary Art, Los Angeles, and has maintained a curatorial career extending back to the mid-1970s.

With a focus on building critically thinking, historically conscious artistic communities, Butt previously served as Executive Director and Curator of Sàn Art in Ho Chi Minh City, Vietnam; Director of International Programs at Long March Project in Beijing, China; and Assistant Curator of Contemporary Asian Art at Queensland Art Gallery, Brisbane, Australia.

Previously, Nancy served as the Executive Director of the Santa Barbara Contemporary Arts Forum and Curator of Twentieth Century Art for the Santa Barbara Museum of Art.

Previously, she held the position of Chief Curator and Deputy Director of Programs at Chicago's Museum of Contemporary Art, and was Curator at The Museum of Contemporary Art in Los Angeles.

Previously, she worked as a curator at the Wattis Institute for Contemporary Arts at the California College of the Arts.

Exhibitions include a / wake in the water: Meditations on Disaster (2014) at the Museum of Contemporary African Diasporan Arts, Memoirs of A Watermelon Woman (2016) and A Subtle Likeness (2016) at the ONE National Gay and Lesbian Archives, S / Election: Democracy, Citizenship, Freedom (2016) at the Los Angeles Municipal Art Gallery, where she previously served as Curator, and baby boy (2017) at Transmission gallery, Glasgow.

Previously, as department head and curator of contemporary art at the Los Angeles County Museum of Art (LACMA), he could duck inart at the Los Angeles County Museum of Art (LACMA), he could duck inArt (LACMA), he could duck in...

Previously, she was the Terri and Michael Smooke curator and department head, contemporary art, Los Angeles County Museum of Aart, Los Angeles County Museum of ArtArt.

Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum.

Though her work has been mostly curatorial — she was previously the chief curator at the Institute of Contemporary Art in Boston and a curator at the Museum of Contemporary Art in Chicago — she said in an interview Wednesday that as museums across Europe confronted dwindling government support, her job at the Tate had ended up involving considerable fund - raising.

Previously, Thomas was assistant curator of the Second Biennial of Contemporary Art of Seville (2005) and the Seventh Gwangju Biennale (2007).

Co-organized by the Amon Carter Museum of Art, Fort Worth, and the Saint Louis Art Museum, where it previously appeared, and adapted for the Met by museum curator Elizabeth Mankin Kornhauser and assistant curator Stephanie L. Herdrich, the exhibition also contains some 50 related drawings and works on paper by Bingham, archival materials, plus examples of works by his Hudson River School contemporaries, and other pieces that help underscore his unique achievement.

She previously worked as founding curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum where she organized, among other exhibitions, the critically acclaimed Global Feminisms: New Directions in Contemporary Art (2007), co-curated with Linda Nochlin.

For the thirteenth edition of PULSE Miami Beach, led by the fair's new director, Katelijne De Backer, (previously The Armory Show, Art Miami, Aqua Art Miami, and Lehmann Maupin), Tony Gum was selected by a jury of expert curators that lead a strong force within the art world and beyond, including Lolita Cros, Independent Curator; Kathryn Mikesell, Founder of the Fountainhead Residency; Tommy Ralph Pace, Associate Director of the Institute of Contemporary Art, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia UniversiArt Miami, Aqua Art Miami, and Lehmann Maupin), Tony Gum was selected by a jury of expert curators that lead a strong force within the art world and beyond, including Lolita Cros, Independent Curator; Kathryn Mikesell, Founder of the Fountainhead Residency; Tommy Ralph Pace, Associate Director of the Institute of Contemporary Art, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia UniversiArt Miami, and Lehmann Maupin), Tony Gum was selected by a jury of expert curators that lead a strong force within the art world and beyond, including Lolita Cros, Independent Curator; Kathryn Mikesell, Founder of the Fountainhead Residency; Tommy Ralph Pace, Associate Director of the Institute of Contemporary Art, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia Universiart world and beyond, including Lolita Cros, Independent Curator; Kathryn Mikesell, Founder of the Fountainhead Residency; Tommy Ralph Pace, Associate Director of the Institute of Contemporary Art, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia UniversiArt, Miami; Roya Sachs, Curator of Lever House Art Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia UniversiArt Collection and Artistic Director of Spring Place; and Piper Marshall, Curator and PhD student at Columbia University.

Previously, she served as the Maisie K. and James R. Houghton Curator of Contemporary Art at The Harvard University Art Museums; and from 2002 to 2007 she was the Chief Curator of Exhibitons at the Wexner Center for the Arts.

Ramírez - Montagut previously served as senior curator at the San Jose Museum of Art; a curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; assistant curator at the Guggenheim Museum in New York; and curator of collections and public programs at the Price Tower Arts Center in Bartlesville, Oklahoma;

Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» prCurator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» prcurator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» practice.

Previously Van Eck worked 13 years as a curator at Museum of Contemporary Art, Chicago organizing more than 70 exhibitions and programs including Theaster Gates first solo museum exhibition, Kiss by Tino Sehgal, Jan Tichy's Cabrini Green, Mark Bradford's Chicago residency and exhibition, and many other exhibitions which featured Chicago artists including Kerry James Marshall's One True Thing: Black Aesthetics.

She was previously Associate Curator at the Institute of Contemporary Arts (ICA) London where she works on projects with Lis Rhodes, Cally Spooner, Stefan and Franciszka Themerson and Michele Di Menna.

Now the executive director of the deCordova Sculpture Park and Museum, Ravenal was previously the VMFA's Sydney and Frances Lewis Family Curator of Modern and Contemporary Art.

Paul Schimmel has been the Chief Curator of the Museum of Contemporary Art, Los Angeles (MOCA), since 1990, and previously served as the Chief Curator of the Newport Harbor Art Museum, Newport Beach, CA (1981 - 89), as well as the Curator (1975 - 77) and Senior Curator (1977 - 78) of the Contemporary Arts Museum, Houston.

He's been quite in demand over the last decade, having worked previously as a curator of modern and contemporary art at the Menil Collection in Houston, as well as serving as a curatorial advisor for MoMA PS1.

She was previously a curator at Wysing Arts Centre, Head of exhibitions at Nottingham Contemporary, and a curator at Tate Modern, where sheå specialized in performance and time - based media.

Previously, he worked as a contemporary art advisor for the Ministry of Culture as well as an independent curator.

Previously, she worked as the Curator of Contemporary Arts at the Sala de Arte Público Siqueiros in Mexico City, where she organized several projects including Carlos Motta, The Shape of Freedom and Rita Ponce de León: David.

Previously, she was executive director of ICI (2009 - 13), the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.

Ackermann's distinctive imagery, an amalgamation of drawing and painting, collage and ballpoint scribbles, is the subject of a monograph published by Rizzoli, with accompanying essays by Bonnie Clearwater, the executive director and chief curator for the Museum of Contemporary Art, and the filmmaker Harmony Korine, with whom Ackermann collaborated previously on a series of collages.

He has previously served as Artistic Director of the Atlanta Contemporary Art Center in Georgia, Curator at the Portland Institute for Contemporary Art in Oregon, and Director of the Bucknell University Art Gallery in Lewisburg, Pennsylvania.

Previously, she was Chief Curator and Founding Artistic Director of the 21st Century Museum of Contemporary Art, Kanazawa (1999 − 2006).

Nadim is co-director of Import Projects, editor of Near East Magazine and previously curator at Thyssen - Bornemisza Art Contemporary (TBA21).

Previously, she was the inaugural Visual Arts Program Curator at the Reva and David Logan Center for the Arts, University of Chicago, 2012 - 2014; Head of Publications at the Witte de With Center for Contemporary Art in Rotterdam, 2008 — 2011; Assistant Curator at the Vancouver Art Gallery, 2004 — 2007; and, Program Coordinator of the Belkin Satellite, a downtown gallery of the Morris and Helen Belkin Art Gallery, University of British Columbia, 2001 - 2003.

Suh — whose work is shown in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, and Museum of Fine Arts, Houston — previously collaborated with The Contemporary's senior curator, Heather Pesanti, and executive director Louis Grachos, during the pair's former work with the Albright - Knox Art Gallery in Buffalo, NY.

Previously, she served as curator of contemporary art at the Ottawa Art Gallery in Ontario, Canada, and most recently, as public art program coordinator for the City of Calgary in Alberart at the Ottawa Art Gallery in Ontario, Canada, and most recently, as public art program coordinator for the City of Calgary in AlberArt Gallery in Ontario, Canada, and most recently, as public art program coordinator for the City of Calgary in Alberart program coordinator for the City of Calgary in Alberta.

Previously, Clearwater was the director and chief curator of Museum of Contemporary Art, North Miami.

He was previously the Curator of Visual Arts at Project in Dublin between 2000 and 2005 where his programme focused on commissioning solo projects from contemporary Irish and international artists as well as occasional group exhibitions such as Communism in 2005 and Enthusiasm for Frieze Projects in 2006.