Sentences with phrase «prices by other artist»

Not exact matches

Wine, beer, bourbons and other cocktail favorites, all reasonably priced, attractive, crafted and inspired by artists, be featured during each show with a purpose and story.

It reflects an increase in prices for pieces by African - American artists across the board — Jean - Michel Basquiat most strikingly, but also Glenn Ligon and Julie Mehretu, among others.

Brilliantly combining world - serious and Miami playful, the Rubell Family Collection offered a mini-retrospective selected from its more than 6,300 works and 800 artists, as well as work commissioned for the exhibition from the likes of Mark Flood, Aaron Curry, Kaari Upson, Will Boone and, from newcomer Lucy Dodd, a room - long abstract painting inspired by Picasso's Guernica (watch her prices jump — the Rubells are opinion - makers, as we've seen with Hernan Bas among others).

So now that I got that off my chest, on to an important question: Why do some artists go by their nicknames (Ken Price, Andy Warhol, Jeff Koons) and others, who are known personally by their nicknames, go by their full names (Robert (Bob) Irwin, James (Jim) Turrell, Barnett (Barney) Newman)?

Visitors are treated to works by influential figures like Seth Price, Jill Magid, Cory Arcangel, Lynn Hershman Leeson, Oliver Laric, Sondra Perry, Trevor Paglen, Dara Birnbaum, and many other artists celebrated for revealing the aesthetic potentials of new technological developments.

Its constantly evolving space gives its visitors a fresh experience every time they visit, and offers original artworks, limited edition prints, and many other collectibles created by its artists on sale for quite reasonable prices that fit anyone's budget.

Doig's paintings have also performed better than those by other postwar artists with similar average prices and lot volume like Cy Twombly and Philip Guston (Fig. 20)-- further proof that he is not going anywhere.

From 2004 - 2008 she was associate director at the Center for Advanced Visual Studies at MIT where she and staff commissioned and produced new work by Michael Smith, Damon Rich / the Center for Urban Pedagogy (CUP), John Malpede, and Xavier Le Roy; instituted a visiting artist series (Vito Acconci / Acconci Studio, Miranda July, Judith Barry, Seth Price, Dexter Sinister, and Rachel Harrison, among others); a student residency program; and a residency for Boston - area artists.

Continuously knocking down records (both his own and those of other people), his Abstraktes Bild was sold for $ 37.1 million in 2013, and Domplatz, Mailand for $ 44.52 million in 2015, each setting a record price for a painting by a living artist.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Although other artists saw their works bid well above the estimate range the multiples on those works were nothing like the prices paid for works by Zao Wou - ki who saw bids up to 10x the high estimate.

Woven by Zapotec Indians of Teotitlán del Valle, Oaxaca, based on the artist's drawings, the tapestries are a magnificent display of Ken Price's capacity to explore other mediums and processes in a period of polychromatic triumph.

Step and Connection, dated 1979, are part of a recent Edward R. Broida bequest that includes 48 more works by seven other artists, including Jonathan Borofsky, Ken Price, Joel Shapiro and Christopher Wilmarth.

The Color of Life: Japanese Paintings from the Price Collection features works by artists Itō Jakuchū, Nagasawa Rosetsu, Maruyama Ōkyo, Suzuki Kiitsu, Sakai Hōitsu, and Kawanabe Kyōsai, among others.

On the other end of the booth, an installation of locally sourced bricks by Swiss installation artist Daniel Robert Hunziker (priced at $ 40,000), combining patterns and material found in Mexico City that reference the rich history of the ancient Maya, was an undeniable crowd - pleaser.

The painting achieved the highest auction price in history for a work by an American artist and reached a number of other milestones:

Laid out on foldout tables like your typical flea market, with brownies, bootlegs, vintage clothes, artists» «editions» (my favourite being a box of Tony Oursler's autographed remote controls — this must be the contemporary equivalent to Leonardo's paintbrush)-- drawings by other artists» children, and Yoko Ono stamps, all available for sale at bargain basement prices.

Other highlights included Van Gogh's L'Homme Est En Mer (1889) which also made $ 24 million - the highest price offered at a London auction for any work by the artist over the past 25 years - and Bolero Violet (1941) by the Fauvist Henri Matisse, which made $ 11 million.

Other top prices included $ 11,284,628 ($ 8.8 m to $ 12.1 m) for Gitane by the Dutch Fauvist portrait painter Kees van Dongen (1877 - 1968); and $ 10,216,148 (estimate: $ 6.4 m — $ 9.6 m) for Espagnole by the Russian modernist Natalia Goncharova (1881 - 1962)- a record auction price for a painting by a female artist.

Back at the fair, amid the booths selling work by emerging artists at a price point of less than $ 50,000, a few galleries opted to bring known entities to Art Brussels in hopes that some collectors still had holes they needed to fill — even if the piece was slightly more expensive than other options.

This paperback edition of Voids serves as a catalogue to the Centre Pompidou's retrospective of empty exhibitions, curated by the dream team of Laurent Le Bon, John Armleder, Mathieu Copeland, Gustav Metzger, Mai - Thu Perret and Clive Phillpot, and featuring Yves Klein, Robert Barry, Art & Language, Stanley Brouwn, Laurie Parsons, Bethan Huws, Robert Irwin, Maria Eichhorn and Roman Ondák; but it also supplies a crucial anthology of texts, with contributions by artists and writers such as Stuart Comer, Brian O'Doherty, Ralph Rugoff, Jon Savage, Sarah Wilson, Peter Downsbrough, Lawrence Weiner, Sherrie Levine, Seth Price, Trisha Donnelly, Wade Guyton and Olivier Mosset, among others.

The following lots represent artist records and a selection of other works of interest by black artists offered at auction recently, by location, and in descending order by a wide range of prices realized.

A catalogue with the artists work and additional essays by other renowned artists will be available on Amazon.com in a printed an electronic version (special introductory pricing during the exhibition).

Works by four other post-World War II artists sold for record prices at the Christie's auction.

This hardcover edition of Voids serves as a catalogue to the Centre Pompidou's retrospective of empty exhibitions, curated by the dream team of Laurent Le Bon, John Armleder, Mathieu Copeland, Gustav Metzger, Mai - Thu Perret, and Clive Phillpot, and featuring Yves Klein, Robert Barry, Art & Language, Stanley Brouwn, Laurie Parsons, Bethan Huws, Robert Irwin, Maria Eichhorn, Roman Ondák; but it also supplies a crucial anthology of texts, with contributions by artists and writers such as Stuart Comer, Brian O'Doherty, Ralph Rugoff, Jon Savage, Sarah Wilson, Peter Downsbrough, Lawrence Weiner, Sherrie Levine, Seth Price, Trisha Donnelly, Wade Guyton and Olivier Mosset, among others.

From 2004 — 2008 she was Associate Director at the Center for Advanced Visual Studies at MIT, where she and staff commissioned and produced new work by Michael Smith, Damon Rich / the Center for Urban Pedagogy (CUP), John Malpede, and Xavier Le Roy; instituted a visiting artist series (Vito Acconci / Acconci Studio, Miranda July, Judith Barry, Seth Price, Dexter Sinister, and Rachel Harrison, among others); a student residency program; and a residency for Boston - area artists.

A rich creative relationship with Artangel has developed moving image commissioning and acquisition, with artists Anri Sala, Sejla Kameric and Ben Rivers, followed by further acquisitions supported by the Art Fund and other donors, bringing work by Willie Doherty, Isaac Julien, Steve McQueen, Elizabeth Price and others into the collection.

In these new sculptures, as well as across Price's work, the artist's careful attention to the minutiae of physical appearance and presentation invites the viewer to become more aware of the subconscious processes by which we recognise, interpret and respond to other people, all the while fashioning our own social identities via outward presentation.

Other notable prices in the sale came for works in the Saatchi collection by American artists who are relative newcomers to auction.