Still, no one much cared for Saulnier's debut, Murder Party, back when he was still known
primarily as the cinematographer for fellow indie director Matthew Porterfield (I Used To Be Darker).
Not exact matches
The film is shot
primarily in black - and - white (with Rodriguez serving
as cinematographer) with splashes of color for emphasis.
Problem is, Victor Frankenstein also looks like a glorified TV movie, when it regards the framing choices and camera setups used by McGuigan and
cinematographer Fabian Wagner (whose background is
primarily in television,
as it were).