Not exact matches
The «
Primary Structures»
exhibition at the Jewish Museum in New York in 1966 introduced minimal art to a broad
public — with work by Caro, Carl Andre, Donald Judd and Dan Flavin — and Araeen shared their interest in simplified geometry and industrial effects.
Were issues of the
public space of the museum and the viewer's circulation through the
exhibition a
primary concern?
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning
public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three
primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site
exhibitions and single - site group
exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
This Is How We Do It: Other
Primary Structures Tuesday, April 1, 2 pm Jens Hoffmann, Deputy Director,
Exhibitions and
Public Programs, discusses the process of developing Other
Primary Structures.
Our
primary interest is to place works by the artist in all media as well as documentary materials such as catalogues, posters and films in institutions with a reputation for their scholarly approach to
exhibitions and publications that have already shown an interest in and provide regular
public access to the artist's work.
By balancing its four
primary activities — gallery
exhibitions, studio art classes, educational outreach programs and outdoor art shows — the Contemporary Art Center of Virginia seeks to involve a diverse regional
public in the rich and active language of contemporary visual art.
Recent notable
exhibitions include Hank Willis Thomas at the Cleveland Museum of Art, Repetition and Difference at the Jewish Museum in New York,
Public Art Fund's Image - Objects in City Hall Park in New York, and
Primary Sources at the David Winton Bell Gallery at Brown University.
Lynne Cooke: Well,
exhibitions have been the
primary vehicle, as you say, for bringing this into the
public arena.
Embedding the gallery within the fabric of the local community, drawing and engaging more with that core
primary audience, are steps taken to ensure that the gallery is more than just a home for a rolling programme of
exhibition so that it functions as a local
public building for the development of culture.
Activism, Adult education, Art therapy, Art tour, Arts in health, Auction, Built environment, Collaboration, Commission, Community, Consultancy, Curatorial, Design, Diversity, Documentation, Early years education, Education project,
Exhibition, Fair, Film production, Funding / Award, Further education, Gallery education, Higher education, Online, Open studio, Practice - based research,
Primary education, Project,
Public art, Publication, Research, Residency, Screening, Secondary education, Socially Engaged, Studio / project space, Studio practice, Talk / Seminar, Technical / Fabrication, Training / Professional Development, Writing
Some residencies lead to an
exhibition or
public program, and others are open - ended, with research and experience as
primary goals.