Tomaselli asserts, «I am constantly searching this rubble to find things worth saving, and this inquiry into utopia / dystopia - framed by artifice but motivated by the desire for the «real» and the transformative - has turned out to be
the primary subject of my work.»
«Fear is pain,» she went on, before admitting that emotions are
the primary subject of her work — emotions, contradictions and the childhood trauma of living with the knowledge of her father's affair with her English governess.
Not exact matches
If, abstracting altogether from the question
of their value for the future spiritual life
of the individual, we take them on their psychological side exclusively, so many peculiarities in them remind us
of what we find outside
of conversion that we are tempted to class them along with other automatisms, and to suspect that what makes the difference between a sudden and a gradual convert is not necessarily the presence
of divine miracle in the care
of one and
of something less divine in that
of the other, but rather a simple psychological peculiarity, the fact, namely, that in the recipient
of the more instantaneous grace we have one
of those
Subjects who are in possession
of a large region in which mental
work can go on subliminally, and from which invasive experiences, abruptly upsetting the equilibrium
of the
primary consciousness, may come.
The original deed
of trust establishing the Institute sets as one
of the new organization's
primary goals that it
works for «the increase
of original scientific knowledge» in biology, as well as, human, comparative, and pathological anatomy and those
subjects «kindred to them.»
No one mines the loves, lives, happiness and sorrow
of the British
working class better than Mike Leigh, and for the past two decades, he's pretty much made the
subject the
primary focus
of his
work.
From books, magazines, and newspapers to photographs,
works of art,
primary documents, and statistics, Abilock's site directs users to specialized resources in every
subject area.
The labor and union movement
of the time not only told the
working class that poverty was nothing to be ashamed
of, furthermore, regarding workers as the
primary subject of the struggle to build a just and equal world, contributed to the establishment
of a respectable worker identity.
I was a founding faculty member
of Mid-Pacific Institute's eXploratory Program, a core
subject curriculum with project - based learning as the
primary focus
of student
work, with 10 years
of experience in the Social Studies classroom.
This includes recommendations suggesting that:
primary schools should bring in outside experts to teach coding; all
primaries should have 3D printers and design software; secondary schools should be able to teach Computer Science, Design and Technology or another technical / practical
subject in place
of a foreign language GCSE; the Computer Science GCSE should be taken by at least half
of all 16 year olds; young apprenticeships should be reintroduced at 14, blending a core academic curriculum with hands - on learning; all students should learn how businesses
work, with schools linked to local employers; schools should be encouraged to develop a technical stream from 14 - 18 for some students, covering enterprise, health, design and hands - on skills; and that universities should provide part - time courses for apprentices to get Foundation and Honours degrees.
When
working with tertiary students training to be
primary teachers the level
of anxiety was increased when they had to complete timed tests as a hurdle requirement in their first year mathematics
subject.
Throughout the
primary and secondary curriculum, the
subject encourages both individual initiative and team
work; it supports academic and vocational learning; introduces critical thinking and reflective practice; and promotes creative learning — so important in fostering lifelong skills
of innovation, resilience and the ability to be flexible.
In urban schools students come and go all day.No 45 minutes is like the time that preceded it or the time that will follow.Urban schools report 125 classroom interruptions per week.Announcements, students going, students coming, messengers, safety aides, and intrusions by other school staff account for just some
of these interruptions.It is not unusual for students to stay on task only 5 or 10 minutes in every hour.Textbook companies and curriculum reformers are constantly thwarted by this reality.They sell their materials to schools with the assurance that all the students will learn X amount in Y time.They are continually dismayed to observe that an hour
of school time is not an hour
of learning time.Many insightful observers
of life in urban schools have pointed out that it is incredibly naive to believe that learning
of subject matter is the main activity occurring in these schools.If one observes the activities and events which actually transpire — minute by minute, hour by hour, day in and day out — it is not possible to reasonably conclude that learning is the
primary activity
of youth attending urban schools.What does the process
of changing what one does every 45 minutes and even the place where one does it portend for fulfilling a job in the world
of work?If one is constantly being reinforced in the behaviors
of coming, going, and being interrupted, what kind
of work is one being prepared for?
Broad range
of subject content containing criticisms, biographies,
primary sources, reviews, and multimedia on writers and
works around the world.
The
primary tool and
subject of these
works is her own body; using a messy oil - and - pigment technique gleaned from the «Body Prints»
of David Hammons, she has been making process - rich self - portraits that feel simultaneously intimate and in - your - face.
In the first major retrospective
of his
works on paper, this exhibition explores Beckman's
primary subject matter: the individual.
As an artist whose
primary subject is the slippery nature
of perception, Therrien is especially involved in the matter
of how his
work is seen.
His interest in exploring how much, or how little, information is needed to discern emotion is integral to his
work on the
subject of mimetic devices and is a
primary theme in his Lehmann Maupin show.
While African Americans are her
primary subject, Weems has stated that she wants «people
of color to stand for the human multitudes» and for her
work to resonate with audiences
of all races.
Through the 1960s and»70s, Rohrer
worked out
of a converted barn in Christiana, Pennsylvania, using the landscape
of his youth as his
primary subject as he approached total abstraction in his
work and began
working exclusively with square canvases.
Working across a variety
of media (with the gridded «photo -
work» becoming their signature format), they have taken life to be their
primary subject, placing taboos such as sex, religion, race, and class at the heart
of their
work.
One can see this in two bodies
of work: cultural representation is the
primary issue in The African American Flag Project, where «African American» flags were the
subject of the paintings; and the Made in USA series
of paintings touch on the politics
of consumption through self - referential text and image.
The New York Times has compared Hahn's
work to artists ranging from old masters like Edvard Munch to modern masters like Lisa Yuskavage, indicating that Hahn's
primary subject matter is the representation
of women across painting history, period.
Her body is her
primary subject and medium, from the early sound - based performances in her native Yugoslavia, to her collaborative
works with German artist Ulay (Frank Uwe Laysiepen), her videos exploring her Balkan heritage, and most recently her re-enactments
of historical performances by fellow artists such as Vito Acconci, Bruce Nauman and Valie Export.
A series
of works created between 1982 and 1983 with candles as their
primary subject.
Taking the everyday as his
primary subject matter, he features ordinary people, places, and things in his
work, resulting in a slice -
of - life portrait
of the everyman.
[3] The
primary subject of his photographic
work is his own self - image, generally distorted and mutilated.
This contemporary rendition
of the original exhibition focuses exclusively on
works that explore abstraction via nature, as this
subject was a
primary concern
of all seven artists.
Charles Burchfield (1893 - 1967),
worked almost exclusively in watercolor on paper and his
primary subject was his experience
of nature in his immediate surroundings — scenes from his backyard, vistas near his home captured and imbued with highly expressionistic light, at times creating a clear - eyed depiction
of the world and at other times one that is wholly unique, mystical, and visionary.
1980s Welcome to Braddock Signage and a Lightbulb (2009) ushers viewers into LaToya Ruby Frazier's socially - activist
work, and announces its
primary subject — the artist's home town
of Braddock, Pa. and its history
of rise and rapid, perpetual decline.
In his search for new methods
of expression, Altenstrasser intuitively and repeatedly revises his
works, this process often becoming his
primary subject matter.
The intensely engaging
works of such contemporary artists as the Guerrilla Girls, Barbara Kruger, Jenny Holzer, Mark Lombardi, Trevor Paglen and others examine the political as a
primary subject of their art, looking at the structures, interrelationships and language
of influence and control.
In Celmins»
work however, the
subject matter is secondary — her
primary interest is that
of making.
By restoring abstraction to the body, Jukkala generates new forms and surprising connections — imagination being the
subject as well as the
primary interest
of these
works.
Citing American painters Wayne Thiebaud and Robert Bechtle as
primary influences, Townsend's
work is a mixture
of pop, photo - realism, surrealism and representational interpretations
of largely mid-century
subject matter.
Throughout his
work he makes use
of thick outlines, bright
primary colors, and Ben - Day dots to represent his
subjects.
Often transcending the typical Futurist
subject matter
of racing car and mechanical city - scape, these
works mark a distinct movement away from figuration as the
primary vessel for an expression
of feeling, instead investigating the emotional value
of line, shape and color.
In light
of this questioning, Volume 19 features
works that address language and communication as their
primary subjects and tools.
This series is similar to the
work of other well - known photographers whose
primary subjects are animals, like, for example, William Wegman, in that Usborne's photos...
This series is similar to the
work of other well - known photographers whose
primary subjects are animals, like, for example, William Wegman, in that Usborne's photos are humorous but also exhibit the same heft and weight as portraits
of human
subjects.
Through approximately twenty
works in various formats, the exhibition will present a concise array
of the
subjects of primary importance to the Bechers over their long career.
The figure — both nude and clothed — was the
primary subject of this phase
of Kainen's
work.
Until 1949, when O'Keeffe moved permanently to New Mexico, the Northeast — particularly Lake George — and the Southwest were the
primary places in which O'Keeffe
worked — where she saw, absorbed, and responded to her natural surroundings, the varying and variable landscapes, and the vernacular architecture
of the regions; where she reinterpreted these
subjects in her
work; and through which she defined the first decades
of her career.
Seemingly contradicting this statement, Michael Halpern, CSD program manager and author
of Freedom to Bully, says open - records laws should be amended to limit information available to the public, including limits on public access to e-mails between scientists, research notes, and
primary data, telling the Associated Press, «We don't want to
work in an environment where every keystroke is
subject to public records.»
«Although whites are not the
primary targets
of the alleged racial abuse at the Whirlpool plant in LaVergne, Tenn., they allege that they have been
subjected to a hostile
work environment where supervisors allowed racial epithets and offensive graffiti to run rampant.
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Experience must have been in an IT field or
work where the
primary concern was the
subject matter
of the IT application.