Sentences with phrase «primary work surface»
We are planning a kitchen renovation next year, and I was thinking about doing butcher block on a few of the counters that are not our primary work surface.
http://www.domesticimperfection.com/ Not exact matches
To be sure, the cracks in the realistic surface, the surrealism, are far greater than in parables in the «Primary World,» but the story is still parabolic, for the transcendent unfamiliar, both good and evil, operative in this tale works within the givens of this world.
The primary function of the stomach is to churn up all the food into a mush, so that when it enters the small intestine (primary site of digestion) it will have a bigger surface area for the digestive enzymes to work on.
Rumors that Cynthia Nixon would mount a challenge to Gov. Andrew M. Cuomo in New York's Democratic primary began to surface in early March; by the 20th she had announced her candidacy, and by mid-April she had secured the endorsement of the progressive Working Families Party, which backed the governor, after some sturm and drang, in his two previous elections.
This work, says Dalton, points to temperature as a primary factor in how convection is expressed on the surface.
In previous work, Sunyer and colleagues found that IgT is the the primary immunoglobulin involved in pathogen responses in fish guts and skin, and they showed that IgT also coats the commensal bacteria living on these surfaces, likely helping prevent these microbes from getting out of control and causing illness.
Together, 492 of these mirrors will work together as a single optical surface comprising TMT's 30 - meter - diameter primary mirror.
The primary function of the stomach is to churn up all the food into a mush, so that when it enters the small intestine (primary site of digestion) it will have a bigger surface area for the digestive enzymes to work on.
The Venue 8 Pro works best as a supplemental PC for quick Windows 8.1 tasks, information retrieval, and browsing the Internet, but the Transformer T100TA and Surface Pro can do duty as a primary PC for many more users and user scenarios.
1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)
A stretched canvas forms the work's primary structure; loosely applied paint, punctuated by an isolated cluster of thick, frenetic paint strokes, consolidates multiple layers of paper and fabric fragments, concealing much of the surface.
Installation view January 8 — February 6, 2010 Primary Atmospheres: Works from California 1960 - 1970 will present to the New York public a long - overdue survey of the particular kind of minimal work that was made in and around Los Angeles, work which differentiated itself in its emphasis on surface, synthetic materials, industrial processes, and perception.
Radiating a sense of barely contained energy, vivacity, and joy, Sam Francis's distinctive work uses bold primary colors and jewel - like tones, abstract forms splattered, dripped, and drizzled across the surface of the canvas.
This new work hangs on the wall and dazzles the viewer with its high technological approach to creating a brightly colored surface where primary and secondary colors are juxtaposed, including thin strips of opposing color at the edges.
In the primary work encountered, the scratched Plexiglas surface with sections of the title scratched into it creates a coloured filter and a barrier for the following paintings.
In the new works, Bradley tempers the use of color in bold, primary swathes with approaches to form and surface that remain resolutely contingent.
Valentine's work has also been included in a number of important group exhibitions that served to introduce the Light and Space artists to a national audience, including Annual Sculpture Exhibition, Whitney Museum of American Art, New York (1966, 1968, 1970); Sculpture Of The 60's, Los Angeles County Museum of Art (1967); Plastic Presence, Jewish Museum, New York, Milwaukee Art Center, and San Francisco Art Museum (1969); The Industrial Edge, Walker Art Center, Minneapolis (1969); and, more recently, Primary Atmospheres: Works From California 1960 - 1970, David Zwirner, New York (2010); Pacific Standard Time: Crosscurrents In L.A. Painting And Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles; and Phenomenal: California Light, Space, Surface, Museum of Contemporary Art San Diego (2011).
2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI
Spencer Finch: Rome (Pantheon, Noon, June 14, 2011) is being presented in conjunction with Phenomenal: California Light Space, Surface a historical overview of artists working in Los Angeles in the 1960s and 1970s for whom light became a primary medium.
«Rather than having a super large primary display, you could have a foldable phone that becomes an even larger display, so that if you're doing some content creation, you have a larger surface area to work on.»
• Train 15 new maintenance technicians in reading and understanding the role of blueprints in facilities maintenance work • Introduce a series of initiative building exercises to focus technicians» work on potential projects • Inspect buildings and structures to determine malfunctions in existing systems and needs for repair • Make lists of work that has to be performed each day and schedule technicians to work accordingly • Provide training to maintenance technicians by informing them of best practices • Handle minor plumbing and electrical maintenance procedures such as repair of leaks and replacing fixtures • Prepare surfaces for painting and buffing purposes and ensure that both work is performed in a time efficient manner • Act as the primary point of contact for all personnel requiring assistance with building issues such as heating and air conditioning