Sentences with phrase «principles of stimulus»
The principles of Stimulus Production caused Muzak's recordings to devolve into inoffensive instrumental pap, but the songs remained ubiquitous.
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The encapsulates the Tory attack: there is nothing wrong with a fiscal stimulus in principle, but for Britain where we're already in deficit, and the automatic stabilisers bite so hard (in part because of over-dependence on the City), it's dangerously unaffordable.
One of the most striking realizations of the past decade of work has been that information processing follows somewhat different principles than those established with traditional research involving just visual or just auditory stimuli.
In principle, the bilayer can be made of any material, in any shape, and respond to any stimuli from heat to light, swelling, or even biological growth.
But more than ever, the actual mechanics of pinball — the multi-directional movement, the cacophony of competing stimuli, the serendipity at play in winning or losing — function as Linklater's guiding principles.
According to behaviorist principles, it is no longer «incumbent upon the student to do what is necessary to succeed,» for it is the responsibility of the teacher «to find the right stimulus that will cause a student to respond as desired.»
That's because the turnaround principles included in ESEA Flexibility build on the administration's revision of the existing SIG program in the 2009 American Recovery and Reinvestment Act (ARRA) stimulus package.
The Pavlovian Method of training is based more on the principle that a response to a stimulus can be learned, whether the stimulus is natural or unnatural.
Aversive training techniques, which have been seen to be used by Cesar Millan (The Dog Whisperer) are based on the principle of applying an unpleasant stimulus to inhibit behaviour.
He worked for the likes of Royal Court Theatre, Glyndebourne, La Scala and the Metropolitan Opera in New York City, leaving permanent marks in all these prestigious ballet and opera locations and adjusting synesthetic colors in response to musical stimuli — this feat does not appear in his painting or photography artworks, but is a common underlying principle in his designs for stage sets.
Another critique of the behaviorist model of conditioning is that, according to this principle, the behavior should be extinguished if the stimulus stops occurring.