[Image: Sara Greenberger Rafferty, Untitled, 2014, acrylic polymer and inkjet
print on acetate on Plexiglas, and hardware, Irregular: 26 1/2 x 39 x 1/2 inches.]
Untitled, 2015, Acrylic polymer and inkjet
print on acetate and paper on Plexiglas and hardware, 24h x 39w in.
Sara Greenberger Rafferty, «Blue Noose,» 2012, acrylic polymer, watercolor, and inkjet
print on acetate, Plexiglas and hardware, 39 x 37 1/2 x 1/2 inches, 99.1 x 95.3 x 1.3 cm
Sara Greenberger Rafferty, The Long Glove I, 2017, Acrylic polymer and inkjet
print on acetate mounted to Plexiglas with cardboard behind, 29 x 23 inches, (73.7 x 58.4 cm)
Sara Greenberger Rafferty, Curtain, 2014, polysilk, leather, inkjet
print on acetate, clear thread, and hardware, 96 x 24 inches (243.8 x 61 cm)
Sara Greenberger Rafferty, «Blue Noose,» 2012 - 2013, acrylic polymer, watercolor, and inkjet
print on acetate, Plexiglas and hardware, 39 x 37 1/2 x 1/2 inches (99.1 x 95.3 x 1.3 cm)
Sara Greenberger Rafferty, «Curtain,» 2014, leather, inkjet
print on acetate, clear thread and hardware, 96 x 24 inches (243.8 x 61 cm)
Sara Greenberger Rafferty, «Untitled,» 2014, acrylic polymer and inkjet
print on acetate on Plexiglas and hardware, Irregular: 78 x 40 x 1/2 inches (198.1 x 101.6 x 1.3 cm)
Acrylic polymer and inkjet
print on acetate mounted to Plexiglass.
Archival pigment
print on acetate or vinyl as a wall treatment / mural.
«I'd have all my PowerPoint slides
printed on acetate overheads so you could put them on the old projectors in the classroom, and they would shine up on the chalkboard.»
Sara Greenberger Rafferty, Dress, 2016, Acrylic polymer and inkject
prints on acetate on Plexiglas, and hardware, 50 x 18 x 1/2 inches (127 x 45.7 x 1.3 cm)
Greenberger Rafferty presents flat sculptural wall pieces — many of them identified as «acrylic polymer and inkjet
prints on acetate on Plexiglas» — trapping the images between several layers of mediation.
Main image: Lawrence Abu Hamdan, Saydnaya (ray traces)(detail), 2017, inkjet
prints on acetate sheets on overhead projectors.
Sara Greenberger Rafferty, Untitled, 2014, acrylic polymer and inkjet
prints on acetate on Plexiglas, and hardware, 26 1/2 x 39 x 1/2 inches (67.3 x 99.1 x 1.3 cm)
Sara Greenberger Rafferty, «Untitled,» 2014, acrylic polymer and inkjet
prints on acetate on Plexiglas, and hardware, Irregular: 77 x 40 x 1/2 inches (195.6 x 101.6 x 1.3 cm)
Sara Greenberger Rafferty, «Untitled,» 2014, acrylic polymer, and inkjet
prints on acetate on Plexiglas and hardware, Irreular: 60 x 57 1/2 x 1/2 inches (152.4 x 146.1 x 1.3 cm)
In the life sized Fig pieces, the performing body's vulnerability to the gaze is both emphasized through the water damage the images incur, and made more palatable by their sleek
printing on acetate.
Sara Greenberger Rafferty, Dress, 2016, Acrylic polymer and inkjet
prints on acetate on Plexiglas, and hardware, 50 x 18 x 1/2 inches (127 x 45.7 x 1.3 cm)
The piece comprises layers of inkjet
prints on acetate — a door with an «Audience Entrance» sign and what could be seen as pulled blinds or lined notebook paper — as well as paint and solvents.
Sara Greenberger Rafferty, «Blue Cans,» 2013, acrylic polymer and inkjet
prints on acetate on Plexiglas and hardware, irregular, approx: 50 x 40 x 1/2 inches, 127 x 101.6 x 1.3 cm
Sara Greenberger Rafferty, Dress, 2016, Acrylic polymer and inkjet
prints on acetate on Plexiglass, and hardware, Irregular: 50 x 18 x 1/2 inches, (127 x 45.7 x 1.3 cm)
Sara Greenberger Rafferty, «White Urinal,» 2013, acrylic polymer and inkjet
prints on acetate on Plexiglas and hardware, irregular, approx: 42 x 35 x 1/2 inches, 106.7 x 88.9 x 1.3 cm
Sara Greenberger Rafferty, «Red Cans,» 2013, acrylic polymer and inkjet
prints on acetate on Plexiglas and hardware, irregular, approx: 50 x 40 x 1/2 inches, 127 x 101.6 x 1.3 cm
(Left to right): Carl Walters, Whale, 1927, glazed ceramic, private collection, courtesy of Conner - Rosenkranz, NY (photo Mark Ostrander); Sara Greenberger Rafferty, Jokes on You (detail), 2016, acrylic polymer and inkjet
prints on acetate on plexiglas, and hardware; courtesy of the artist and Rachel Uffner Gallery (photo by JSP Photography).
Sara Greenberger Rafferty, Basin on Wall, 2013, acrylic polymer and inkjet
prints on acetate, Plexiglas and hardware, 44 x 32 x 1/2 inches, 111.8 x 81.3 x 1.3 cm
Untitled, 2014, acrylic polymer and inkjet
prints on acetate on Plexiglas, and hardware, Irregular: 72 x 40 1/2 x 1/2 inches
Sara Greenberger Rafferty, On Aggression, On Aggression, 2016, Acrylic polymer and inkjet
prints on acetate on Plexiglas, and hardware, Irregular: 24 x 41 1/2 x 1/2 inches (61 x 105.4 x 1.3 cm)
Sara Greenberger Rafferty, Y2K Moschino Dress, 2016, Acrylic polymer and inkjet
prints on acetate on Plexiglas, and hardware, Irregular: 76 1/2 x 40 x 1/2 inches (194.3 x 101.6 x 1.3 cm)
Sara Greenberger Rafferty, Wolford Shapewear and Various Objects, 2016, Acrylic polymer and inkjet
prints on acetate on Plexiglas, and hardware, Irregular: 36 x 24 x 1/2 inches (91.4 x 61 x 1.3 cm)
Saydnaya (ray traces), 2017 Inkjet
prints on acetate sheets on overhead projectors exhibition view © Lawrence Abu Hamdan, courtesy Maureen Paley, London
An untitled image, made of acrylic polymer and inkjet
prints on acetate on Plexiglas, by Sara Greenberger Rafferty.
Not exact matches
Once the images are burned
on to the screen, I set up for
printing — I align the screen to the
acetate and start
printing by pulling the ink through the exposed image.
Electronics to transmit data to the researchers — and to control the drone — could be
printed on a sheet of cellulose
acetate in silver nanoparticle ink that dissolves in water.
Pictured above: And by each crime and every kindness, 2017, C -
print,
acetate, gouache and collage mounted
on window panes, 66 x 270 inches.
Rios Ferreira's project at Wave Hill consists of abundant line drawings, painted
acetate and collaged
prints installed
on the windows of the Sun Porch with custom - cut sheets fitting into each windowpane.
In addition to her works
on acetate, which will stretch down a gallery wall at MASS MoCA and onto platforms
on the floor, Jemison will present a selection of photographs along with an excerpt from her ongoing novella
printed in vinyl
on the wall.
Still Waters, 2009 Polyvinyl
acetate, pigments, acrylic gesso, graphite, acrylic tempera and silkscreen
print on cotton canvas 21 1/4 x 21 1/4 x 1 1/2 inches (54 x 54 x 4 cm) JS - 2073
Sara Greenberger Rafferty, FM FM 1990, 2016, 2016, Acrylic polymer, inkjet
prints, and paper
on acetate on Plexiglas, and hardware, Irregular: 35 x 24 x 1/2 inches, (88.9 x 61 x 1.3 cm)
Sara Greenberger Rafferty, Top and Bottom, 2016, Acrylic polymer, inkjet
prints, and paper
on acetate on Plexiglas, and hardware, Irregular: 40 x 56 x 1/2 inches, (101.6 x 142.2 x 1.3 cm)
Mitchell and her colleagues were each provided with sheets of
acetate,
on which the dimensions of the
printed page had been outlined in pencil, and «assigned a poem to illustrate as [they] saw fit.»
Sara Greenberger Rafferty, «Kite,» 2013, water - soluble wax pastel, acrylic polymer, inkjet
prints, collage
on acetate, Plexiglas and hardware, 40 x 29 x 1/2 inches, 101.6 x 73.7 x 1.3 cm
Sara Greenberger Rafferty, Grid, 2016, Acrylic polymer, inkjet
prints, and paper
on acetate on Plexiglas, and hardware, Irregular: 70 1/2 x 24 x 1/2 inches (179.1 x 61 x 1.3 cm)
Sara Greenberger Rafferty, Yearly Theme with Stockings, 2016, Acrylic polymer, inkjet
prints, and nylon
on acetate on Plexiglas, and hardware, Irregular: 24 x 20 x 1/2 inches (61 x 50.8 x 1.3 cm)
Each photograph is
printed on clear
acetate.
Sara Greenberger Rafferty, «Tie,» 2013, acrylic polymer and inkjet
prints, collage
on acetate, Plexiglas and hardware, irregular, approx: 33 x 23 x 1/2 inches, 83.8 x 58.4 x 1.3 cm