Readers didn't care that my book wasn't
printed by a big publisher.
Not exact matches
The
Big (i.e., irrelevant commercial)
Publishers, the Random Houses and HarperCollinses and Simon & Schusters and Hachettes, wheeled and dealt multimillion - dollar con - tracts among themselves, though increasingly the agents were holding on to their authors» foreign rights, stalking the halls and booths like hyenas, or even, egregiously, like the upstart McTaggart, setting up their own stands with spiffy little tables and printed catalogs several inches thick handed out by demure young people, aping the publishers themselves (th
Publishers, the Random Houses and HarperCollinses and Simon & Schusters and Hachettes, wheeled and dealt multimillion - dollar con - tracts among themselves, though increasingly the agents were holding on to their authors» foreign rights, stalking the halls and booths like hyenas, or even, egregiously, like the upstart McTaggart, setting up their own stands with spiffy little tables and
printed catalogs several inches thick handed out
by demure young people, aping the
publishers themselves (th
publishers themselves (the nerve!).
While traditional
publishers (actually, the top end
publishers) are fighting over business and legal issues, like any
big business, you adapt and work with what works — eBooks still represent a minority in sales, but it is rapidly catching up to
print, and
by all accounts, has already passed hardcover (which has been in decline in a slow death since the advent of paperbacks and trade paperbacks in the 40s and 50s).
Readers deserve and expect quality
printed books that are indistinguishable from those published
by Random House, HarperCollins, and the other
big publishers.
Posted
by Victoria Strauss for Writer BewareRecently,
Big 5
publisher Simon & Schuster announced the launch of two adult trade speculative fiction imprints: Saga Press, which will do both
print and digital, and Simon451, which will also do
print an... -LSB-...]
Whether your book was produced and
printed by you or
by a
Big Five
publisher, at the end of the process, you will still be holding a physical book in your hands, asking yourself how you can tell people about it.
In this case the agent and author worked together to find Greenpoint Press, a dedicated
publisher utilizing
print - on - demand technology to publish important books that might be overlooked
by the
big commercial presses.
I bring this up because in reading one of the Hachette versus Amazon articles the writer pointed out how much gaming is already being done
by the
Big Publishers, such as buying ebooks themselves to increase the subsequent
print order from Amazon.
I'm talking books
printed by the
big six
publishers.
«We (he and his agent) both understood from the beginning that it would likely be against my best interests to take the sort of deal that would be offered (
by Big 6 NYC
publishers), but we also dreamed of a future where
publishers and authors had a different sort of relationship... And so we pursued an impossible dream hoping that the strangeness of our demands (for a
print - only deal where he kept his digital rights) might pave the way for future demands from other authors.»
High - visibility examples of newly configured efforts are put into the spotlight, of course,
by news - making events including agent Kristin Nelson's ability to parlay author Hugh Howey's self - published ebook success with the Silo Saga (Wool) trilogy into
print - only contracts with
Big Five
publishers.
Pre-orders and
publisher push (ie, anointing Author A as the next
big thing while Author B is not given the same push) determine
print runs as well as the number of books sold vs. the number
printed for the previous book
by that author.
Because many
big publishers are basing their digital strategies on the mistaken view that digital is just another format and the best way to deal with it is
by tightly integrating the
print and digital sides of their businesses.
Successful self - published authors like Howey, who did well
by ultimately selling
print rights to a
Big 5
publisher while retaining digital rights, are less likely to see any benefit in prestige or marketing when there is diminished gain from a rapidly diminishing retail presence.
As a
print publisher, you can use ACX to find talented professionals to collaborate with, and expand your business
by establishing a brand - new audiobook division, however
big or small.
The e-sales will help to offset the considerable losses all the
big publishers are suffering from decreased
print sales and increases in distribution costs, fuelled
by the increase in oil prices.
IngramSpark is an award - winning online service for indie authors that provides the same quality
print and distribution services enjoyed
by big - time
publishers.
First, five of the
Big Six
publishers do not make eBooks available for lending
by libraries without restrictions, and the only one that does, Random House, charges libraries three times more for eBooks than it does for
print books.
IngramSpark ® is an award - winning independent publishing platform that offers the same fully integrated
print and digital products and global distribution services enjoyed
by big - time
publishers to the indie - publishing community.
I don't see the new shape of things as many do: the twilight of the dinosaurs, the old - thinking
Big Five
print publishers staggering, falling to their knees and heading for extinction as they're overwhelmed
by a nimble army of small, warm - blooded mammals whose claws are the sharp, smart, flexible tools of electronic publishing.
While
big - name
publishers like Kodansha and Shinchosha announced that they will simultaneously publish new titles in both
print and electronic formats
by 2012, consumers still don't see much advantage to reading e-books at their current prices.