Sentences with phrase «printed etched plates»
The Circuits prints are relief prints, the consequence of relief - printed woodblocks variously combined with relief - and intaglio - printed etched plates, some of which, notably in Pergusa Three, were embedded into the woodblocks.
http://www.wahlstedtart.com/ Not exact matches
Strictly limited to eight models the V12 Vantage S Spitfire 80 makes its excellence clear with unique Q by Aston Martin styling to match original Spitfire aircraft celebrating 80 years of this magnificent aircraft and Great British Engineering Seats In Kestral Tan stitched in Raven Black Corse Thread Dashboard In Pure Black Alcantara Stitched in Kestral Tan Corse Thread Carpets & Steering Wheel In Pure Black Exposed Satin Carbon Fibre Door cards with «Release» Graphic Door Armrest Pad Assembly in Kestral Tan Door Armrest Pull Strap In Red Webbing with «Remove Before Flight» print Interior Door Pull Finished In Satin Black Anodised Handbrake Grip In Spitfire Red Anodised Centre Rotary Switch With RAF roundel And «Spitfire 80» etching Rear Cabin Finisher — Aluminium Strip — Hole Punched to match strut behind pilot's head in Spitfire (part made by Aircraft Restoration Company Duxford) Tread Plates And C - Struts finished in «Cockpit Green» As Well As Under Bonnet Struts Spitfire 80 Logo Embroided Into Headrests Sat Nav «Splash Screen» With Spitfire 80 Logo Printed Leather Headlining Of Duxford Aerodro
Sipp, a printmaker, is creating the illustrations by drawing on glass and then using a photographic process to make etching plates from the drawings, so he can do limited - edition prints.
The prints go though the flatbed etching press twice — once with the inked up plate for the landscape a second time when the print has dried to add the dot and then an encaustic veneer or varnish is added last, so they are encased in wax.
Inspired by Johns's imagery, Barnhart also created for the workshop a lithographic stone and an etching plate and lent a c. 1900 Fuchs and Lang press and printing materials from etching needles and plates to inks and a silkscreen.
For her edition for the Whitechapel Gallery Ramsden has made a single gesture or «swipe» directly onto the copper etching plate, which has then been printed to create a varied edition of 35 sugar lift aquatints.
Examples of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly on the plate.
This etching, just like the Douglas, is an original etching in the sense that they are printed from the original matrix, the copper plate that the artist etched.
Louise Bourgeois, Opening Up, 2008 Soft ground etching plate 55.563 x 13.75, sheet 59.5 x 19.375 inches 1 known variant impression of the only state outside the edition and unique variants published by Osiris Editions, printed by Wingate Studio
Louise Bourgeois, The Stretch, 2006 hard ground etching plate size 35.4375 x 55.6875, sheet size 59.8125 x 35.625 inches edition of 9 published by Osiris Editions, printed by Wingate Studio
Louise Bourgeois, The Unfolding, 2007 Soft ground etching with selective wiping, and wash, black crayon, and pencil additions plate 58.875 x 35.563, sheet 59.625 x 37.813 inches edition of 9 published by Osiris Editions, printed by Wingate Studio
Louise Bourgeois, La Famille, 2006 hard ground etching with hand additions plate 55.625 x 16.8125, sheet 59.5 x 20.125 inches edition of 11 published by Osiris Editions, printed by Wingate Studio
Louise Bourgeois, The Smell of Eucalyptus (# 1), 2006 Soft ground etching with black crayon, gray watercolor wash, and pencil additions plate 55.25 x 30.75, sheet 59.125 x 34.5 inches edition of 19 published by Osiris Editions, printed by Wingate Studio
Louise Bourgeois, Untitled, 2006 Soft ground etching plate 55.688 x 15.813, sheet 60.938 x 21.063 inches 1 known impression of the only state, outside the editions unpublished, printed by Wingate Studio
Louise Bourgeois, My Inner Life, 2008 hard ground etching with hand additions plate size 59.6875 x 35.5625, sheet size 59.6875 x 38.5 inches edition of 9 published by Osiris Editions, printed by Wingate Studio
Instead of the image deriving from an existing sketch, the artist has drawn directly onto two etching plates in two layers, which are then printed.
Louise Bourgeois, Turning Inwards, 2008 Etching with hand additions plate 59.438 x 31.5, sheet 59.438 x 35.5 inches edition of 9 published by Osiris Editions, printed by Wingate Studio
, 2008 hard ground etching plate size 55.5 x 21.625, sheet size 59.125 x 24.125 inches edition of 9 published by Osiris Editions, printed by Wingate Studio
He also began to go to Hayter's Atelier 17, which he used as a shop for printing his engraved and etched plates.
The exhibit includes watercolors, drawings, pastels, copper plate etchings, photographs and prints.
Walton Ford, Limed Blossoms, 2007 six plate color etching and aquatint plate size 12 x 9 inches, paper size 18.5 x 14 inches edition of 100 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, The Tale of Johnny Nutkin, 2001 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Benjamin's Emblem, 2000 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Views and Mirrors, 1992 set of three aquatint and line etching plate 21.25 x 21.25, sheet 36.5 x 27.75 inches edition of 35 printed by Wingate Studio
Untitled, 1997 set of three aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio Purchase / Inquire
Walton Ford, Swadeshi - cide, 1998 - 99 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Compromised, 2003 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Visitation, 2004 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Dying Words, 2005 six plate color etching and aquatint plate size 14 x 18 inches, paper size 22.5 x 30 inches published by Paul Kasmin Gallery, produced and printed by Wingate Studio edition of 75 SOLD OUT
Untitled, 1997 set of three aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio
Untitled, 1997 aquatint etching plate size 4 x 6.125 inches, sheet 10.75 x 15 inches Edition of 15 printed by Wingate Studio
Walton Ford, La Historia Me Absolvera, 1999 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT
The etched plates could then be run through a press or printed by hand.
2007 six plate color etching and aquatint plate size 12 x 9 inches, paper size 21.5 x 16 inches edition of 75 published by Paul Kasmin Gallery, produced and printed by Wingate Studio Price: Upon Request
A week - long exploration working in intaglio to create multi color prints from one copper plate, combining traditional etching process with a la poupee inking, mono printing, chine colle, with the option of using a woodblock as a second plate / matrix.
A sequence is established here: a proof printed in black, overworked with paint and graphite, followed by further work on the plate, and a new stand - alone etching that is not meant as part of an edition, but as a new moment of thought.
In 1788 William Blake invented a method of relief etching that he called «Illuminated Printing» making it possible to print both the text of his poems and illustrations of them from the same copper plate.
Original etching with drypoint printed in black ink on wove paper Hand - signed in pencil in the margin lower right Kandinsky, also signed and dated in the plate with the artist's monogr...
Transferring her ideas or sketches right onto a plate: from etchings, relief, or collagraph, she loves the feeling of pulling the first print and the anticipation of what the image will look like.
Over the past several years, I've had an ongoing obsession with the etching plate, and what function it can serve once it is no longer needed for printing.
(n.d.) lives in Murfreesboro A Misattributed Quote, 2006 etched and inked copper plates, giclee print on canvas, wood, 25 1/2 x 26 inches, 2015.65.4
When the plate was etched and printed, the white ground brushstrokes became negative open space.
In the Crown Point studio artists make marks on copper plates, and printers ink and print each plate with an etching press — a slow, layered process still completed by hand and technically unchanged from its 15th century invention.
This exhibition presents a group of Barnet's Central Park drawings from the 1930s as well as a selection of related prints made from the copper plates that he carried in his pockets and etched on site.
Artist: Kiki Smith Title of Work: Jewel (set of three prints) Year: 2004 Plate Dimensions: 8 1/2 ″ x 11 ″ Sheet Dimensions: 14 ″ x 17 ″ Material: Aquatint and etching on paper Photo Line: Courtesy of Harlan & Weaver Collection Credit: Courtesy of Harlan & Weaver
This series is a suite of photogravure prints etched from copper plate onto Pescia paper.
The image for the print originates from a small acrylic painting of the same dimensions, and has been remade as a two - plate polymer etching and hand coloured by the artist.
Throughlarge copper plate etching and photographic imagery, Smith used computer - generated, photographic patterning to create seamless images as it is printed onto long rolls of paper, ergo creating his own unique paper upholstery.
Etching, aquatint on copper plate and silkscreen print, in 5 colours, on Fabriano paper, 78 x 300 cm.
Right: MLK Elegi, 1968, Soft ground etching and aquatint on shaped plate, with burnishing, printed in brown on ivory wove paper