Bibiana Suárez, Aves raras (mexicanos) no. 1 / Strange Birds (Mexicans) no. 1, 2005 - 2011, archival inkjet
print on aluminum panel (map courtesy of the University of Chicago's Special Collections), 24 x 24» & Bibiana Suárez, Aves raras (mexicanos) no. 2 / Strange Birds (Mexicans) no. 2, 2005 - 2011, archival inkjet print (map courtesy of the University of Chicago's Special Collections), 24 x 24»
Aves raras (mexicanos) no. 1 / Strange Birds (Mexicans) no. 1, 2005 - 2011; archival inkjet
print on aluminum panel (map courtesy of the University of Chicago's Special Collections); 24 x 24 in.
Not exact matches
New Objectivity 2013 Acrylic
on mirrored
panel, pigment
print on anodized
aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 026
2000 Lambda
print on Duratrans, mounted
on Acrylic
panels, in
aluminum frame with fluorescent lights 120 x 180 x 20 inches (304.8 x 457.2 x 50.8 cm) ARG # RM2000 - 028
2013 Acrylic
on mirrored
panel, pigment
print on anodized
aluminum, bronze, blackened steel, and plastic mannequin foot with hosiery in stainless steel and glass vitrine with fluorescent lights and acrylic sheeting 80 x 47 x 20 inches (203.2 x 119.4 x 50.8 cm) ARG # MEJ2013 - 026
Apparatus (detail), 2009 36 C -
prints face - mounted with plexiglas
on aluminum panels 15.6 x 20.8 inches each
panel 39.7 x 53 cm each
panel
Pascal's Iron (detail), 2010 15 C -
prints face - mounted with Plexiglas
on aluminum panels 22 1/4 x 14 inches each
panel 56.52 x 35.56 cm each
panel
Porcelain,
aluminum, c -
print, rubber, fabric, plastic, and acrylic
on panel.
Three lambda
prints of each piece of equipment, measuring 100 x 80 cm and flush mounted
on aluminum panels, show one front view and two lateral views.
Relief
print from linoleum in white, with carpet tacks,
on aluminum panel, the full sheet, lacking the original numbered portfolio
She is best known for her nature / landscape paintings
on aluminum and plexiglas
panels, which combine silkscreen
printing and oil painting with other techniques.
MICHELLE GRABNER AND BRAD KILLAM Oyster # 5 2013 - 14 Wood, galvanized steel, flashe
on panel, fabric
on panel, silver and gesso
on panel, framed type c
print, oil
on canvas, enamel
on aluminum, oiled wood, various fasteners 98 x 96 x 6 in.
2016 Dye sublimation
print on aluminum 41 3/4 x 61 1/2 inches; 106 x 156.2 cm (overall) 41 3/4 x 24 inches; 106 x 61 cm (left
panel) 41 3/4 x 36 7/8 inches; 106 x 93.7 cm (right
panel)
1 / 29 — David Maljković, All Day All Year, 2016, inkjet
on canvas painted with oil colors mounted
on aluminum composite
panel and inkjet
print on archival paper mounted
on archival carboard, 150 x 224 cm
During its installation, the mural's component
panels lay exposed: 130 more or less identical C -
prints mounted
on aluminum, braced
on the back so as to hang by cleats
on vertical plywood supports screwed to the wall.
Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex
on laminated
panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6
panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C -
print mounted
on Dibond
aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5