Sentences with phrase «printed small images»

Not exact matches

Traditionally, a pixel is the smallest controllable piece of a printed picture or an image on a screen.

«We used silver and carbon ink to print an image consisting of small rods that are about a millimeter long and a couple of hundred microns wide,» said Ajay Nahata from the University of Utah, leader of the research team.

The image is free of noise reduction and shows a fair amount of film grain, but so too does it show minor print damage throughout in the form of small scratches and specks.

For starters, the source print suffers from a small degree of speckling that wouldn't be so distracting but for an unforgivingly dark image.

By paying a small fee, they also have the option of printing the flashcards in a variety of formats, exporting the cards to Word or Excel, and placing images on the cards.

The pack includes: Powerpoint - A Powerpoint about the festival of Hanukkah - when it is, what is eaten, how it is celebrated - the pages could also be printed off to enable you to create a class book for the children to read Photographs - Colour photos of a Menorah, a Dreidel, Hanukkah Gelt and people lighting the Menorah candles - great to add to your displays or for discussion Word cards Fact cards - Fact cards about the festival of Hanukkah Display banners - 2 different large titles for displays «Happy Hanukkah» and «Hanukkah» each with Hanukkah themed pictures Display border - A colourful display border with Hanukkah themed pictures - this can be printed as many times as you need to use on a display border of any size Writing pages - A collection of decorated A4 border pages - great for the children's work or to add to your writing area at Hanukkah Colour page border - A collection of colour A4 border pages - a great way to quickly display the children's work Colour posters - A set of A4 information posters with pictures of Gelt money, Menorah, Dreidel and Potato Latkes Display lettering - Large letters spelling «Hanukkah» which are decorated with pictures linked to Hanukkah - Great for a larger display Hanukkah story - The Hanukkah story for you to read aloud to the children Colouring posters - A collection of posters for the children to colour - these could also be printed smaller for the children to use on their Hanukkah cards Bookmarks - A collection of Hanukkah themed bookmarks for the children to cut out and colour Number line - A number line to 50 on colourful Dreidels Alphabet line - An alphabet line on candles - this could also be used for other festivals or a part of a birthday display Colour posters - A4 posters with pictures of images associated with Hanukkah Songs and rhymes - A collection of decorated song sheets with songs and rhymes about Hanukkah including two number rhymes Recipe - A photo recipe to make Latke cakes - a popular Hanukkah dish - the pages can be printed to make a book or used for displays Dreidel game - A Dreidel spinner to cut out and play the game of Dreidel Make a Dreidel - A 3D Dreidel spinner to make complete with instructions Hanukkah cards Acrostic poem Maths worksheet - Count the number of Dreidels Addition worksheet - Add the numbers on the Dreidels Menorah Counting - Worksheets to count the number of Menorah candles lit Cut and make a Menorah Number dominoes Word search Worksheets - Match the Hanukkah words to the pictures, draw the Hanukkah pictures and fill in the missing words Writing activities - Worksheets to write the Dreidel instructions and writing about Hanukkah

Can be printed A4 as individual sheets, or printed with multiple images to the page to allow children to create their own small Nativity story booklet.

You may share these pages with your students at individual computer stations or by assigning small groups to share a number of computers; by means of computer - projected images displayed to the whole class; or by printing out the images and distributing copies of them to students.

In practice, an ebook developers» influence can be as small as thinking ahead to keeping the color versions of images that will later be converted to grayscale for print so they can be returned to color for the ebook, or to reminding editors that a yellow, low - contrast cover is going to disappear on an e-ink device.

For ebooks and print books, it's also worth remembering that anyone buying online may first see your book cover as a small thumbnail image.

Colors are brighter and images have more depth and text is sharper, clearer and darker, especially small print.

It works very well in a print book, but all of the images are too small to read.

I didn't show my entire transaction history, but in those images the larger sum is my amazon affiliate income and the smaller sums are from CreateSpace — which sells the print copies of my books.

It's all too common for a book to go into production only to get held up because the graphics were produced by someone who didn't know the requirements of print production, or they were output at a resolution too low for printing; or the files are too small to create images the size that you want in the book, or for any number of other problems that can cause your project to come to a grinding halt.

Genre: Fiction Author: Blake Crouch Title: CONFIDENCE GIRL Deliverable: Premium Kindle and ePub ebooks and Interior design for Print - On - Demand Features: Custom - made title page graphics, Drop caps, Embedded fonts, First - line small caps, and Scalable images

Digital radiography has the advantages over conventional film radiographs in that it uses approximately 1/3 of x-radiation to create the image, the ability to enlarge the image to see small changes, increase or decrease contrast to help small lesions show up better, archival of images on a hard drive or back - up disc, easy retrieval, and the ability to print the images for client education.

A resident since 1977, his library of digital images has grown to more than 100,000 and his downtown gallery in Village Centre features giclee prints, large and small, on canvas and paper.

Hi, I put watermarks on my images by using Photoshop but also sometimes it's best to use smaller files so people can't download them and print them larger or make them bigger in an editing program.

The images appeared to be photograms of ephemeral ink - on - water drawings, but the referent was a couple of steps removed: Opera first recorded the drawings on negatives that he digitally enlarged and then used to create the small anthotype prints.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Juarez often combines many different types of images, using both casual, small sketches he makes almost daily, as well as found botanical and other prints as sources.

8 × 10, Ansel Adams brought it up to maybe 16 × 20 and larger, but basically it was a small image and if you were a good printmaker and you could make luscious beautiful prints fully detailed and so on.

In this show, we have juxtaposed images made in many different ways: handmade colour C - type prints and big pigment prints made on cotton paper, and a whole series of smaller, gelatin silver prints, in The Interior and the Exterior — Noah Purifoy (2014).

Monographs of his work include: Irving Penn (1984); Irving Penn: Master Images (1990); Irving Penn: A Career in Photography (1997); Dancer (2001); Earthly Bodies: Irving Penn's Nudes, 1949 - 50 (2002); Irving Penn: Platinum Prints (2005); Irving Penn: Small Trades (2009); Irving Penn: Portraits (2010); Irving Penn: Archæology (2010); Irving Penn: Cigarettes (2012); and Irving Penn: Cranium Architecture (2013).

The scope of Michael Meads» work is large, and wandering from room to room in «Bent Not Broken» at the Ogden Museum of Southern Art, his range of mediums and forms is awe - inspiring: acrylic paintings, charcoal drawings, papier - mâché masks, screen - printed images overlaid on gessoed wood panels, vivid sculptural triptychs, a small bound book of collages.

A prolific, highly experimental artist, the images that Mendieta printed in her lifetime represent a small fraction of the original slides and negatives that remain in her archive.

Estimated by outside experts at several million dollars, the promised gift doubles the Met's current holdings of 145 images, which focused on nude studies and platinum prints of laborers from his «Small Trades» series.

Instead of printing the images on small passport format, Ruff enlarged the pictures to 210 x 165 cm which revealed every detail of his friends» faces such as the quality of their skin, freckles and stubbles.

The gallery walls reveal small, intimate silver gelatin images that are expertly printed powerhouses of artistic excellence.

Selected by the Los Angeles artist Sam Durant, whose work often deals with political and cultural subjects in American history, the exhibition includes more than 155 posters, newspapers, and prints dating from 1966 to 1977, as well as a small - scale mural that reprises one of Douglas's vintage images.

This exhibit will include mixed media drawings, image transfers, prints and small sculptures.

The surface of the photograph itself is a persistent subject of interest for Tillmans, and his careful combination of small and large formats, and framed and unframed prints, serves to underscore the notion of the photographic image as an object — subjective and idiosyncratic.

His use of the «benday dot,» a printing process that is similar to pointillism in which small dots of color are used to form an image replaced shades of color.

As a boy in Remscheid, a small city in western Germany, he photocopied printed images and bought his first camera so he could obtain more material for the copy machine.

By 1964, he began constructing images, which he titled» Composites,» to better express the urban jitteriness he felt, and the exhibition features a small never - before - seen macquette of a grid of 12 contact prints of shapes of light seen between the tops of buildings, as well as a unique work titled In the Depths with seven strips of figures brightly lit and isolated in shadows.

There are also catalogue numbers, presumably assigned by The Atlas Group, printed beside the upper right corner of the small image as well as the lower right corner of the large monochromatic field.

Baltrop printed the majority of his photographs small, no more than 5 × 7 inches (approximately 13 × 18 centimeters), although he printed a few images considerably larger.

He produces most of his images in three sizes, from small to very large, either in signed, mounted prints, which must be protected in a frame, or as replaceable inkjet prints that can be attached directly to the wall and are generated by a certificate - authenticated optical disc.

Monographs of his work include: Irving Penn (1984); Irving Penn: Master Images (1990); Irving Penn: A Career in Photography (1997); Dancer (2001); Earthly Bodies: Irving Penn's Nudes, 1949 - 50 (2002); Irving Penn: Platinum Prints (2005); Irving Penn: Small Trades (2009); Irving Penn: Portraits (2010); Irving Penn: Archæology (2010); Irving Penn: Cigarettes (2012); Irving Penn: Cranium Architecture (2013); Irving Penn: Beyond Beauty (2015); Irving Penn: Flowers (2015); and Irving Penn: Centennial (2017).

Approximately sixty - three vintage gelatin silver prints, some on Agfa Brovira pa..., some on Agfa Brovira paper from the 1940s, a number ferrotyped, images mostly 3 1/4 x 4 3/8 inches (80 x 110 mm), a few smaller.

A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US

1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...

Side by side with those images are monochromatic prints, Lighters, and an array of other abstracted images large and small.

The image for the print originates from a small acrylic painting of the same dimensions, and has been remade as a two - plate polymer etching and hand coloured by the artist.

Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material — prints by eighteenth - century draftsman William Hogarth, pages from animal encyclopedias, and Jimi Hendrix's 1968 album cover for Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.

In the concluding steps of her process, Pollack prints a final image onto linen in a size that is unequal — sometimes larger, sometimes smaller — to the dimensions of the painting stretcher that will support it.

For the edition I am making a group of thirty - five drawings of the items in my «archive» as well as a comprehensive, printed checklist, which will include a small image and a brief description of each of the objects.

Shown alongside these large scale images, small format silver gelatine prints are also titled after the places the photographs were taken, mostly in areas of Tokyo.

Thanks to the process itself, Vicky is able to make small editions of the image, the editions are variable due to the process and her desire to experiment, which means each print, is unique.

Gemini G.E.L. at Joni Moisant Wey and Crown Point Press were both selling Julie Mehretu aquatints (the former had 12 framed prints hung together to create a large, frenzied architectural image, almost the size of one of her smaller paintings).