Sentences with phrase «prints by contemporary artists»

There were plenty of Japanese prints dotted around the place, perhaps even more than prints by contemporary artists.

Whether it's a Banksy (signed or unsigned) that has successfully completed the Pest Control provenance process or rare signed prints by contemporary artists such as:

Pace Prints is a publisher of contemporary fine art prints and a contemporary art gallery focused on exhibiting and selling a wide variety of prints by contemporary artists from the 1960s to the present.

During the last 50 years it collected 400 paintings and sculptures and 5000 prints by contemporary artists.

Established in 2002 with the support of the Singapore Government, STPI is a not - for - profit organization that presents innovative exhibitions and programs to a broad audience, where works on paper and print by contemporary artists can be discovered in unique and engaging ways.

The GCMA also has an impressive collection of paintings and prints by contemporary artist Jasper Johns.

Not exact matches

The download pack includes: - Key activities scheme, week by week learning activities - All worksheets which are ready to print or use on a whiteboard / projector / interactive whiteboard - Visual examples of final outcomes - What to look for in taking good quality primary resource photographs There is also a designers catalogue of contemporary artists / designers to allow students to look at different materials and how they have been manipulated.

Throughout the home you will find framed prints by Donna Howell Sickles, a western artist famous for her contemporary and colorful portrayals of cowgirls.

Clarke's April 22nd auction is highlighted by a single owner collection of contemporary prints and paintings by such renowned artists as Jim Dine, David Hockney, Alex Katz, Chuck Close and Robert...

Curator Mark Ormond has organized «Summer Abstractions» gathering paintings, prints and sculpture by abstract artists at Allyn Gallup Contemporary Art Gallery, 1288 N Palm Ave., Sarasota.

Featuring monographs, theory, zines and criticism as well as rare artist editions and out - of - print art books by major contemporary artists, editions is a point of convergence between the literary and art worlds both locally and internationally.

Following discussion and close looking in the exhibition Modigliani Unmasked, learn printing and stamp - making techniques to create an edition of cards in this intensive one day workshop taught by contemporary artist Timothy Hull.

This spring, take a closer look at prints by leading contemporary artists and innovators in printmaking when the BMA brings approximately 20 vendors from around the U.S. for the Baltimore Contemporary Print Fair on Saturday, April 1 from 10 a.m. — 8 p.m. and Sunday, April 2 from 10 a.m. &mdcontemporary artists and innovators in printmaking when the BMA brings approximately 20 vendors from around the U.S. for the Baltimore Contemporary Print Fair on Saturday, April 1 from 10 a.m. — 8 p.m. and Sunday, April 2 from 10 a.m. &mdContemporary Print Fair on Saturday, April 1 from 10 a.m. — 8 p.m. and Sunday, April 2 from 10 a.m. — 5 p.m..

LIMITED Edition Art Print of Textured Red Tree Painting, Red and Green Wall Art, Contemporary Landscape Print, Signed & Numbered by Artist

Art New York, presented by Art Miami, returns to Pier 94 from May 3 - 6 offering noteworthy and fresh works by important artists from the contemporary, modern, post-war and pop eras, featuring paintings, photography, prints, drawings, design and sculpture.

Perhaps one of the most intriguing recent developments in the field is the espousal of print - based media by a number of contemporary artists who do not define themselves as printmakers, but feel that it is the most appropriate medium in which to express themselves in today's media - saturated environment — a context that renders the hand - produced object antiquated and quaint.

Activist Print is inspired by the history of artists using silkscreen and print - based media to raise awareness of contemporary issues and inspire chPrint is inspired by the history of artists using silkscreen and print - based media to raise awareness of contemporary issues and inspire chprint - based media to raise awareness of contemporary issues and inspire change.

Dorchester Collection's contemporary Mayfair hotel, 45 Park Lane, is delighted to announce its latest upcoming exhibition by mixed media and print work artist Bonnie and Clyde, in association with Ackerman Studios and Liberty Gallery.

The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.

Alicia David Contemporary Art also works with artists outside of the stable we represent as well as working work with publishers and distributors of original limited edition prints by leading contemporary artists both in the primary and seconContemporary Art also works with artists outside of the stable we represent as well as working work with publishers and distributors of original limited edition prints by leading contemporary artists both in the primary and seconcontemporary artists both in the primary and secondary market.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenprints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenartist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenPrints, University of Lexington, Kentucky.

1986 The Frederick R.Weisman Foundation Collection of Art Laforet Harajuku, Tokyo, Japan Institute of Contemporary Arts Nagoya, Aichi, Japan Navio Museum, Osaka, Japan Sogo Museum of Art, Kanagawa, Japan Original Works for the Picture Books, Niigata City Art Museum, Niigata, Japan Today's Watercolor» 86, Kaneko Art Gallery, Tokyo, Japan The 14th Ryu Contemporary Art Sakaide Civic Art Museum, Kagawa, Japan Contemporary Japanese Art, The Taipei Fine Arts Museum, Taiwan Black and White in Art Today, The Museum of Modern Art, Saitama, Japan Kanagawa Art Dialogue for Peace, Okurayama Memorial Hall, Kanagawa, Japan Culture of Water, Effects of Trees, Ishinomaki Culture Center, Hokkaido, Japan Twelve Months by Twelve Artists, Tokyo Gallery, Tokyo, Japan 1985 Japanese Prints, Tochigi Prefectural Museum of Fine Arts, Japan A Panorama of Modern Japanese Prints from the Museum Collection, Niigata City Art Museum, Niigata, Japan Reconstructions: Avantgarde Art in Japan 1945 - 1965, Museum of Modern Art Oxford, Oxford, England Fruitmarket Gallery, Edinburgh, England

Pickleman purchased his first serious contemporary work in January 1988 from the Randolph Street Gallery, a series of printing plates by Chicago artist Jin Lee.

These themes of time, landscape, narrative, and capriccio are also explored in contemporary printed series by artists such as Christiane Baumgartner, Chris Burden, Mona Hatoum, and Chris Ofili.

Susan Eley Fine Art focuses on contemporary art by emerging and mid-career artists, who work in a range of media, from paint to photography to sculpture and print.

1985 Special Exhibition Series 1... from 1960s, Tokyo Gallery, Tokyo, Japan The 10th Anniversary of Museum Opening, Contemporary Sculpture in Japan, Wood Kanagawa Prefectural Gallery, Japan Locus of Contemporary Prints; Post-war Prints by 43 Artists, Fukushima Prefectural Museum of Art, Japan Conceptual Art, Kamakura Gallery, Kanagawa, Japan Self - Portrait Today, The Museum of Modern Art, Saitama, Japan 10th Anniversary of New Building 40 Years of Japanese Contemporary Art, Tokyo Metropolitan Art Museum, Japan Imaginary Monuments Vision, Dream, Image, Kaneko Art Gallery, Tokyo, JapanWith Contemporary Art - Anniversary of Gallery's Opening Soh Gallery, Tokyo, japan Group Show of Mitsuo Kano, Jiro Takamatsu, and Koichi Tanigawa, Galerie Humanite, Tokyo, Japan Yamamura Collection Research Meeting, The National Museum of Art, Osaka, Japan

They are not like modern or contemporary prints that were done in a defined edition from a matrix and signed by the artist and sold through a gallery.

42 Edgewood College Gallery 1000 Edgewood College Dr • 608.663.3252 • finearts.edgewood.edu/gallery nevertheless, she persisted: Prints by Contemporary Women Artists — Featuring work by Elizabeth Blackadder, Louise Bourgeois, Judy Chicago, Sue Coe, Yvonne Jacquette, Ellen Lanyon, Melissa Miller, Alice Neel, Nicola Lopez, Paula Rego, Betye Saar, Kiki Smith, Joan Snyder, Kara Walker.

at fruehsorge contemporary drawings, Berlin, Germany Frank Badur: Editions at Jordan Seydoux — Drawings & Prints, Berlin, Germany The galleries Hamish Morrison Galerie, fruehsorge contemporary drawings and Jordan Seydoux — Drawings & Prints are pleased to present three exhibitions by the artist Frank Badur on the occasion of -LSB-...]

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

The Habers were astute connoisseurs of fine craftsmanship, which led them to assemble an impressively diverse collection of prints, books, and ceramics by contemporary Japanese artists.

By the mid 1970s, the Tate gallery had begun to collect contemporary prints by British artists, which led to further interest in printmaking in the UBy the mid 1970s, the Tate gallery had begun to collect contemporary prints by British artists, which led to further interest in printmaking in the Uby British artists, which led to further interest in printmaking in the UK.

Visitors will discover a breadth of Modern and contemporary works including paintings, drawings, sculpture, installations, prints, photography, video and digital art by more than 4,000 artists.

Based on the acclaimed juried publication, an exhibition - in - print, this year's version was selected by Kelly Schindler, associate curator at the St. Louis Contemporary Art Museum, and features an equally diverse group of artists and practices from across the Midwest.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY

Making Home: Contemporary Works from the DIA presents a range of works by artists from the DIA's collections of Prints, Drawings and Photographs and Contemporary art that are concerned with idealistic representations of home.

Primarily a collection of drawings, the Vogels» collection also includes paintings, sculptures, photographs, and prints by more than 170 contemporary artists, mainly working in the United States.

Quint Contemporary Art (QCA) is pleased to present ROY MCMAKIN: Some Drawings and a Table, a solo exhibition by Roy McMakin and WORKS ON PAPER II: Work by Peter Alexander, Mel Bochner, Kelsey Brookes, Manny Farber, Thomas Glassford, Frederick Hammersley, Joseph Huppert and Ryan McGinness, a group exhibition of artist studies, acrylic painting, zippers, cuts, collage and prints.

A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

You can download, then print, and put up a series of election posters designed by leading contemporary artists including Mark Wallinger, Antony Gormley, Jeremy Deller, Richard Wentworth, Bob and Roberta Smith, Vicky Wright, Shezad Dawood, Jamie Shovlin, Clio Barnard, Liam Gillick, Ben Cain, Mike Ballard, Stephen Connolly, Pure Evil, Reluctant Hero, Stanley Dalwood and designers -LSB-...]

1984 Helen Lindhurst Gallery, University of Southern California: «3EP Ltd. — Selected Prints, 1979 - 1984» Los Angeles, California Museum of Contemporary Art: «The First Show: Painting and Sculpture from Eight Collections 1940 - 1980» Los Angeles, California Koplin Gallery: «Olympiad: Summer 1984» Los Angeles, California Phillipe Bonafont Gallery: «The Artist and The Theatre: Set and Costume Designs by Artists» San Francisico, CA Hunsaker / Schlesinger Gallery: «Major Works by California Artists» Los Angeles, CA Madison Gallery: «Neon on my Mind.»

An exhibition of prints by the legendary graphic artist accompanies contemporary work by Dick Esterle, George Hart, Miranda Herrick, Paul Hildebrandt, Akio Hizume, Marc Pelletier, Clark Richert, Erin Sledd, Fabien Vienne and Scott Vorthman.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among oPrints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among oprints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

1987 Allied Arts Council of Southern Nevada / First Interstate Bank Regional Art Collection, Las Vegas, Nevada The Works Gallery: «A View Through / Revisited» Long Beach, California Korean Cultural Service: «CURRENTS - Eight Contemporary Artists, American & Korean» Los Angeles, CA University of Hawaii at Manoa: «Glass: Another View» Honolulu, Hawaii Pence Gallery: «Works on Paper» Santa Monica, California Yurakucho Asahi Gallery: «Prints by Los Angeles» Tokyo Japan (traveling exhibition) Sena Galleries West: Arnoldi / Cooper / Dill, Santa Fe, New Mexico Stanford University Museum of Art: «The Anderson Collection Two Decades of American Graphics, 1967 - 1987» Stanford, California Scott Hansen Gallery: «Summer Selected Works» New York James Corcoran Gallery: «From the Sixties and Seventies» Santa Monica, California Elizabeth Leach Gallery: «Cirrus Editions, Ltd» Portland, OR

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prprint) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prprint) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prPrint — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prprint CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Hanga Ten Contemporary Japanese Prints are delighted to be exhibiting at the Affordable Art Fair, Battersea, London from the 23rd to the 26th October and will be showing work by gallery artists including Brayer, Hamanishi, Kuroda, Namiki, Shiomi, Shinoda and Stewart.

As the premier showcase for Western contemporary art, the Ann Korologos Gallery proudly offers a wide array of Western artists working in a variety of techniques and representing diverse artistic traditions: Bold Post-Expressionist still lifes by Angus Wilson, delicate realism in the style of Chardin by Sarah Lamb, Plein Air landscapes by Dan Young, cutting - edge Macro Photography by Gayle Waterman and meticulous linocut prints by Sherrie York.

Hanga Ten will be exhibiting at the 20/21 International Art Fair in South Kensington (15 - 18 May), showcasing a selection of original prints by contemporary Japanese artists.

Arion Press, now in its 38th year, is well - known for having revitalized the livre d'artiste tradition in the late 20th century, bringing together significant contemporary artists and important literary texts: among its 96 publications are Poetry of Sappho (2011) with prints by Julie Mehretu [see Art in Print, Vol.