These are limited Edition
prints of fine art paintings depicting Marvels greatest superheroes.
Not exact matches
Featuring an iconic image
of a baseball, this giclee
print on canvas has the look and feel
of a
fine art painting and comes ready to hang.
Featuring an iconic
print of a classic soccer ball, this giclee
print on canvas has the look and feel
of a
fine art painting and comes ready to hang.
Featuring an iconic image
of a classic basketball, this giclee
print on canvas has the look and feel
of a
fine art painting and comes ready to hang.
Featuring an adorable bear in a festive feathered mask, this giclee
print on canvas has the look
of a
fine art painting and comes ready to hang.
Skinner's appraisal experts regularly appear on the PBS - TV series, Antiques Roadshow, and its specialty departments include American Furniture & Decorative
Arts, American & European
Paintings &
Prints, European Furniture & Decorative
Arts, 20th Century Design,
Fine Ceramics,
Fine Jewelry, Couture,
Fine Musical Instruments, Asian Works
of Art,
Fine Wines, Rare Books & Manuscripts, Science & Technology, Oriental Rugs & Carpets, American Indian & Ethnographic
Art,
Fine Judaica, Antique Motor Vehicles, Toys, Dolls & Collectibles, and Discovery.
Throughout Rosewood Sand Hill, a captivating collection
of Northern Californian
art graces the walls, including contemporary
paintings, works on paper,
fine art prints and photography with several large - scale, specially - commissioned pieces showcasing the region.
Think
of the place as a vast
art museum with the personal touches
of a multi-millionaire: medieval tapestries, spectacular sculpture, detailed wood
prints, exquisite
paintings and
fine furniture from world - class craftsmen.
It is like
printing money from my own hard work
of Fine Art painting.
Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration
of pages to sell
prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in
fine art); room setting view where customers can see the size / shape
of a
painting /
print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top
of page, etc).
2015
Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (November 14, 2015 — April 30, 2016) Marks Made:
Prints by American Women Artists from the 1960s to the Present, Museum
of Fine Arts, St. Petersburg, Florida (October 17, 2015 — January 24, 2016) A Few Days, Lennon, Weinberg, Inc., New York (October 7 — December 19) The Ceramic Presence in Modern
Art: Selections from the Linda Leonard Schlenger Collection and the Yale University
Art Gallery, Yale University
Art Gallery, New Haven, Connecticut (September 4, 2015 — January 3, 2016) America is Hard to See, Whitney Museum
of American
Art, New York (May 1 — September 27) What is a Line?
Giclee
Art Print, White Tree Contemporary
Art Print, Blossom Tree Wall
Art, Blue Night Home Decor,
Fine Art Print of Tree Oil
Painting
Bricks & Blocks by Sydney McQuade Otto,
Fine Art Giclee
Print of the Textured Abstract Acrylic
Painting
1992 Joan Mitchell: New
Prints, Bobbie Greenfield
Fine Art, Venice, California (September 11 — October 10) Joan Mitchell, Le Fonds Régional d'
Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan, France (July 16 — August 31) Joan Mitchell, Galerie Jean Fournier, Paris (June 3 — July 14) Joan Mitchell: Trees & Other
Paintings, 1960 to 1990, Laura Carpenter
Fine Art, Santa Fe, New Mexico (May 2 — June 6) Joan Mitchell: Pastel, Whitney Museum
of American
Art, New York (March 19 — June 21) Joan Mitchell: Recent Lithographs, Susan Sheehan Gallery, New York (March 17 — March 28) Joan Mitchell: Sunflowers and Trees Series, Tyler Graphics, Mt. Kisco, New York (opened March 7)
Abstract
Art Print of Red Flower
Painting, Giclee
Print of Modern
Art Red Dandelion,
Fine Art Print of Oil
Painting, Red Blue Wall
Art
Art Print of Green Willow Tree
Painting, Whimsical Giclee
Print Contemporary
Art, Wall Decor,
Fine Art Print Oil
Painting, 4x5, 8x10, 11x14
AN AVID COLLECTOR
OF AFRICAN AMERICAN
ART, Maya Angelou (1928 - 2014) surrounded herself with
paintings, sculpture,
fine prints and works on paper.
Tags: Anne De Villemejane, Awad Wahba, Bolek Ryzinski, Braden Burgon, Carole McClintock, Chizuru Morii Kaplan, Dana Adams, drawing, East Harlem galleries, Fabienne Ricard, group exhibition, Helene, Hollie Heller, Hugh Millar, installation, invitational, JJ Li, John De Soto, lindsey nobel, Liz Schneider - Cohen, Lorin Cole, Louise Laffaille, March Chadwick, Mati Bracha, Michael Katz, Norbert Waysberg,
painting, Paul Ching - Bor, Photography, Preeti Varma,
printing, sculpture, Shane Townley, Simon Rigg, susan nelly, the villa america
fine art, Todd Monaghan, Vicky Barranguet, William King Posted in Art for Sale, Buy Art, Collecting Art, Exhibition, NYC Comments Off on Villa America Fine Art announces Rites of Sp
fine art, Todd Monaghan, Vicky Barranguet, William King Posted in Art for Sale, Buy Art, Collecting Art, Exhibition, NYC Comments Off on Villa America Fine Art announces Rites of Spr
art, Todd Monaghan, Vicky Barranguet, William King Posted in
Art for Sale, Buy Art, Collecting Art, Exhibition, NYC Comments Off on Villa America Fine Art announces Rites of Spr
Art for Sale, Buy
Art, Collecting Art, Exhibition, NYC Comments Off on Villa America Fine Art announces Rites of Spr
Art, Collecting
Art, Exhibition, NYC Comments Off on Villa America Fine Art announces Rites of Spr
Art, Exhibition, NYC Comments Off on Villa America
Fine Art announces Rites of Sp
Fine Art announces Rites of Spr
Art announces Rites
of Spring
Contemporary Realist
Painting Museum
of Fine Arts Boston, MA Inaugural Exhibition Barbara Krakow Gallery Boston, MA Contemporary Drawings Barbara Krakow Gallery Boston, MA Contemporary Drawings Delahunty Gallery Dallas, TX The Artist As Printmaker: 23rd National
Print Exhibitions The Brooklyn Museum Brooklyn, NY
1999 Contemporary Japanese
Art I, 1950s - 1970s from the Collection, The 10th Anniversary
of Museum Opening, Introducing Newly Collected Works, Hiroshima City Museum
of Contemporary
Art, Hiroshima, Japan Eyes Watching the Space, Enjoying
Painting and Space, Niigata City
Art Museum, Niigata, Japan Japanese
Prints 1945 - 1999, Expressions and Anti-Expressions
of the Times, Machida City Museum
of Graphic
Arts, Tokyo, Japan Against Educational Course
of Contemporary
Art, The 20th Anniversary
of Museum Opening, Itabashi
Art Museum, Tokyo, Japan NICAF TOKYO» 99, The 6th International Contemporary
Art Festival, Tokyo International Forum, Tokyo, Japan Listening to Kaoru Abe, Ota
Fine Arts, Tokyo, Japan Out
of Actions: Between Performance and the Object 1949 - 1979, The Museum
of Contemporary
Art at the Geffen Contemporary, Los Angeles, USA MAK - Austrian Museum
of Applied
Arts, Vienna, Austria Museu d'
Art Contemporani, Barcelona, Spain Museum
of Contemporary
Art Tokyo, Japan
New Woodblock
Prints Albert Merola Gallery Provincetown, MA Headless — Recent
Paintings Barbara Krakow Gallery Boston, MA Rain Mary Ryan Gallery New York, NY The Seasons Museum
of Fine Arts Bostons Boston, MA
Susan Eley
Fine Art focuses on contemporary art by emerging and mid-career artists, who work in a range of media, from paint to photography to sculpture and pri
Art focuses on contemporary
art by emerging and mid-career artists, who work in a range of media, from paint to photography to sculpture and pri
art by emerging and mid-career artists, who work in a range
of media, from
paint to photography to sculpture and
print.
I'm a visual artist from Adelaide, South Australia and in my shop you'll find a collection
of my original
paintings and
fine art giclee
prints on paper or canvas.
FINE ART PRINTS: Giclee prints are museum quality and richly coloured, retaining the beautiful details and brush strokes of the original pai
PRINTS: Giclee
prints are museum quality and richly coloured, retaining the beautiful details and brush strokes of the original pai
prints are museum quality and richly coloured, retaining the beautiful details and brush strokes
of the original
painting.
The Grace Museum's
art collection
of more than 1,500 works
of art is composed
of paintings,
fine art prints, artist's books, sculpture, photographs, and works on paper including drawings, watercolors, and pastels.
The museum's permanent collection includes more than 6,000 works
of art, including
paintings, sculptures,
prints and drawings [1] with an emphasis on European and American
fine art from the Renaissance to the present.
A Selection
of American
Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen
Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists
of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show
of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn
of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum
of Art, Sarasota, FL (catalogue); travelled to Center for the
Fine Arts, Miami Paula Cooper Gallery, New York A Climate
of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction:
Art at the End
of the Decade, University
Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum
of Art, Fort Worth, TX; travelled to San Francisco Museum
of Modern
Art, San Francisco, CA; Albright - Knox
Art Gallery, Buffalo, NY; Milwaukee
Art Museum, Milwaukee, WI; Corcoran Gallery
of Art, Washington, DC; Artists» Union Hall
of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery
of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace
Prints, New York Psychological Abstraction, Deste Foundation for Contemporary
Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play
of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux -
Arts, Brussels (catalogue) Abstraction — Geometry —
Painting, Albright - Knox
Art Gallery, Buffalo, NY; travelled to Center for the
Fine Arts, Miami, FL; Milwaukee
Art Museum, Milwaukee, WI; Yale University
Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National
Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York
In addition to
fine art prints by Dan Witz on display and available for sale, the artist will be signing books and also hand
painting a select number
of the
fine linen cover edition in a classic tromp l'oeil style.
Marlborough
Fine Art's stand at Frieze Masters is given over to a solo exhibition
of Francis Bacon's
prints and
paintings, including the extraordinary Study for Bullfight no. 1 — a powerful vision
of violence in a humming orange arena.
2003 Annual Student Exhibition Chuck Close
Prints: Process and Collaboration Robert Knox: Non-Fiction
Paintings Fred Wilson: Objects & Installations, 1979 - 2000 Single Channel: Collaborationg with the Moving Image 25th Master
of Fine Arts Thesis Exhibition Angela Grauerholz: Reading Room for the Working Artist and Privation Mads Gamdrup: Renunciation
2008 Abstract
Painting, Galería Javier López, Madrid Joseph Albers, Donald Judd, Peter Halley, Galerie Thomas, Munich
Painting: Now and Forever, Part II, Matthew Marks Gallery, New York Weight Watchers, Galerie Xippas, Paris The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, The National Gallery
of Art, Washington, DC (catalogue) Summer Exhibition, Waddington Galleries, London Out
of Storage I: Chosen
Paintings from the Collection, Mudam Musée d'
art modern Grand - Duc Jean, Luxembourg Indian Winter, Albert Baronian Gallery, Brussels Totally Rad: New York in the 80s, Paul Kasmin Gallery, New York The Big Bang, Museo Carlo Bilotti, Rome, Italy (catalogue) Abstract Vision, Thomas Ammann
Fine Art, Zurich (catalogue) Collecting Collections, The Museum
of Contemporary
Art, Los Angeles Modern
Prints: Classic Modern to Pop
Art, Galerie Proarta, Zurich
Lisa Breslow will have a solo exhibition
of new
paintings and
prints at Kathryn Markel
Fine Arts November 20 — December 20, 2014 Opening Reception, Thursday, November 20th, 6:00 - 8:00 pm (see the complete online version
of the show from this link.
2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn
Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee:
Painting Now, Palm Beach Institute
of Contemporary
Art, Lake Worth, FL; Aldrich Museum
of Contemporary
Art, Ridgefield, CT (catalogue) Around 1984: A Look at
Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New
Prints 2000, International
Print Center, New York Flights
of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years
of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works
of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age
of Influence: Reflections in the Mirror
of American Culture, Museum
of Contemporary
Art, Chicago Collectors: The Collection
of Fondation Cartier for Contemporary
Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit:
Painting & Digital Culture, Numark Gallery, Washington, DC American
Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out
of Order: Mapping Social Space, CU
Art Galleries, University
of Colorado at Boulder, Boulder, CO; travelled to Carleton College
Art Gallery, Northfield, MN; Pittsburgh Center for the
Arts, PA; Atlanta Contemporary
Art Center, GA; Santa Barbara Contemporary
Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren
Fine Art, New York Sandra Gering Gallery, New York
Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at
Art Projects International,»
Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View
of Xuewu
Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth
of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions,
Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye
of the Urchin,» Chinese
Art, 1999; Li Chun, «To the Tune
of a Different Drum: The
Paintings of Zheng Xuewu,» Central Academy
of Fine Arts, Beijing, September 1994.
Things, Words and Consequences, Moscow Museum
of Modern
Art, Moscow, Russia Curatorial Exchange, Irvine
Fine Arts Center, Irvine, California The Holodeck, PØST, Los Angeles, California Pure Perception, Monica De Cardenas Galleria, Milan, Italy Pittura [1995 - 2009], Studio Guenzani, Milan, Italy
PRINT IMPRINT, Actual Size Los Angeles and Cirrus Gallery, Los Angeles, California Nudes
Painting Show, 3704 North Figueroa, Los Angeles, California Looking Back for the Future, Kunsthalle Zurich, Switzerland Natural History, Carnegie Museum
of Art, Pittsburgh, Pennsylvania
1995 Choice Morsels from the Collection
of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of the Centre National d'
Art Contemporain, Centre National d'
Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out
Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern
Art, New York Pace
Prints, Ewing Gallery
of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art and Architecture, University
of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Tennessee, Knoxville, TN Exhibition in Honor
of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of the 30th Anniversary
of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary
Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix
Art Museum, Phoenix, AZ (catalogue) Degrees
of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Abstraction: From Morris Louis to Mapplethorpe, Museum
of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Fine Arts, Boston, MA New York Abstract, Contemporary
Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques
of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Pure Abstraction, Sarah Campbell Blaffer Gallery, University
of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College
of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art, Calgary, Canada; Sheldon Memorial
Art Gallery, University
of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Nebraska, Lincoln, NE; Armand Hammer Museum
of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art, Los Angeles; Crocker
Art Museum, Sacramento, CA; Museum
of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of South Texas, Corpus Christi, TX; Lowe
Art Museum, University
of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Miami, Coral Gables, FL; Polk Museum
of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Art, Lakeland, FL; Frederick R. Weisman
Art Museum, University
of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogu
of Minnesota, Minneapolis (catalogue) Mesótica
Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University
Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'
Art Moderne de la Ville de Paris, Paris (catalogue)
2017 Cabbages and Kings, Maddox
Arts, London Contemporary Abstract
Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull
Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University
of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University
of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper
Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.
Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox
Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave
Prints v. 2.0, Elias
Fine Art, Allston, Massachusetts, USA New
Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias
Fine Art, Boston, USA Glee:
Painting Now, The Aldrich Museum
of Contemporary
Art, Ridgefield, CT Palm Beach Institute
of Contemporary
Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image
Painting, Banff Centre for the
Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit:
Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie
Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip
Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary
Art, Museum
of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)
VMFA Statewide Exhibition From Picasso to Magritte: European Masters from the Virginia Museum
of Fine Arts Taubman Museum
of Art, Roanoke, Va., through August 23, 2014 Featuring 35 19th - and 20th - centuryworks from VMFA's European collection, this exhibition re-examines one of art history's most popular time periods through an array of paintings, drawings, prints, and sculptures by a number of leading artists including Pablo Picasso, Auguste Rodin, Edgar Degas, René Magritte, Paul Cézanne, Henri de Toulouse - Lautrec, and Vincent van Gogh among othe
Art, Roanoke, Va., through August 23, 2014 Featuring 35 19th - and 20th - centuryworks from VMFA's European collection, this exhibition re-examines one
of art history's most popular time periods through an array of paintings, drawings, prints, and sculptures by a number of leading artists including Pablo Picasso, Auguste Rodin, Edgar Degas, René Magritte, Paul Cézanne, Henri de Toulouse - Lautrec, and Vincent van Gogh among othe
art history's most popular time periods through an array
of paintings, drawings,
prints, and sculptures by a number
of leading artists including Pablo Picasso, Auguste Rodin, Edgar Degas, René Magritte, Paul Cézanne, Henri de Toulouse - Lautrec, and Vincent van Gogh among others.
1963 Phoenix College Library, Phoenix, AZ 158th Annual Exhibition: Watercolors,
Prints, Drawings, Pennsylvania Academy
of the
Fine Arts, Philadelphia, PA The Ascendancy
of American
Painting, Columbia Museum
of Fine Arts, Columbia, SC US Government
Art Projects: Some Distinguished Alumni, Allen Memorial
Art Museum, Oberlin College, OH; Mercer University, Macon, GA; University
of Nevada, Academy
of Art Galleries, Bloomfield Hills, MI; Carleton College, Northfield, MN; Coe College, Cedar Rapids, IO; Pomona College, Claremont, CA Works on Paper: Avery, Bigelow, Diebenkorn, Feininge &, Graves, The Waddington Galleries, London, England 11th Annual Exhibition, Museum
of Ogunquit, Ogunquit, ME Exhibition & Sale
of Works
of Art Donated by Artists to the Foundation for the Contemporary Performance
Arts, Allan Stone Gallery, New York, NY Dunn International, The Tate Gallery, London, England WR Valentiner Memorial Exhibition, J.L. Hudson Gallery, Detroit, MI Pacific Northwest
Art: The Haseltine Collection, University
of Oregon Museum
of Art, Eugene, OR Drawings USA, Saint Paul
Art Center, Saint Paul, MN
1, no. 8, November 1970; (introduction) John Hoyland (catalogue), Beaux
Arts, London, 2003 Maloon, Terence, «Hoyland Retrospectively» in John Hoyland,
Paintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
Paintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects
of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland,
Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
Paintings Australia 1980 (catalogue), University Gallery, University
of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland,
Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
Paintings 1967 - 1979 (catalogue),
Arts Council, 1979; «Colour as Form» in John Hoyland,
Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
Paintings Australia 1980, (catalogue), University Gallery, University
of Melbourne 1980; «John Hoyland: new
paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British
Art Show (catalogue), Orbis /
Arts Council, London, 1984 Moorhouse, Paul, The Mystery
of Ordered Form: The
Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British
Art, Penguin Books, London, 1964 Robertson, Bryan (introduction),
Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland,
Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
Paintings 1967 - 1979 (catalogue),
Arts Council, 1979; (introduction), John Hoyland,
Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, Lon
Paintings Australia 1980 (catalogue), University Gallery, University
of Melbourne, 1980; A Line in
Painting: Part One — British
Art (catalogue), Gallery
Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance
of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland,
Prints 1968 - 89 (catalogue), Austin / Desmond
Fine Art, London, 1990
Fine art giclee
prints are museum quality, richly coloured and retain the beautiful detail and brushstrokes
of the original
painting.
Group Island Press: Recent
Prints, Mildred Lane Kemper
Art Museum, St. Louis, MO, 2018 Thinking Through
Art, Middlebury College Museum
of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women
Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary
Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer
Art Faculty Exhibition, Schick
Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the
Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg
Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out
Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the
Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012
Art by Choice, Mississippi Museum
of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011
Art on Paper: The 41st Exhibition, Weatherspoon
Art Museum, Greensboro, NC, 2010 Defrosted: A Life
of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas
Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade
of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
2000 Bernard Jacobson Gallery, London Ameringer Howard Gallery, New York «Circles» 2001 Southern Vermont
Art Center, Manchester, VT. «Noland's Nolands» 2001 Pace
Prints, Kenneth Noland «New Editions» Bernard Jacobson Gallery, London 2002 Farnsworth Museum, Maine / Naples Museum
of Art, Florida «Kenneth Noland: Themes and Variations» 2003 Chac - Mool Gallery, Los Angeles, CA Ameringer / Yohe Gallery, New York 2004 Museum
of Fine Art, Houston, Houston Texas 2005 Fumagalli Gallery, Bergamo, Italy 2006 Ameringer / Yohe Gallery, New York «360 Degrees on the Wall» SELECTED GROUP EXHIBITIONS (incomplete) 1964 «
Painting and Sculpture
of a Decade, 1954 - 1964,» The Tate Gallery, London, April 22 - June 28 «XXXII Biennale,» Venice, June 20 - October 18 1965 «The Responsive Eye,» Museum
of Modern
Art, New York, February 23 - April 25.
Immerse yourself in nature with my selection
of contemporary abstract landscape
paintings and
fine art prints.
Susan Calloway
Fine Arts 1643 Wisconsin Ave NW Washington DC Tel: 202.965.4601 Hours: Tue - Sat 10 - 6 or by Appointment Susan Calloway
Fine Arts features a range
of paintings, sculptures, drawings, and
prints from local, regional, and international artists.
Art New York will display the
finest work
of the modern, post-war and pop eras and feature
paintings, photography,
prints, drawings, design and sculpture from masters including Andy Warhol, Roy Lichtenstein, Willem de Kooning and Ed Ruscha.
Their work combines elements
of street
art and
fine art, merging a clean graphic style with stencils, spray
paint, screen
printing and
paint brushes, to create unique pieces which have been exhibited on the streets
of London as well as a number
of international gallery spaces.
1944 3rd Annual Exhibition
of Paintings, Sculptures and
Prints by Negro Artists, Atlanta University, Atlanta, GA; 1947, 1950, 1953 Exhibition
of Paintings & Sculpture by
Art Departments
of Virginia Colleges, Virginia Museum
of Fine Arts, Richmond, VA
Criteria for selection: * Only original
fine art (limited edition and unique)
prints are eligible; reproductions
of other artwork such as drawings or
paintings are not acceptable.