John Sparagana Esopus: Kennedy Brothers 2013 sliced and mixed inkjet
prints with oil stick on paper 64 x 98 inches
John Sparagana Crowds & Powder: The Revolutionaries (detail) 2013 archival inkjet
prints with oil stick, sliced and mixed, on paper 58 x 92 inches
Image: John Sparagana, Esopus: Kennedy Brothers, 2013, sliced and mixed inkjet
prints with oil stick on paper, 64 x 98 inches.
Not exact matches
Tim's work is often based on
prints he did in the 1980's that are then reworked
with oil stick and collaged together.
Richard Serra has experimented successively
with screen -
printing, lithography and etching, going as far as to use
oil stick and silica today.
Whether shea butter piled on Persian carpets; collages featuring
printed tropical foliage and African masks which have been splattered
with slicks of melted
oil -
stick; or a stylised falling figure rendered in ceramic, much of this work reverberates
with notions of escapism, being an outsider and the whys and wherefores of using stereotypically «African» imagery.
$ 225 Produced in partnership
with MZ Wallace, this generously - sized tote bag features the
print from Glenn Ligon's «Untitled (I Am Somebody),» a 1991
oil stick on canvas text painting.
Oil stick on
printed paper
with translucent glass and wood frame, 51 x 34 3/4 inches.
Using
oil sticks, crayons, and laser -
printed images of personal and legal documents, Binion creates mixed - media works filled
with geometric patterns and flashes of abstract expressionism.
In his years of involvement
with the workshop, Serra has used experimental
printing techniques and such unorthodox materials as
oil stick and silica, continually pushing the boundaries of traditional printmaking.
Since 1996, Ligon has used the essay as the basis of his «Stranger» series, including
prints, drawings, and dense paintings made
with oil stick and often coal dust that oscillate between legibility and obscurity.