Her prior curatorial work includes developing exhibits and educational media at the Exploratorium in San Francisco, the Science Museum in London, and the the Peggy Guggenheim Collection in Venice.
Not exact matches
Prior to joining IMA, Freiman
worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens and served in the
curatorial department of the Institute of Contemporary Art, Boston.
Prior to moving to the Bay Area, Lehtinen
worked for several museums in both education and
curatorial departments, including the Art Institute of Chicago, Solomon R. Guggenheim Museum, J. Paul Getty Museum, and Skirball Cultural Center.
Prior to joining Columbia, she
worked as a
Curatorial Assistant at the Dr. Bhau Daji Lad Museum, Mumbai.
Prior to entering Columbia's PhD program, she was a 2012 - 13 Helena Rubinstein
Curatorial Fellow in the Whitney Museum's Independent Study Program, for which she co-curated Maintenance Required at The Kitchen, and she also
worked as Research Assistant for Gutai: Splendid Playground at the Solomon R. Guggenheim Museum.
In 2013,
prior to coming to the Birmingham Museum of Art, he was selected as the Andrew W. Mellon
Curatorial Fellow at the Metropolitan Museum of Art in New York City and
worked in the Department of Medieval Art and The Cloisters.
Prior to joining the Indianapolis Museum of Art, Freiman
worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens, and served in the
curatorial department of the Institute of Contemporary Art, Boston.
Prior to moving to New York City, Dennis
worked as a community organizer and a
curatorial assistant at The Menil Collection in Houston.
Prior to pursuing her doctorate she
worked as a
curatorial assistant and senior
curatorial assistant at the Whitney, where she contributed to many exhibitions and publications.
She graduated from the Center for
Curatorial Studies at Bard College, and
worked as an independent curator in New York for several years
prior to joining Artpace.
Prior work and
curatorial experiences include art institutes such as BookWorks Ltd., Tate Britain, or most recently the KW Institute for Contemporary Art, Berlin.
Prior to
working at the deCordova she held
curatorial positions at the Williams College Museum of Art and the Museum of Fine Arts, Boston.
Prior to this, he
worked in the
curatorial department at the Palais de Tokyo in Paris during its opening years from 2001 to 2004.
Throughout his career Sirmans has
worked as an independent curator, critic, editor and writer, and
prior to his appointment to the LACMA in 2010 Sirmans served as a curator of modern and contemporary art for the Menil Collection in Houston and
curatorial advisor at P.S. 1 Contemporary Art Center in New York.
Prior to her
work with PS1, Ms. Locks was a
curatorial assistant at the Museum of Contemporary Art, Los Angeles.
Prior to her
work at the Wexner she
worked in
curatorial positions at the Mildred Lane Kemper Art Museum, St. Louis, Museum of Modern Art, New York, the Solomon R. Guggenheim Museum and the Philadelphia Museum of Art.
Prior to her tenure at the Hammer, James was a
curatorial fellow at the Studio Museum in Harlem in New York City, where she
worked on a number of exhibitions, including a critically acclaimed survey of
works by the California conceptualist Charles Gaines (a show that later traveled to the Hammer, with additional pieces shown at Art + Practice).