Sentences with phrase «private collection mark»

This fall, three major international galleries in New York City and one private collection mark the semi-centennial of Italy's pivotal Arte Povera era with comprehensive surveys.

Not exact matches

Why settle a debt, where the collection marks will stay on your credit report, before first using debt validation for private student loan third - party debt collection accounts.

Estate of Willem de Kooning, New York Thomas Ammann Fine Art, Zurich Private collection Matthew Marks Gallery, New York Private collection, New York L&M Arts, New York Acquired from the above by the present owner

Please note that the correct provenance for this lot is: Estate of Willem de Kooning, New York Thomas Ammann Fine Art, Zurich Private collection Matthew Marks Gallery, New York Private collection, New York L&M Arts, New York Acquired from the above by the present owner

Private collection © Jasper Johns / Licensed by VAGA, New York / Courtesy Matthew Marks Gallery.

Indeed, the ambition is realised in superb gatherings of major figures; there's more Mark Rothko, Arshile Gorky, Willem de Kooning and Jackson Pollock here than you can shake a dripping paintbrush at, with many impressively wrangled from private collections.

To mark the centenary of William Scott's birth Osborne Samuel will present works from Scott's private collection, including paintings traded between the artist and his contemporaries (such as Antoni Tapies, Patrick Heron, Roger Hilton, Terry Frost).

Moeller Fine Art (New York and Berlin) participated in Art Cologne 2014 with an exhibition of paintings, drawings and sculpture from private collections, with works by Paul Klee, Albert Marquet, Aristide Maillol, Vasily Kandinsky, Otto Dix, Marcel Duchamp, Alfred Jensen, Robert Motherwell, Willem de Kooning, Mark Tobey.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

With over 150 paintings, sculptures and photographs from public and private collections across the world, this ambitious exhibition encompasses masterpieces by the most acclaimed American artists associated with the movement — among them, Willem de Kooning, Arshile Gorky, Phillip Guston, Franz Kline, Joan Mitchell, Robert Motherwell, Barnett Newman, Jackson Pollock, Mark Rothko, Aaron Siskind, David Smith and Clyfford Still, as well as lesser - known but no less vital artists.

Private / Corporate I marks the start into a series of exhibitions in which the Daimler Art Collection engages in a dialogue with international private collePrivate / Corporate I marks the start into a series of exhibitions in which the Daimler Art Collection engages in a dialogue with international private colleprivate collections.

This latest installment of SFMoMA's ongoing New Work series is organized by Alison Gass, assistant curator of painting and sculpture, and gathers approximately 20 sculptures from public and private collections worldwide, marking both artists» first exhibition at a major U.S. museum.

Marking its first time at auction, Femme accroupie (Jacqueline) comes from a private collection, and is estimated to sell for $ 20 - 30 million.

Private collection, Houston, TX © Nan Goldin, courtesy of Matthew Marks Gallery, New York

Leo Castelli Gallery, New York Hannes von Gösseln, Hamburg Galerie Karsten Greve, Cologne Estate of Dr. Christian Geelhaar, Basel His sale; Christie's New York, 3 May 1994, lot 22 Private collection, Baltimore Matthew Marks Gallery, New York Acquired from the above by the present owner, 1998

The partnership includes the loan to the Museum of major paintings by Mark Rothko from their private collection; paintings will be loaned individually in rotation over the course of the next two decades.

I remember in a private collection in Chicago where I saw the first paintings by, one painting, by mark Rothko.

G2 # 1 marks the beginning of the exhibition activity of the newly created G2 Artspace in the city centre of Leipzig as well as a starting point for the collector and entrepreneur Steffen Hildebrand, who presents for the first time a selection of artworks from his private collection.

On display from April 21 to September 18, 2010, «Into an Unknown World: Mark Rothko 1949 - 1969» features more than a dozen oil on canvas paintings from 1949 to 1969, many drawn from the largest private collection of the artist's work.

Adams / Central Mixed Use Development, Permanent Public Art Installation, Los Angeles, CA Baylor College of Medicine, Houston, TX Bibi Space Gallery, Daejon, South Korea Gibson, Dunn & Crutcher, Los Angeles, CA Harvey Universal Inc., Los Angeles, CA Jarrow Formulas Inc., Los Angeles, CA Luxe Hotel, Los Angeles, CA Museum of Art and History, Permanent collection, Lancaster, CA Tsuge Cafe, Tokyo, Japan United States Federal Courthouse, Los Angeles, CA Wallach Glass Studio, Santa Rosa, CA PRIVATE COLLECTIONS Estate of Betty Asher, donated, Los Angeles County Museum of Art Sam Alexander Carol April Phillip Bialeck Sheila Baird Gerald E. Buck Collection Tony and Cindy Canzoneri Robert and Maureen Carlson Rick Morris and Lisa Cliff Norm DuPont Jeff Ehrlich Merrill Francis Mark Frankel Arnold and Homeira Goldstien Joni Gordon Jonathan and Nancy Glaser David Grant Barbara Horwitz Dr. Todd Hutton Anne Hutton Ken Kaplan Doug Kennedy Marianne Kim, Daejon, Korea Neil and Pamela Kramer Shuji Kato and Kazumi Kua, Tokyo, Japan Jeffrey Kurland Marilyn Lasarow and Judge William Lasarow Dr. Richard Lasarow David Loomstein David Nash Gina Posalski Jarrow Rogovin John and Elsie Sadler Ralph Perl and Rhoda Shapiro Dr. Kumiko Saito, Hayama, Japan Junko Saito, Hayama, Japan Susan Sauvageau George and Kay Sherman Joannie Stern Steve Sztopek Brad and Cynthia Theil Sue Tsao DeWain Valentine

The addition, to be called the Rothko Pavilion, comes with a partnership with Mark Rothko's children, Christopher Rothko and Kate Rothko Prizel, that will provide loans of major Rothko paintings from their private collection.

Pamela Willoughby has consummate experience in private art sales, advising a number of esteemed contemporary collections and is a former gallery director at Mark Borghi Fine Art / Bridgehampton NY.

In the early paintings, Composition abstraite aux traits (1946, private collection), and Espace orangé (1948, Musée des Beaux - Arts, Liège), lines mark sections across monochrome blocks.

We are thrilled to present this original project by Wilson, which marks the first time the artist has worked with a private collection while becoming intimately familiar with both the collector and the museum space and their relationship to the city of Savannah.»

(Left to right): Carl Walters, Whale, 1927, glazed ceramic, private collection, courtesy of Conner - Rosenkranz, NY (photo Mark Ostrander); Sara Greenberger Rafferty, Jokes on You (detail), 2016, acrylic polymer and inkjet prints on acetate on plexiglas, and hardware; courtesy of the artist and Rachel Uffner Gallery (photo by JSP Photography).

Exhibition «Keys to a Passion» held from 1st April to 6 July 2015 at Fondation Louis Vuitton gathered many an iconic piece, lent by the greatest museums and private collections in the world, so bold and daring at the time they were created they marked a turning point in the history of art in the early 20th century: from Monet, Mondrian and Hodler to Malevitch and Rothko, from Bonnard to Picasso, from Munch to Giacometti and Bacon, from Delaunay and Léger to Picabia, from Matisse and Kupka to Kandinsky...

To mark the opening of Art Brussels this week, we spoke with curator of «Private Choices», Carine Fol, about the exhibition, what it was like to personally hand - pick the artworks, and why it's important that the public gets to see private collePrivate Choices», Carine Fol, about the exhibition, what it was like to personally hand - pick the artworks, and why it's important that the public gets to see private colleprivate collections.

A Very Anxious Feeling at the Mattatuck, on view through Nov. 8, marks the first time collectors Melva Bucksbaum and Raymond Learsy have organized and loaned a complete exhibition from their private collection to a museum.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

On view at the mall have been works by such artists as Mark di Suvero, Frank Stella and Anthony Caro, all drawn from Nasher's exceptional private collection.

The show marks a significant contribution to art history at a crucial period within the artist's oeuvre, and is especially important as a number of these early works are held in private collections and have not been seen in public for many years.

To mark the 100th anniversary of Andrew Wyeth's birth, the Brandywine River Museum of Art and the Seattle Art Museum organized an exhibition of over one hundred of his finest paintings and works on papers selected from major museums and private collections.

Her work appears in the collections of LACMA curator Franklin Sirmans (Los Angeles), private collectors Lester Marks (Houston) and Susan and Ralph Brennan (New Orleans), and corporate collections of Advantage Capital Management Corporation and RPM Casting.

Featuring five monumental works, the remaining four from private collections, Frank Bowling: Map Paintings, opening February 22, 2015, will mark the first time in nearly 45 years that these works from the «Map Paintings» series will be on view since its debut at the Whitney Museum of American Art in 1971.

Her work appears in the collections of former LACMA curator and current Perez Art Museum Director Franklin Sirmans (Miami), private collectors Lester Marks (Houston), Myrna Kaplan (Chicago) and Susan and Ralph Brennan (New Orleans), and corporate collections of Advantage Capital Management Corporation, RPM Casting and University Medical Center (New Orleans).

For the past 17 years, the vibrant canvas, with fragmented forms and brusque brush marks, has been a part of Microsoft co-founder Paul G. Allen's private art collection.

The exhibition featured work from prominent Chicago private collections and included leading New York School artists Arshile Gorky, Willem de Kooning, Franz Kline, Jackson Pollock, Mark Rothko and David Smith.

The sale of Mark Rothko, Andy Warhol and Jasper Johns artworks long held in private collections helped Sotheby's tally $ 343.6 million of postwar and contemporary art.

Featuring some 40 paintings, etchings, and drawings drawn from major public and private collections in Europe, the installation marks the first time in decades that many of these works have been on view in the US.

Works by Sirlin are included in numerous institutional and private collections, including that of the High Museum of Art, Atlanta, Georgia, the Mark Rothko Centre in Daugavpils, Latvia, the Shenzhen Institute of Fine Arts in Shenzhen, China, Kunsthaus Nurnberg, Germany, and the Museum of Contemporary Art Georgia.

These include artefacts on loan from regional museums and private collections nationwide, sculptures by artists including modern masters Louise Bourgeois, Alberto Giacometti, Henry Moore, and Fausto Melotti, along with Phyllida Barlow's bronze cast paint sticks, Subodh Gupta's bronze Mona Lisa, a cast bronze fist by Martin Creed, and Mark Wallinger's spectacles.

Private collection, courtesy Matthew Marks Gallery, New York.

Christie's is auctioning Mark Rothko's masterpiece No. 36 (Black Stripe), 1958, from the collection of the Museum Frieder Burda in Baden - Baden — one of Europe's most important and prestigious private museums for Classical Modernism and Contemporary art based in Germany.

James Marshall to an important European Foundation; Galerie Thaddaeus Ropac's sale of a Robert Rauschenberg for USD 1.5 million; Matthew Marks sale of a Jasper Johns for USD 1.5 million; Hauser & Wirth's sale of a major sculpture by Hans Arp for USD 1.1 million to a private collection in Los Angeles, from their «BRONZE AGE» presentation.

Complete with an artist lecture and catalogue, Infinite Work in Progress will showcase a combination of foundational early works on loan from private collections, and brand new works from the studio that will preview her upcoming solo show with Mark Moore Gallery October 17 — December 15, 2012.

Tagged With: 2002, 2003, 2004, 2009, 2011, A Refusal to Accept Limits, Art Basel, art collection, Barbara Kruger, Brendan Fowler, Cady Noland, Chandelier, Cindy Sherman, Dana Schutz, Darksome Almost Dawn, de la Cruz, Dual, Hannah Greely, Honda, Jason Rhoades, Jeff Koons, Jennifer Rubell, John McCallister, John Miller, Kathryn Andrews, Keith Haring, Lovers, Margulies, Mark Handforth, Matisse, Matthew Barney, Maurizio Cattelan, Miami Art Basel, Michal St. John, Paul McCarthy, Richard Prince, Rubell, Rubell Family Collection, Rubell private museum miami, Ryan Trecartin, Sprig 2010 - Summer 2011, Trill - ogy Comp, Untitled

Private collection Matthew Marks Gallery © Gary Hume

Featuring signature works from the Broad collection with loans from more than 50 international public and private collections, The Broad's presentation marks the first comprehensive survey of

To mark what would have been his 60th birthday, the Albertina is devoting a comprehensive retrospective to Keith Haring (1958 — 1990), with nearly 100 works from international museums and private collections.

January 2018 Inaugural Exhibition in Newark Museum's New Special Exhibition Gallery Explores Masterworks of Alpine Art The Rockies and the Alps: Bierstadt, Calame, and the Romance of the Mountains The Newark Museum will mark the opening of a new special exhibition gallery and its newly reopened Washington Street entrance with a major exhibition featuring beloved Hudson River School landscape paintings from the permanent collection and major loans from private and public collections.