Sentences with phrase «private space between»

Not exact matches

Metzger's estimates suggest that, spread over three decades, the project would cost between 3 - 12 % of NASA's current budget annually, though the plan also depends on investment from private space operators.

«The space between private and public is very interesting, somewhere between messaging and public forums,» Denton said, adding he feels that people present a more «interesting and constructive» aspect of themselves when they are speaking in private or semi-private discussions.

Asked Sunday at SXSW about what he will do post-Gawker, he said, «the space between private and public is very interesting, somewhere between messaging and public forums.»

«The space between private and public is very interesting, somewhere between messaging and public forums,» he said during a Sunday morning panel.

These studies suggest that the modern individual has to an important degree been the creation of a more sharply defined public sphere from which the private realm can be more clearly differentiated.8 Questions of interior space then become more important, as do the relations between these inner realities and those that constitute the public or external realms.

Fagan suggested that the village and Park District could urge homeowner associations to maintain a private wetland or natural area or help expedite donations of conservation easements, or buffer areas between open space and developed property.

Thus, for Hegel bourgeois civil society is not the space for freedom of expression and association, instead, he reminds us that civil society is not only the distinct product of a modern social formation (middle class and capitalism) but also an alienated reality, torn between the demand of private individual and the state.

There has been a lot of bad blood between President John Evans Atta Mills and his predecessor in the media, over the way the ex-President has been treated, regarding his ex-gratia, an office space and his private home.

Between national space programmes and private initiatives, 2018 is the goal launch year for at least eight different missions to the moon, making it the most popular destination outside low Earth orbit.

The Act struck a compromise between allowing the Obama Administration to proceed with its plan to turn crew transportation to low Earth orbit (LEO) over to the private sector and Congress's desire to keep NASA in the human spaceflight business by building «beyond LEO» systems — SLS and Orion — to take astronauts further into space.

Through active collaboration between research institutions, universities, private industry and citizens, Project Blue seeks to make space exploration a participatory, collective endeavor and inspire millions worldwide to engage in scientific inquiry.

Given the picture's enduring popularity, there's really no point in rehashing the plot — OK, for the uninitiated (all two of you): Ripley (series star Sigourney Weaver) heads back into space and leads a team of military grunts against the nasty extra-terrestrials — but there's always room to rehash many of the highlights: Weaver's terrific performance in the central role; the contrast between the heroic Corporal Hicks (Michael Biehn) and the cowardly Private Hudson (Bill Paxton); the escalating villainy of company man Burke (Paul Reiser); scripter Cameron's ability to keep piling on confrontations and director Cameron's ability to milk them for maximum tension; and, of course, those wonderful alien creations.

If current trends continue, we» re going to see a bi-modal system develop, with public schools (including charter schools) and ultra-elite private schools monopolizing the education space as the plethora of smaller private and parochial schools that once fell between them gradually fade away.

If public school and private school educators were to collaborate on creating a shared virtual space, this would facilitate an exchange of ideas between the educators and their students.

The significant difference between funding for charters that share space with traditional schools and charters located in private spaces sheds light on another divide within the charter sector.

The CIC room offers complimentary private meeting space and interpreters to facilitate meetings between exhibitors and international buyers.

• Number of suites: • 5 Superior room equipped balcony or terrace overlooking the garden • 2 Deluxe room equipped balcony or terrace overlooking the sea • 3 Junior Suite equipped balcony or terrace overlooking the garden • 10 Junior Suite equipped balcony or terrace overlooking the sea • 1 Penthouse suite is the «must» of the hotel, with 861 sq. ft of space inside and 667 sq. ft. split between both outdoor terraces, each with a private jacuzzi.

This afternoon we learn the basics of Colombian Salsa, known as Cali style in a private lesson by 2 local dancers, then enjoy a dinner of Caribbean and Colombian specialties at Interno Training Restaurant, a social reintegration project that offers an innovative space for reconciliation between female prisoners and civil populations.

Each Turks & Caicos villa occupies a private plot of up to two acres, the Residences comprise between three and five bedroom pavilions, living dining / spaces and separate kitchens, all set around infinity pools in black volcanic rock and framed by serene lakes and ponds

On a private street between Via Montenapoleone, Via della Spiga, La Scala and the Accademia di Brera, in a tastefully renovated 18th - century Milanese palazzo is The Bulgari Hotel Milano, situated in the cultural and commercial heart of a city that, behind its austere façades, hides delightful and unexpected courtyards and green spaces...

Floor plans blur the lines between indoor and outdoor space, as private terraces provide unobstructed views of the Sea of Cortez.

Take in the fresh sea breeze as you saunter between the immaculate indoor and outdoor spaces of this private villa.

These stylish retreats strike a fresh balance between social and sensual, exuding an easy California elegance in well - conceived private spaces that playfully reinterpret the region's timeless agrarian roots.

They feature living spaces of between 210 to 240sqm, vaulted ceilings and a private sundeck leading to a semi-private pool, an oversized sofa and a guest lavatory.

A 24 hour fitness room and 6 private meeting spaces hosting between 2 and 120 people complete the hotel's outstanding facilities.

The interior is simple and stylish, and there is more than enough space between guests, so you still get that private dining experience.

Offering affordable accommodation set on a private game farm between Hoedspruit and Tzaneen, the Makgokolo Game Reserve is a truly unique destination with enough space for the whole family.

Lines between indoor and outdoor spaces are delightfully blurry at this private beach house.

With over 9000 square feet of living space, five bedrooms each with a private en - suite bathroom, plenty of rooms for entertaining and all types of technological amenities to keep you as connected to the outside world as you wish, Amazing Grace strikes a perfect balance between laid back relaxation and 21st century beach villa Caribbean lifestyle.

The biggest difference between the Fairway Standard Room and the Fairway Deluxe Room is the private patio or balcony that provides outdoor living space.

These suites offer private balconies, living space between 180 and 283 sq. ft., private bathrooms and also include two twin beds that convert to a queen.

Club guests receive a private check - in, unlimited access to the kids club, exclusive access to the private Club Pool (with complimentary drinks), use of the Inspiration Space (library / business lounge), unlimited visits to Club InterContinental Lounge (complimentary drinks all day and afternoon tea), a choice of five different breakfast venues within the resort and complimentary cocktails between 5 and 7 pm in the Club Lounge.

Despite being close to Lamai and a range of tourist attractions, Baan Hinta's location is very private allowing guests to drift easily between the villa's multi levels, each of which offers a choice of ocean - view spaces to relax and indulge in tropical holiday pleasures.

In an urban context, the outdoors is not so much «wild nature» but rather the space between thousands of «containers» in which individuals carve out a private space and fill it with personal objects.

Recreating her scene in a South London shopping centre, Wearing questions the boundary between public and private protocol: «in a public space... you do end up looking like a nutter», she explains, «because it's not acceptable».

Dividing and subdividing the gallery, this installation both tackles and expands upon two central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition space and a strikingly public stage, which places «on view» the visitor's every movement.

Like the High Line or political art, architecture could stand for art's ability to navigate between public spaces and private aspirations.

The correlation of a private domestic space to a public natural space initiates the dismantling of the barriers between them and brings to light the vulnerability, strength, and perseverance of the human spirit.

Together, the film «Substance», the sculptural grid fragments, and the object at the Metropolitan Museum engage a multi-layered conversation between histories of exhibition sites; concepts of public space and private property; and the paradoxical legacies of historicism and modernism in architecture and design.

The screen frames the perimeter of the room, articulating its envelope as the boundary between interior and exterior, public and private, bound and unbound space.

Opie's portraits operate in the space between public and private persona, while posing questions about the subtle forms of voyeurism that portraiture permits.

Deacon addresses the relationship between public and private space, sensuality and the body, as well as memory, poetry, and language.

The Lynden Sculpture Garden opened to the public in May 2010, and by choosing Inside / Outside as our inaugural theme, we hoped to initiate a dialogue between the new indoor gallery and the environment — both sculpture and nature — beyond its walls; to explore Lynden's transition from a private, domestic space to a public space; and to define Lynden's new position within the art community.

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

Prominent themes explored by the work of 18 shortlisted artists included alienation in the digital age, the intersection between private and public spaces, sensory experiences and the transient nature of life.

Radically revising the line between public and private, the exhibition space was domestic space, and conventional assumptions about suitable artistic subject matter were discarded; the bathroom and the dollhouse were appropriated as «appropriate» exhibition spaces for feminist art.

Both his artwork and his architecture are based on the social interactions between people and the blurring of public and private space.

A Gentle Collapsing II breaks boundaries between interior and exterior, public and private, natural and manmade, all of which are themes that continue in the interior spaces of the exhibition.

Evolving through a range of mediums such as performance, video, installation, sound, and literature, her works consider the fluid border between public and private space, and in so doing, challenge established conventions relating to the body, sexuality, power relations, and institutional spaces.

The work inhabits an indistinguishable space between maker and curator, studio space and gallery display, private...