I think the key to writing short is to minimize description, focus on
the problem of a single character or conflict between two characters, and keep it all within a scene or two.
Not exact matches
The
character who almost
single handedly reversed the criticisms
of Marvel's «villain
problem,» Erik Killmonger is perhaps the most compelling villain in the entirety
of the superhero film genre.
Allen's screen
character (and here's where his undisputed verbal talents undermine him) is too much, too often, and too selfconsciously the cynical verbal sophisticate to credibly commit itself to the naïve physicality that slapstick and prop comedy demand: a mouth full
of bons mots and a body full
of anarchy have
problems coexisting organically in a
single comic presence.