Sentences with phrase «process of making paintings»

However, while his contemporaries focused more on materiality, abstraction, and in some cases the social and political climate of the time, Binion's works are intensely personal and deeply dedicated to the rigorous process of making a painting.

Yes, staining is somewhat unpredictable, and that dialog between control and chance was where much of my vocabulary started, but I feel I've always been as invested in the image and politics of representational space, with pattern and decoration and with color field painting, as in the physical process of making the painting.

EM: I've begun employing silkscreen in the process of making the paintings in the past couple of years.

I was just making a lot of work, painting all the time, becoming obsessed with the process of making paintings.

I want the experience of looking at one of my paintings to be similar to the process of making the painting — you go from the big picture to something very intense and detailed, and then back again.»

The process of making each painting draws a link between the artist's performance practice and the diving women's work.

And that is where it is in De Keyser too — crossing and recrossing the border between abstraction and figuration, and between the process of making a painting and the invention of an image.

CWYes, the process of making the paintings was the subject of the paintings and the materials had to be handled appropriately.

Herrera begins the process of making these paintings (comprising pencil and acrylic on paper) with mathematical drawings on tracing paper that are governed by lines, numbers and disciplined decisions.

The process of making his paintings, and his part in that process, Goldstein left decidedly open.

Or painting about the processes of making paintings; or about the history of making paintings; or maybe about painting's modes, compositional approaches, color theories, materials, marks, and subject matters.

I feel like I am a very slow painter and that I take my time doing things.I learn so much throughout the process of making the painting, so I am content to move slowly during my practice.

You put so much labor and time into the process of making each painting, in terms of layers and sanding.

This is a form of abstract expressionism, where the process of making the painting becomes more important than usual.

This unique work by Kim MacConnel is from ABRACADABRA, a series where the artist's process of making paintings is intuitive and spontaneous, in that a limited number of geometric forms, combined with a fairly limited color palette, offer a number of choices, which can be acted on.

RH: The process of making these paintings must be so intense and intimate.

Kim MacConnel says of her work, «The process of making paintings is intuitive, and spontaneous, in that a limited number of geometric forms, combined with a fairly limited color palette, offer a number of choices, which can be acted on.

Cullinane writes, «I hope that the focus of this new work in some way resembles his [Cezanne's] search for form and meaning in the process of making each painting in its own terms.»

They're definitely about architecture, but they're also about painting as a material and the way that decisions are made in the process of making a painting.

Filmed in her Berlin studio, a group of Julie Mehretu's assistants — Sarah Rentz, Damien Young, Erika Fortner and Harmony Murphy — discuss how they each bring different areas of expertise to the process of making paintings, from fine art backgrounds in printmaking and illustration to furniture polishing techniques and administrative skills.

Episode # 097: Filmed in her Berlin studio, a group of Julie Mehretu's assistants — Sarah Rentz, Damien Young, Erika Fortner and Harmony Murphy — discuss how they each bring different areas of expertise to the process of making paintings, from fine art backgrounds in printmaking and illustration to furniture polishing techniques and administrative skills.

These boldly painted canvases employing the soak and stain technique, found in many examples of Abstract Expressionism, and championed by Helen Frankenthaler, reflect Jones» love affair with the process and language of colour and the process of making paintings.

Recordings of lectures given by Sargy, films about him and also extracts from what he called his «audio sketchbook» — notes he made in the process of making paintings.