The panel dialogue will explore the project and the selection and commissioning
process of public sculpture more generally.
Not exact matches
Since 2010, M2M has trained a diverse, international group
of 49 League artists in the
process of creating large - scale
sculpture for outdoor
public spaces under the guidance
of master sculptor Greg Wyatt, resident artist at the Cathedral Church
of Saint John the Divine in Manhattan.
This
sculpture (which was shown in Edinburgh's Fruitmarket Gallery in 2002 and at Tate Britain in 2004) became a type
of symbol for the social
process of the
public art project.
The five levels
of the building function as open and flexible working spaces for painting, drawing, and
sculpture, and the ramp through the heart
of the building encourages
public circulation and provides views into the studios, making the creative
process visible through the building design.
His most recent solo exhibitions include: «Song,» The Renaissance Society, Chicago (2017); «The Measure
of Memory,» Galleria Raffaella Cortese, Milan (2017);
Public Process,
Sculpture Center, New York (2017); «Play,» Tanya Leighton Gallery, Berlin (2015), «Prescribe The Symptom,» Midway Contemporary Art, MN, (2015), «Loyalties and Betrayals,» Murray Guy, New York (2015), «Secondary Revision,» Frac Île - de - France / Le Plateau, Paris (2013), «A Portrait, A Story, And An Ending,» Kunsthalle Zürich, Switzerland (2013), «Alejandro Cesarco,» MuMOK, Vienna (2012), «Words Applied to Wounds,» Murray Guy (2012), «The Early Years,» Tanya Leighton (2012), «A Common Ground,» Uruguayan Pavilion, 54th Venice Biennial (2011), «One Without The Other,» Museo Rufino Tamayo, Mexico (2011), «Present Memory,» Tate Modern, London (2010).
The Projetto Series
of drawings from the early 1970s serve as studies for many
of the Phase
of Nothingness works and reveal the artist's design
processes for some
of his
public sculpture.
They also make fascinating connections to the history
of monumental
public sculpture, to ancient Shinto concepts, to traditional ceramic techniques, and to industrial manufacturing
processes.
The
process combines creative thinking within the constraints
of reality - and nowhere is this more apparent than in
sculpture planned for the
public realm.
Tasha Lewis is an artist originally from Indianapolis, Indiana, whose sculptural and installation works combine the historic photographic
process of cyanotype with paper
sculpture, stitching, magnets, and ephemeral
public art.
Public sculpture, as a powerful symbol
of the established regime, was caught up in the midst
of this
process.
For more than a decade, Nate Lowman has produced paintings,
sculptures, and (often salon - style) installations that
process and represent the unfolding human experience in a visual environment
of endlessly proliferating
public media archives.