Sentences with phrase «processes in visual ways»

Not exact matches

We can be aware in a general way of the role of our eyes in mediating visual experience, but we have no awareness of the work of the brain or of the process by which its work is translated into our conscious experience.

Consider also his claim that «the right way to think» about a visual experience is that «photons reflected off objects attack the photoreceptor cells of the retina and this sets up a series of neuronal processes (the retina being part of the brain), which eventually result, if all goes well, in a visual experience that is a perception of the very object that originally reflected the photons» (MC 64).

Making an activity more active can help her brain process the information in more than one way — as verbal or visual information and as a muscle memory.

«About 50 percent of the brain's pathways are tied in some to way to vision and visual processing,» said Dr. Steven Galetta, chairman of neurology at N.Y.U. Langone Medical Center and senior author of the study, which was published in The Journal of Neuro - Ophthalmology.

The tactile signals processed in the somatosensory centers of the brain may actually send feedback all the way to the very early stages of visual processing instead of being merely combined at some higher level.

But the researchers» findings show that stereotypes may also have a more insidious impact, shaping even our initial visual processing of a person in a way that conforms to our existing biases.

In her article on dyscalculia, Laura Spinney ignores the differences in the way we process and organise auditory and visual information (24 January, p 40In her article on dyscalculia, Laura Spinney ignores the differences in the way we process and organise auditory and visual information (24 January, p 40in the way we process and organise auditory and visual information (24 January, p 40).

Two new studies appearing in this week's issue of Neuron elucidate the neural mechanisms behind feature - based attention — essentially, the tuning of your visual processing system to specific colors, shapes or motions as a way of formulating an awareness of a scene.

In her article on dyscalculia, Laura Spinney ignores the differences in the way we process and organise auditory and visual.In her article on dyscalculia, Laura Spinney ignores the differences in the way we process and organise auditory and visual.in the way we process and organise auditory and visual...

The pattern of RGC loss in patients as well as information obtained from laboratory research all point to the fact that an important site of pathology occurs at the optic nerve head, a region where the axonal cell processes of RGCs exit the eye on their way to the visual centers of the brain.

Experiments are designed to test the hypothesis that visual and somatosensory processing are modulated in specific ways with recent motor behaviour and are further modified after motor learning.

But in its minor - key way, Louder Than Bombs is a major achievement: an intimate family drama that turns the private process of grief management into an exhilarating audio - visual experience.

The working processes and dispositions of contemporary visual artists, in their diversity, eclecticism, and the absence of a uniform organizing principle, ideology, or label, can provoke and inspire us to reframe the way we understand, interpret, and engage the uncertain and complex world we live in.

The cognitive burden can occur when the information itself is presented in multiple forms (verbal and visual) or when presented without necessity in a complex way since the processing capacity of each channel is limited.

And millions of years into the rituals of adolescent development for our species, today's teenager processes information in a profoundly different way due to the «mosaic» visual patterns of the electronic media to which they seem native.

The House of Learning makes the learning process visible in a visual and inclusive way.

Their book also benefits form a content plan — based on a 6 - step process — that provided the basis for a compelling visual that reinforces the book's contents in a way that words, alone, can not communicate.

The visual and physical introduction processes are similar in many ways.

When motion cameras were eventually introduced, we re-visited the way headtracking worked within the game (earning an Indiecade finalist nod in the process), but were still dependent on red / cyan 3D glasses to create a powerful visual depth effect.

Considering this is a port of a PlayStation 3 game, I must admit I was impressed with how true to the original game this handheld port was — although areas have received minor visual downgrades, it's done in a way that they've lost almost none of their original beauty in the process — it had been a little while since I last played Sigma, but everything looked as I remembered it, and there were no glaring changes in terms of design.

The idea is that audio and visual channels work separately in the brain, so when content is presented simultaneously by way of audio and visual channels — say, on - screen images and voice over — the information is processed faster and with greater ease.

In the realm of contemporary painting, he is one to watch as his process evolves, paint interacts within the confines of surface - area and visual vulnerability and relevance of haunted moments are plucked from the past and transformed in a new and unrecognizable waIn the realm of contemporary painting, he is one to watch as his process evolves, paint interacts within the confines of surface - area and visual vulnerability and relevance of haunted moments are plucked from the past and transformed in a new and unrecognizable wain a new and unrecognizable way.

Riffing off both the aesthetic and conceptual characteristics of technology, artists in Technologism document technology's advancement in a plethora of ways: Ulla Wiggen's intricate paintings of circuit boards from the mid 1960s, see the development of an aesthetic inspired by the complex intersection of electrical wires, connectors and components, working to manipulate and rewire the physicality of technology; some thirty years later, John F. Simon's Art Appliances series of the 1990s uses the circuitry of small LCD screens to disrupt pictures and patterns, recreating them over; in Matte Rochford's video Progressively Degrading Test Pattern 2013, humble VHS tapes are copied and recopied, in a process of metaphysical reduction; while in Joshua Petherick's new work, one technology is employed to record another soon to be superseded, revealing new visual dimensions and the «ghosts in the machine».

Practical experience, public presentation, and reflection are integrated into the educational process in many ways, such as through Internships and Cooperative learning assignments, play production, musical performance and recording, visual arts production and exhibition, and the production and viewing of video, film, and design.

«Unfinished: Thoughts Left Visible» examines the term «unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and open - ended.

New liberating questions about sensual recognition and the objects» condition are incorporated in the artistic process, as a way out of postmodernism's language play against a visual turn, where close contact with materials, matter and the object are given attention.

In this exhibition, the wall labels» attempts to explain the artists» interests and thought processes seldom elucidate the actual ideas behind their paths to abstraction, but the visual linkages between their ways of working are evident to anyone who takes the time to look.

The exhibition examines the term «unfinished» across the visual arts in the broadest possible way; it includes works left incomplete by their makers, a result that often provides insight into the artists» creative process, as well as works that engage a non finito — intentionally unfinished — aesthetic that embraces the unresolved and open - ended.

In the process, he realizes his visual manipulations in a variety of ways: he creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial illusions and visions of the futurIn the process, he realizes his visual manipulations in a variety of ways: he creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial illusions and visions of the futurin a variety of ways: he creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial illusions and visions of the future.

I am in no way comparing this visual table with the look of Dower's paintings, nor suggesting that her work is a demonstration of numerical or arithmetic processes, simply that the sudden discovery of the beauty of number, via the visible chart has some resonance with my experience of beauty in Dower's art.

Paintings acquire depth through the process of their creation, and part of their visual interest is in the way we can reconstruct the thought processes of the artist by studying their surfaces.

In this way, he formulates a visual encounter between the external images of contemporary global events and works based on purely mechanical - chemical processes.

This musical portion of his process acts in a similar way as his visual work and we hope you are able to enjoy that as well.

I came through the process of working on this exhibition with a quite optimistic sense of what visual culture can activate in progressive and positive ways.

Ernst explains,» The work is often an intuitive response to life's climactic events, a way of processing subconscious thoughts and feelings through visual metaphor as we often do in dreams.»

The ceremony also featured a dialogue between Robbins and the visual artist Ann Hamilton, a 2017 Resident, about process, productivity, and the way in which artists work, particularly in a community like the Academy.