Sentences with phrase «produce images of objects»

The intensive labour that goes into my animations is perversely used to produce images of objects and experiences that we normally go out of our way to avoid seeing and experiencing.

This scenario is one of many that researchers at Stanford University are imagining for a system that can produce images of objects hidden from view.

The algorithm can focus on any part of the three - dimensional data the scope captures and produce images of objects smaller than a micron anywhere in the field.

Not exact matches

Its software is capable of identifying the objects in images, producing captions for the visually impaired.

A poorly constructed object interposes barriers or distractions in the way of the intended and implied significance; the words and images employed, the details of design, are not all marshaled to produce a clear and unequivocal impression.

The gravitational pull of matter in the cluster bends and twists the light from more distant galaxies, producing a plethora of strange optical effects ranging from distorted arcs to multiple images of the same background object.

According to the researchers, each microlens produces a small image of an object with a form dictated by the parameters of the lens and the viewing angle.

Nonprofessionals routinely produce stunning images of creatures and objects too tiny for the eye to resolve.

The detectors stimulated in this way produce a sampled image of the object that can then be reconstructed using models of the optics.

This will allow it to produce images of extended objects in the night sky such as giant cosmic clouds of gas and dust.

The lens may produce multiple or distorted images of the background object as seen by the observer.

[2] This picture comes from the ESO Cosmic Gems programme, an outreach initiative to produce images of interesting, intriguing or visually attractive objects using ESO telescopes, for the purposes of education and public outreach.

With its huge corrected field of view and specially designed 256 - megapixel camera, OmegaCAM, the VST can produce deep images of large areas of sky quickly, leaving the much larger telescopes — like ESO's Very Large Telescope (VLT)-- to explore the details of individual objects.

They carefully analyzed and processed their data, then produced an image that showed the individual, radio - emitting objects within their field of view.

The Sloan survey captures the sky in full color rather than just through red and blue filters, produces images twice as sharp as Palomar's, and detects objects one - tenth the brightness of those detectable by its predecessor.

The telescope is expected to produce about 30 terabytes of data per night and advanced data - mining techniques will need to be developed to find objects of interest in the stream of images.

It gives the crystal calcite its famous ability to produce double images of objects.

The mass distribution in a galaxy acts rather like a lens shaped like the bottom of a wineglass, and produces multiple images of background objects, with images stretched out into arcs and rings.

DSSI works on a principle that utilizes multiple short exposures of an object to capture and remove the noise introduced by atmospheric turbulence producing images with extreme detail.

When air is pushed through the whale's nasal passage, it produces extremely high frequency clicks, squeaks and squeals that then echo off objects in the water, enabling the whale to get a high - resolution audio image of its surroundings.

The techniques could be used to produce more polished images for graphic - design projects, or, applied in the opposite direction, they could disclose structural defects, camouflaged objects, or movements invisible to the naked eye that could be of scientific interest.

If the lensing effect is strong, then multiple images of a distant galaxy will be produced and the separation angle between the multiple images gives us the mass of the lensing object (in this case, the closer galaxy or galaxy cluster).

Inspired by some of the images taken by the Faulkes Telescopes, Year 3 pupils produced some beautiful chalk drawings of galaxies, nebulae and various other astronomical objects.

The Dragonfly Telephoto Array used 14 - centimeter state of the art telephoto lens cameras to produce digital images of the very faint, diffuse objects.

Because of HST's location above the Earth's atmosphere, these science instruments can produce high - resolution images of astronomical objects.

Producing a live image of an astronomical object on a screen is also a LOT harder than it may sound.

A shallow depth of field (smaller f - stop number) will only focus on the objects in the foreground and leave the background blurry and a wider depth of field (larger f - stop number) will produce an image with more of the background in focus.

In Williams's work, «production» applies not only to the creation of images, but also to how images produce the experiences and objects that are consumed as part of a materialist society.

Re / Post, a group show of artists who produce images and objects to make works that seem to vibrate in some way.

King of Lesser Lands traces the fugitive career of Eugene Von Bruenchenhein (1910 — 83), a prolific creator of a diverse range of distinctive images and sculptural objects, who produced his art in private over a period of about 50 years at his home in Milwaukee, Wisconsin.

In the early 1950s, when Rauschenberg was living with artist Susan Weil in a one - room apartment on West 95th Street in Manhattan, they produced a series of cyanotypes — images produced without a camera, by shining an ultraviolet light on an object or nude model resting on blueprint paper, exposing the paper where the light isn't blocked and creating a negative shadow of the object or model's outline, similar to the way an X-ray is done.

Furthermore, Immaterial will investigate an artist's use of material, color, and form to produce an image or object which can create both physical and psychological spaces.

The shaped mirrors under these objects possess a seminal quality: They reflect the image of the sculpture, a commodity produced to reflect heteronormative male desire.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Means of producing and displaying images are central to his methodology and he unpacks the image as both subject and object, unfolding ways in which fragments of the present can connect with those of the past, the hidden with the visible, and the sentient with the physical.

In conjunction with the exhibition, the CMA produced a «box set» containing a newly pressed EP, an exhibition catalogue, and an anthology of texts and images edited by Christopher Williams, among other objects.

«By creating artwork that establishes me as an object it could be argued that I produce photographs that reinforce stereotypical images of the female body, but with apparent exhibitionism I create a substitute that renders my real body invisible.»

An English and Spanish word that broadly describes images and objects produced in the Americas and typical of American cultures, here it is specifically intended to evoke both North American vernacular art collecting traditions and a unique hemispheric perspective that reaches across national borders.

Within this exhibition, Andy Warhol's Brillo Box (Soap Pads)(1964) borrows the visual language of mass - produced objects to produce iconography — in classic Warhol style, and artists such as Martin Kippenberger and Mario Schifano use similar techniques to appropriate universally recognizable typefaces, as the image of a brand or consumable personality.

Jasper Johns reimagined iconic imagery like the American flag; Robert Rauschenberg employed silk - screen printings and found objects; and Larry Rivers used images of mass - produced goods.

Curry's work always contains this constant osmosis between the warmth of material like natural wood and the artificial slickness of industrial colours, between the memory of a hand - made object and the mass - produced, reproduced, broadcast image, between tribal art and the world of consumption.

In his response, Rawls works with objects in the exhibition and attempts to connect real - time movement to an animated moving - image work Craycroft has been steadily producing over the course of her show.

My work is a way of producing fantasies and narratives through the compilation of object and image.

Faculty in the SDSU School of Art + Design produce extraordinary objects and images, much in demand by galleries, museums, collections, and professional industries around the world.

In recalling early Renaissance masters, still life, anatomical studies or film noirs images, Auburtin produces objects and paintings that toy with reversible feelings like seduction and repulsion, training and perfection, luxury and death, beauty and deformity, etc... Graduated from ENSA Nancy (Fine Arts Academy of Nancy).

-- Tommy Cooper An accumulation of objects, images and texts produced by Giles Bailey, Tom Crawford, Camilla Wills and Rehana Zaman.

The artists do not aim to create an original; rather they follow in the tradition of Marcel Duchamp, who famously designated ordinary mass - produced objects as «Readymade» works of art, and Jasper Johns, who, in the late 1950s, chose to paint images «the mind already knows,» such as targets and the American flag.

In this occasion, Hernández has conducted the sculpture through a multi-layered narrative putting it in dialogue with a network of objects and images produced for this exhibition.

Made at a time of public and financial success, the image connects the artist's desire for money and success and her sexual desire (her role as consumer) with her use of her body and her emotional life to produce her art (the object of consumption).

She works with found images and utilizes this process as a tool to produce installations, collages, and objects, which criticize socio - political issues and the notion of a Post-Internet reality.