Sentences with phrase «produce important exhibitions»

The gallery often collaborates with independent curators and other art institutions in order to produce important exhibitions dedicated to the photographic work of both emerging and established artists, like Sebastiao Salgado and Marina Font.
Brooks Museum League is an integral part of producing this important exhibition each year.
Wells says the board remains committed to producing important exhibitions.

Not exact matches

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.
For the first time, experience the world's most important art exhibition through a series of 360 ° films produced by Scenic in collaboration with UBS.
Although some photographic material related to the exhibition at the Hayden Gallery at MIT exists (published in The Tech newspaper at the time) no significant documentation or critical text on this important project has ever been produced.
Her constant experimentation with materials and processes has produced in the words of a recent exhibition review, «some of the most important images in art of the late 20th century.»
Building an expansive practice as a curator of modern and contemporary art — most recently as Curator at Large at the Blanton Museum of Art — Carlozzi has created seminal exhibitions, produced important commissions, and acquired major works by a wide range of artists.
Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.
This important and unique work (though Flavin had planned it in an edition of 3, only one of the edition was ever produced) was shown most notably in «Dan Flavin: installations in fluorescent lights 1972 - 1975,» a one - person exhibition at the Fort Worth Art Museum (later renamed Modern Art Museum Fort Worth) in 1975 and has not been shown publicly since 1999, the date of a Judd / Flavin exhibition at the Menil Collection.
Within the wider context of Canada's sesquicentennial and re-examinations of accepted narratives of nationhood, the exhibition raises important questions about how such knowledge is established as well as how artistic practice can produce vital new insight and imagination.
Important museum exhibitions that explored work being produced and exhibited on both sides of the Atlantic also set the tone for this ongoing dialogue, among them Europa / Amerika (Museum Ludwig, Cologne, 1986) and A Distanced View: One Aspect of Recent Art from Belgium, France, Germany, and Holland (New Museum, New York, 1986).
[4] By the 1920s, space had become critical: «Collections to the value of several millions of dollars are in storage or temporarily on exhibition and are crowding out important exhibits and producing a congested condition in the Natural History, Industrial Arts, and Smithsonian Buildings».
In the second of this two - part podcast series, produced on the occasion of the exhibition, Franklin Kelly talks with archivist Maygene Daniels about the personalities behind this important collection.
Jeff Koons: Gazing Ball — the first catalogue on the artist's work to be published by David Zwirner — was produced on the occasion of the major 2013 exhibition at the gallery in New York, which marked the world debut of his Gazing Ball series, a brand new body of work that occupies an important place in the trajectory of his practice.
To accompany this major exhibition, the USFCAM is producing a 192 - page book, co-published with JRP Ringier that will offer the most complete view to date of the work of this important artist.
Text works also play an important part in the exhibition, with a new text by Ed Atkins produced a small publication and a wall - based piece by Nilsson Pflugfelder.
New York, NY — On Friday October 11, Japan Society Gallery unveils an ambitious solo exhibition of works produced by the internationally acclaimed artist Mariko Mori over the course of the last decade, including an important light installation never before exhibited in the U.S. and a new video work.
Galeria Jaqueline Martins presents an exhibition on the work produced by the artist Hudinilson Jr., who passed away in August 2013, when his work caught the attention of important national and international institutions.
The New Museum's show includes the work of 75 artists, all of whom produced work that year, as well as a number of historical reconstructions of important installations and exhibitions from 1993.
While the current exhibition presents an important shift in Condorelli's practice, the concerns remain rooted in architectural space and the political and social relations that produce it and are produced by it.
Each of the artists will produce an art work for Istanbul by the end of 2010; a collection of 77 pieces of art will be presented to Istanbul.Visibility a one day intense programme October 2010, intends to make contemporary art, artist and Galata Visible to the people just like a flash of Lightning aiming to make visible historical architectural and sociological richness richness of Galata and the industry in Sishane.Highly regarded artists, organizers and museum executitives visiting Istanbul offered a platform where they can get to know the local production.Photography parade in December 2010, will aim to document an important cultural art and life a total of 12 photography exhibitions will be opened at the Fototrek photography centre or Istanbul street including works by local and foreign photographers.
We have several amazing artists producing new work for the exhibition as well as several important and historic art cars on loan.»
Comprised of important and historical works from each artist's career, as well as new works produced expressly for the exhibition, the show will be on view through September 2nd, 2017.
In the 1990s the program found its stride and began producing important contemporary artists, many of whom are featured in this exhibition — Ambreen Butt, Faiza Butt, Imran Qureshi, Nusra Qureshi and Saira Wasim.
The lithographs produced by Mourlot, used to make fine art books and museum exhibition posters as well as prints, have been credited with making the work of the most important artists accessible to a broad audience.
The Museo Picasso Málaga's showcase is one of the most important exhibitions of Kippenberger's work to be held in Spain, where he lived during the late 1980s and where he produced one of the series of artworks that were directly related to Pablo Picasso, who had held a strong appeal for him ever since his early days as an artist.
«As the opening venue for this exhibition, the Museum is excited to showcase important works from the Brooklyn Museum that highlight the stylistic range and breadth of content being produced by American artists during this period.»
In recent years Dzama has in fact expanded his reach, and embarked upon collaboration projects with artists from other fields: bands Arcade Fire and Department of Eagles; music video and commercial director Patrick Daughters; singer - songwriter Beck — for whom he designed two important albums; José Noé Suro's ceramic workshop in Guadalajara, Mexico; and artist Raymond Pettibon, with whom Dzama worked last year to produce the joint exhibition Let Us Compare Mythologies, presented for the first time at the David Zwirner Gallery in New York.
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